Tag: 30 Rock (Page 2 of 5)

TCA Press Tour, Summer 2010: Day 4

The 4th day of the TCA tour started out not with a panel but with a poolside breakfast with the cast of USA’s new series, “Covert Affairs.” Like several of my fellow critics, I’m not a huge fan of events where the network publicists divide with the cast members and conquer the room by bringing the actors by the various tables and saying, “Oh, have you met (INSERT ACTOR’S NAME HERE) yet?” I’m not saying it isn’t kind of cool to be finishing up your danish and have Peter Gallagher and Keri Matchett stroll up…which, as you might’ve guessed, is exactly what happened to me…but at the same time, my concentration is on my breakfast, not on whatever questions I might have for them, so it’s kind of a stilted conversation. I mean, c’mon, man, I haven’t even finished my coffee yet! I did manage to ask Keri if this new gig meant that we wouldn’t be seeing her pop up on “Leverage” again anytime soon, and, alas, she sighed and admitted that it probably did. Damn.

Before I headed back upstairs to the ballroom to get ready for the first proper panel of the day, I waited around for a few minutes in hopes of chatting with Sendhil Ramamurthy and Anne Dudek, but after loitering for 10+ minutes as they talked with someone from TV Guide, I could see no signs of their conversation abating. I finally gave up and decided that I’d just try to grab them at the NBC party that evening…which, FYI, I successfully ended up doing.

The Event

When I watched the pilot for “The Event,” a new sci-fi / action series that will immediately remind viewers of “Lost,” “Fringe,” and possibly even “24,” I was instantly captivated and loved every minute of it. Even as I watched it, though, I knew that my wife would be far less thrilled, owing to the fact that there is a tendency for the proceedings to bounce back and forth in time…and she hates that. Clearly, she’s not the only one, since the topic was addressed almost immediately during the show’s panel, but the show’s executive producers – Nick Wauters, Steve Stark, Evan Katz, and Jeffrey Reiner – reassured us as much as possible.

“It’s definitely something that we’re going to keep using, at least in the near future, as long as it serves character and story,” said Wauters. “But you may not see as much of it as we go along.”

“Also, I think if you look at the pilot, the pilot was about 50 percent flashbacks, believe it or not,” said Stark. “A little over that, actually. That’s not going to be the idea moving forward. In episode 4, there’s a whole series of just getting to know Sean and Leila from a character standpoint, but it’s just that.”

“Time will move forward from episode 2 on,” said Katz. “It will be a more linear approach, and there will be flashbacks, but the story will continue to thrust forward.”

I don’t know if that’ll make my wife feel a heck of a lot better, but it’s something, anyway. It also serves as a reminder that, although “The Event” has a tremendous cast, one which includes Zeljko Ivanek, Laura Innes, Jason Ritter, Sarah Roemer, Scott Patterson, and Blair Underwood (as the President of the United States), as a serialized drama, it’s the producers who hold the answers to all of the truly important questions. Heck, the actors don’t really know anything…and they’re not afraid to admit it!

Continue reading »

RIP Harvey Pekar

Not that today’s version of Comic-Con — or yesterday’s version, for that matter — was ever even close to being his scene, but it’s still going to be a little less fun and a lot sadder to be there knowing that Cleveland-born-and-bred Harvey Pekar has left the world at age 70. For those of you know who are not familiar with American Splendor, his great yearly autobiographical comics or his occasional graphic-novel sized books like Our Cancer Year, all I can say is that Pekar was a late-blooming writer who understood that comics were a medium appropriate for as many different kinds of stories as the stage or the theater. Since he had friends like underground comics legend Robert Crumb and since his own hilariously grumpy yet humanistic vision of the world was, in its way, a natural fit for the comic book form, it was where he found his artistic home. The world is a richer, funnier, kinder place because of it.

My excuse for being able to note Pekar’s passing here, where I’m supposed to write about movies, is that, after being discovered by David Letterman, who then discarded him when he decided to poke a few too many not-so-funny fingers in the eye of his then-bosses at General Electric, the movies eventually found their way to Pekar’s door. It was his good fortune that husband-and-wife documentarians Shari Springer Berman and Robert Pulcini on their very first narrative feature managed to pull off one of the best movies of the oughts, and my choice, still, for the best comic book adaptation ever with their wonderful and hugely inventive 2003 film version of “American Splendor” featuring great lead performances by Paul Giamatti and Hope Davis.  Naturally, I’ve got a couple of film clips.

The first it’s 100% pure, uncut Pekar. It’s also not too far from my own frequent train of thought when I’m shopping in areas rich in retirees of my and Pekar’s own ethnic.

More clips after the flip.

Continue reading »

The 2010 Primetime Emmy nominations are in!

Bright and early this morning…by which we mean 8:40 AM EST / 5:40 AM PST…the nominees for the 62nd Primetime Emmy Awards were announced by Joel McHale (“Community,” “The Soup”) and Sofia Vergara (“Modern Family”). It ended up being a worthwhile gig for one of them, at least, with Vergara pulling in a Supporting Actress nod for “Modern Family.” Maybe that’s why McHale seemed so stone-faced. (Seriously, did someone tell McHale that he wasn’t getting paid if he didn’t keep his smart-assery in line ’til after the nominees were read? The only time he cracked anything approaching a joke was when he preempted Vergara’s mangling of Mariska Hargitay’s last name.) Anyway, here’s a list of who got the glory…and, in the case of Best Actress in a Drama, who got the shaft.

Outstanding Comedy Series:

* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)

My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.

Continue reading »

Red Carpet Chatter: Mike Nichols Gets His AFI Lifetime Achievement Award

nicholsenhance

Born in 1931 in what was very soon to become Hitler’s Germany, young Michael Peschkowsky was living in Manhattan by 1939. It was great luck both for the future Mike Nichols and for the country that accepted him.

Nichols is, of course, one of the most respected directors in Hollywood, and for good reason. He’s the original, craftsmanlike, and emotionally astute directorial voice responsible for such sixties and seventies classics as “Who’s Afraid of Virginia Woolf?,”  “Carnal Knowledge” and, of course, “The Graduate” (the source of his only directorial Oscar so far) as well as such eighties, nineties, and oughts successes as “Silkwood,” “Working Girl,” “The Birdcage,” and “Closer.” Even if some of the later films are not on the same level of quality as his earlier films — and several, especially his 1988 box office hit, “Working Girl,” stray into mediocrity — it’s still one of the most impressive and diverse careers of any living director in Hollywood.

That’s just on the big screen. On television, Nichols has rebounded in the eyes of many critics, directing two of the most acclaimed television productions of the last decade, 2001’s “Wit” with Emma Thompson, and the outstanding 2005 miniseries adaptation of Tony Kushner’s brilliant and mammoth epic play, “Angels in America.” With his 80th birthday just a year and a half away, he’s still working hard with two thrillers movies planned, including an I’ll-believe-it-when-I-see-it remake of Akira Kurosawa’s “High and Low” currently being rewritten by the decidedly counter-intuitive choice of Chris Rock.

Before he directed his first foot of film, Mike Nichols was a noted theater director. That in itself is not so unusual a root for directors to travel. What is different is that, before he was a noted theater director, he was half of one of the most influential comedy teams in show business history, Nichols and May. (His comedy partner, Elaine May, went on to become an important, if less commercially successful, writer and director in her own right.)

Still, from the moment he directed his first major play, Neil Simon’s “Barefoot in the Park,” Nichols mostly abandoned performing. Today, his highly regarded early work is mostly known only to fairly hardcore comedy aficionados.

elaine-may-006-500x375

Continue reading »

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑