Tag: The Big Bang Theory (Page 2 of 4)

TCA Tour: Comedy Showrunners Q&A – “The Big Bang Theory” / “Two and a Half Men”

During the TCA tours, there’s an understandable tendency for the networks to pimp their newest programming, but once in awhile, they do manage to offer us a panel that shines the spotlight on an established show. In this case, it was actually two shows: “The Big Bang Theory” and “Two and a Half Men.” On the panel were Chuck Lorre (co-creator of both series, executive producer on both shows), Bill Prady (co-creator of and executive producer on “The Big Bang Theory”), and Lee Aronsohn (co-creator of “Two and a Half Men,” executive producer on both shows). I’m not going to tell you that I wouldn’t rather have had actual cast members on the panel, but given the comedic credits of this trio, it was unsurprising to find that we got quite a few laughs during the course of the conversation.

First, though, let’s go ahead and acknowledge the elephant in the room right away, shall we? You know that someone had to ask about Charlie Sheen, and while they did, one must applaud the restraint of the collected TV critics that the question didn’t come up until several minutes into the panel. Predictably, the guys went for the joke before offering up a proper answer.

“I’m sorry, what happened with Charlie?” asked Lorre, innocently.

“I don’t know,” said Aronsohn, poker-faced. “Something happened?”

Lorre then slipped into serious mode. “We put on a show last night, and it went extremely well,” he said. “We had a great week, and the audience was wonderful last night, so we’re just going about our business. Charlie is a consummate pro. He shows up and he delivers, and last night was one of our strongest episodes. It was just terrific.”

Okay, let’s get into the meat of the panel a bit more, which was – thankfully – far more about the shows themselves rather than the sordid personal lives of one of their stars.

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The Man Who Would Be Sheldon: A Chat with Jim Parsons (“The Big Bang Theory”)

We’re going to go on record right now and say that Jim Parsons got the shaft at this year’s Emmy Awards.

Not that Alec Baldwin isn’t great as Jack Donaghy on “30 Rock,” but in the end, he’s just another guy in a suit. As Dr. Sheldon Cooper, however, Parsons has taken a character that could’ve been just another comic book nerd and transformed him into a comedic force to be reckoned with, and he and his co-stars – Johnny Galecki, Kaley Cuoco, Simon Helberg and Kunal Nayyar – have made “The Big Bang Theory” one of the funniest shows on television. I chatted with Parsons back in 2008, then crossed paths with him again this summer during the Television Critics Association Awards and floated the idea of doing a phoner once Season Three of “The Big Bang Theory” had kicked off in earnest, which he assured me would be no problem whatsoever. Still, when the time came to set up the interview, I decided to refresh Parsons’ memory of the evening by sending him a picture from that night. Fortunately, it worked like a charm.

Here are a few pull quotes from the piece:

* On bringing guest stars to “The Big Bang Theory”: “It’s fun to inject new life into this show, anyway, but when you’re able to get someone who is so talented as an actor in general, it’s not only a coup for the show and the audience members, but for you as an actor, to get to work with them. It’s always a different dance when strong actors come in like that, because they bring their own thing, and you’re, like, ‘Wooooooo!’”

* “(Wil Wheaton) was so fun to have on the set, and he was such a good guy, just in general. He seemed to be completely okay with the fact that his entire name became a mantra of vengeful hate. That didn’t seem to bother him.”

* On the Leonard / Penny relationship: “I really like that they decided to play this kind of true to life. Two friends get together, and you’re, like, ‘Oh, that’s not going to work,’ but then six months into it, one Friday night, you suddenly go, ‘Oh, my God, I’m completely used to them being together! I’m still not sure that it’s going to last, but I’m not thinking about it anymore.’”

* “Looking at Sheldon’s sexuality is like trying to read into a Rothko painting. It’s just, like, ‘Do I see a line?’ ‘No.’ ‘No? Well, I see something…’”

* On the idea of Sheldon falling in love: “What a special person it would take to devote themselves to Sheldon, and to accept him for what he was. Not that he’s a leper or something, but he can be so trying to deal with, and if you were his intimate other, oh, my God, would you have to listen to more workings of his even deeper inner mind? Good criminey!”

Interested…? Check out the interview by clicking here…or, y’know, on that big-arse graphic above. Either one will do the trick.

The Return of Bullz-Eye’s TV Power Rankings

Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:


5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did.David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been.R. David Smola

Honorable MentionCougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last.Will Harris

Returning in 2010Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.”Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (“FlashForward”), Kurt Sutter (“Sons of Anarchy”), Jonathan Ames (“Bored to Death”), and Bryan Cranston (“Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

Halloween on the Small Screen: 31 Memorable Halloween Episodes

Too old to trick or treat but not popular enough to get invited to a Halloween party? Fortunately, we have the perfect solution to keep you in the spirit of the holiday while keeping your brain occupied enough to forget how uncool you are: a list of 31 great Halloween episodes from throughout TV history. It’s not a complete list, of course, and we’ve left out specials, so leave your complaints about the exclusion of “It’s The Great Pumpkin, Charlie Brown!” at the door. Instead, just embrace the fact that we’ve found as many clips and complete episodes for your viewing enjoyment as we possibly could. You’re welcome…and Happy Halloween!

1. The Addams Family, “Halloween with the Addams Family”: The Addams family are all busy preparing for their favorite holiday, but their celebration is bolstered by a pair of bank robbers…one of whom is played by Don Rickles…who they welcome as trick-or-treaters.

2. The Andy Griffith Show, “The Haunted House”: Maybe it isn’t officially a Halloween episode, but it first aired in October 1963, and it focuses on Barney and Gomer trying to retrieve a baseball from a supposedly haunted house and finding some strange goings on inside. As far as I’m concerned, that’s close enough for jazz.

3. Angel, “Life of the Party”: Lorne throws a Halloween party for all the firm’s clients and employees, but during the gathering, his advice to his friends starts happening literally: Fred and Wesley get drunk after Lorne tells them to loosen up, Spike and Harmony dance the night away, Angel and Eve do the horizontal bop, and, Gunn, uh, relieves himself after being told to “stake out his territory.” Good times.

4. Beavis and Butthead, “Butt-o-ween”: It starts simply enough, with the guys trying to master the concept of trick or treating, first without costumes, then wearing Beavis’s “monkey sheets” and going as ghosts. Eventually, however, Beavis + Halloween candy = Cornholio. The equation was ever thus, and here it leads to a quest for more candy…and, y’know, some T.P. for his bunghole.


Bevis and Butt-head-Butt-O-Ween

Dreamer Neverending | MySpace Video

5. Beverly Hills 90210, “Halloween”: The stock line is that Halloween costumes allow a woman to bring out her inner slut, and when the gang from West Beverly goes to a Halloween party, Kelly’s seductive costume leads a college student to translate “no” as “yes.” It’s absolutely inexcusable, of course, but – whew! – you can’t say she doesn’t make an impression. Meanwhile, Brenda and Dylan go as Bonnie and Clyde, Steve is Zorro, and Donna comes as a mermaid, a move which seriously hinders her dance moves.

Watch the episode at CBS.com!

6. The Big Bang Theory, “The Middle Earth Paradigm”: Penny throws a great Halloween party, and she makes a pretty kitty, too, but it’s hard to top the meeting of the four Flashes.

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The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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