GLP-1 Drugs Are Reshaping the Modeling Industry

pretty brunette model in black dress

The fashion world has always had a complicated relationship with body size. For decades, the modeling industry has prized extreme thinness, with sample sizes hovering around zero. But the explosion of GLP-1 medications is introducing a powerful new shortcut to achieving and maintaining that coveted look. These drugs include semaglutide (Ozempic, Wegovy) and tirzepatide (Mounjaro, Zepbound).

A recent Vogue article explores how these weight-loss drugs are influencing casting calls, runway shows, and the overall aesthetic of the industry. What was once achieved through rigorous dieting, exercise, or more extreme measures now has a pharmaceutical assist for many.

Continue reading »

Podcast advertising is evolving

New Heights Podcast on YouTube screenshot

The podcast industry is evolving, as is pretty much everything in the entertainment business. We’ve been hearing about “convergence” for decades but now we’re seeing an acceleration. We’re seeing podcasts turn into YouTube channels and vice versa. We’re seeing YouTubers streaming on channels like Netflix. All of the lines between delivery platforms are blurring. This creates huge opportunities for many, but it’s also unsettling for those who like to stay in their comfort zone.

We’re also seeing monetization strategies evolve as well, with podcasters and YouTubers embracing a wide variety of revenue sources beyond just traditional advertising. These types of 360 deals work particularly well with celebrity podcaster and creators.

A recent article in the New York Times explains this in the context of the New Heights podcast from Jason and Travis Kelce. Podcasts can essentially “become an entire lifestyle brand — complete with merchandise, live events, shoppable content, and dedicated fan hubs.” This approach marks a significant evolution. Instead of just selling ad slots, Amazon is helping creators monetize their personal brands across multiple touchpoints — social media, live events, product lines, and more. Other big names like Dax Shepard, Keke Palmer, and LeBron James are also part of the roster.

And it’s not just Amazon. The article doesn’t address this, but niche content creators, including those in the B2B space, can also leverage their audience across multiple platforms, particularly newsletters and memberships.

This article focuses more on creators in the entertainment space:

Fans will show up for — and spend money on — anything and anyone connected to their favorite shows. This logic is aligned more with product placement, sponsored content or celebrity endorsements (or a hybrid of all three) than with traditional podcast advertising. Under every rock is a monetization opportunity.

Not every celebrity can pull this off. We saw a rush of celebrities try to launch podcasts during and after Covid, and many of them failed. Few have the personality to thrive with this type of content. But those who do can make a killing, and we’re now seeing companies expand the types of revenue opportunities available to these creators.

 

First Watch: “Never Say Never Again” (1983)

Sean Connery as James Bond in Never Say Never Again in tuxedo

I had seen every James Bond film other than “Never Say Never Again,” released in 1983. That omission probably wasn’t accidental. The film occupies a strange and controversial place in the Bond canon: an unofficial, non-Eon Productions entry that marked Sean Connery’s return to the role of 007 after a twelve-year absence. When Netflix recently licensed all 26 Bond films from Amazon in a somewhat surprising move, including this odd, non-Eon outlier, I finally took the opportunity to check it off the list.

Unfortunately, the experience was a letdown. “Never Say Never Again” is a complete mess, and it has aged terribly. Some scenes are so misguided that they feel like unintentional parody, with the Blofeld scenes and dialogue standing out as particularly cringe-worthy. To be fair, many of the Bond films leading up to “Never Say Never Again” haven’t aged especially well either. Their pacing often drags, and Bond’s “cool” factor we all love is frequently buried under long, dull stretches and strained attempts at humor. This film suffers from all of those problems, only here they’re compounded by a weak script and thoroughly schlocky production values.

Continue reading »

How “Pretty Woman” Remains the Ultimate Cinderella Story in Modern Rom-Coms

Pretty Woman - Julia Roberts

“Pretty Woman” turned 35 on March 23, 2025. The film cost less than $15 million to make and returned over $463 million at the global box office. Those numbers tell part of the story. The rest lives in every romantic comedy that came after it, borrowing its structure, its beats, its insistence that money and love are the same thing.

Vivian Ward works as a sex worker on Hollywood Boulevard. Edward Lewis runs a corporation that acquires other corporations and sells them off in pieces. They meet by accident when Edward gets lost driving a borrowed sports car. By the end of the week, he has paid her $3,000 for her company, bought her a wardrobe, taken her to the opera, and fallen in love. The film presents this sequence as a fairy tale, complete with a white limousine, a fire escape, and a final kiss.

Continue reading »

« Older posts

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑