Classic “Friends” Thanksgiving episode with Joey and the turkey.
Happy Thanksgiving! Here's the most elite Thanksgiving themed TV scene of all-time. https://t.co/o8kjO5L44L
— Joe Marino (@TheJoeMarino) November 22, 2018
One of the more interesting parts of the interview has Ivana discussing her experience working on episodes of “Seinfeld” and “Friends.”
Well, as I say, “Seinfeld” was my first job, which is a really good first job to have, because…that was, I want to say, the second-to-last season of that show, and they were a tight-running ship. But they weren’t a tight-running ship like they were phoning it in. They were still, even at that point, constantly trying to keep the jokes fresh, even kicking them up a notch on the night you were shooting. They never got lazy. They never relaxed. Their work ethic was incredible, and it was really good to be a part of that, to see that. So all the shows I worked on after that, I was, like, “Oh, well, this show isn’t like ‘Seinfeld,’ so that’s why it isn’t as tight…or as good.’” [Laughs.]
The second runner up, though, would be “Friends.” They were also super-tight. Nothing like “Seinfeld,” but that’s because “Seinfeld” was its own crazy thing. So “Friends” was different, but it was still a really close second as far as how tight they were…and, y’know, look at the success of that show, too! You could be, “Ah, it’s comedy, it’s just a sitcom,” but you have no idea how hard people work on these things…and, believe me, I saw the difference between shows where they do work hard and shows where they don’t. So that was good. And, of course, it’s just amazing to have been on those iconic shows. I still make money from them…which is beautiful, because you know Mama needs a new pair of shoes.
Check out the entire interview linked above.
That’s right, the summer 2010 press tour of the Television Critics Association – that’s TCA to you, see? – has come and gone, leaving in its wake a piece that I love to compile but hate to finish. It’s just that kind of experience: there’s always something else to write about.
I know I say this every time, so you’d think my mindset on the tour would’ve changed by now, but I still continue to get excited when I fly to California and spend the better part of two weeks ensconced in a hotel, watching and listening as closely as possible (which, admittedly, isn’t often as closely as I’d like) to various stars, directors, producers, and writers as they do a dog and pony show to promote their program. I know they get sick of it sometimes, but for my part, I still haven’t. I spend the better part of 48 weeks of the year in Chesapeake, VA, a place where I do not regularly cross paths with the people that you see on your TV screen. As such, I remain excited about the opportunity to participate in these ridiculously cool opportunities, and I still feel like I have to share the experience with you, the reader, lest they begin to seem normal to me.
It’s not normal.
It’s the TCA press tour.
And trust me, unless you’re actually in show business, life doesn’t get much less normal than this.
Most entertaining panel by a broadcast network: “Circus,” PBS. Given the subject matter of the series – yes, it really is about the circus, specifically what it’s like to be part of a traveling circus in 2010 – it wasn’t entirely surprising that the panel kicked off with acrobat Christian Stoinev demonstrating some of his gymnastic abilities, but that didn’t make his performance any less impressive.
Plus, he earned bonus points for incorporating a cute little dog named Scooby into the act, who jumped onto Stoinev’s butt, strolled down his back, sat on his feet, and looked as calm as possible as Stoinev balanced semi-precariously on his parallel bars.
Most entertaining panel by a cable network: “Kids in the Hall: Death Comes to Town,” IFC. When I walked into the ballroom and found that we’d all received autographed DVDs of the Kids’ latest endeavor, I thought, “Can it get any better than this?” (I’m a sucker for anything autographed.) Indeed, it could, as the Kids – minus Mark McKinney, who’d been called back to Canada because of a family emergency – held court and kept us in stitches.
Some of my favorite moments:
QUESTION: How long had it been since you had cross-dressed professionally before (“Death Comes to Town”), and was that sort of a difficult readjustment for any of you?
SCOTT THOMPSON: Define “professionally.”
QUESTION: With a large crew.
SCOTT THOMPSON: Oh.
DAVE FOLEY: Not just any exchange of money.
BRUCE McCULLOCH: So if you shoot porn with a small crew, that wouldn’t count…?
KEVIN McDONALD: That’s not cross-dressing professionally.
DAVE FOLEY: Yeah. If you put on a nice shirt and give a handjob at the bus station, that still is professional.
SCOTT THOMPSON: Yes, it is.
BRUCE McCULLOCH: And by “handjob,” we mean “Bible reading,” as we like The Bible.
* Dave Foley on the audience response to Scott Thompson’s cancer being in remission: “I’m getting a sense that a lot of these people are on the cancer side. Well, I hope you are proud of yourselves. ‘Oh, dammit, not another one beating cancer. Poor cancer. When will people learn to love cancer?'”
* Scott Thompson: “I had a much easier time making (‘Death Comes to Town’), even though I was fighting cancer, than I did with ‘Brain Candy,’ honestly. It was tougher to fight Paramount. Because, at least with cancer, you can win.”
QUESTION: Do you find that people, when they see you, wanted to just squash your head? Because, like, I’m sitting here, like, resisting.
DAVE FOLEY: Yeah, a lot of time it has no reference to that gesture. It’s people actually want to crush our heads.
KEVIN McDONALD: The first apartment I ever moved to in Los Angeles, 1996, I was in bed the first night, and a couple were having a fight in the floor above me. And he was crying, “I’m going to crush your head,” and I thought they were fans, but it turned out they weren’t.
DAVE FOLEY: Yeah, it was a bloody homicide.
KEVIN McDONALD: It was a bloody homicide, yes.
DAVE FOLEY: But still, you felt flattered.
KEVIN McDONALD: But still, I felt flattered.
* When asked about their current relationship with Lorne Michaels, who introduced them to the U.S., McCulloch said, “I watch him get a haircut once a year when I go to ‘Saturday Night Live,'” while Foley claimed, “I chill his Amstel Light.” (“And drink it,” added McDonald.)
* Kevin McDonald made the bold choice of using the word “guff” at one point, receiving no end of ridicule from his fellow Kids. “It’s a tough word,” said McCulloch,”I know it’s tough to hear.” Thompson gasped and shrieked, “You said ‘guff‘!” Foley, however, offered a practical solution to the assembled journalists. “You can put asterisks in that. Just G-asterisk-asterisk-asterisk for your print,” he said, adding, “Of course, you online media people can just change it to ‘fuck.’”
* “Death Comes to Town” was filmed in North Bay, ON, but Foley said that it was a rarity for locals to come up and acknowledge their recognition of the Kids. “Canadians don’t do that,” explained Thompson. “Yeah,” agreed Foley. “They’d just come up and start talking to you like they knew you. You know, you would be in the grocery store, and somebody would just come up behind you and say, ‘Special K is marked down today. I’m getting the Special K as well. What are you doing later, Dave?’ And that was how you knew they recognized you.”
* The miniseries features Foley playing “the kindly old town abortionist,” which made it a bit difficult to scout for locations. Foley said that they had to keep making up stuff to tell the people of North Bay, saying things like, “Yeah, this scene, it’s a gynecologist’s office,” or “Oh, it’s an obstetrician’s office.” Or, as Scott Thompson claimed, “It’s a very bad day care.” At this, the crowd of critics erupted with a mixture of boos and laughs. “That was good,” Thompson assured us. “That was bad,” Foley assured him. At this, Thompson nodded, grinned, and admitted, “Very bad.”
Too old to trick or treat but not popular enough to get invited to a Halloween party? Fortunately, we have the perfect solution to keep you in the spirit of the holiday while keeping your brain occupied enough to forget how uncool you are: a list of 31 great Halloween episodes from throughout TV history. It’s not a complete list, of course, and we’ve left out specials, so leave your complaints about the exclusion of “It’s The Great Pumpkin, Charlie Brown!” at the door. Instead, just embrace the fact that we’ve found as many clips and complete episodes for your viewing enjoyment as we possibly could. You’re welcome…and Happy Halloween!
1. The Addams Family, “Halloween with the Addams Family”: The Addams family are all busy preparing for their favorite holiday, but their celebration is bolstered by a pair of bank robbers…one of whom is played by Don Rickles…who they welcome as trick-or-treaters.
2. The Andy Griffith Show, “The Haunted House”: Maybe it isn’t officially a Halloween episode, but it first aired in October 1963, and it focuses on Barney and Gomer trying to retrieve a baseball from a supposedly haunted house and finding some strange goings on inside. As far as I’m concerned, that’s close enough for jazz.
3. Angel, “Life of the Party”: Lorne throws a Halloween party for all the firm’s clients and employees, but during the gathering, his advice to his friends starts happening literally: Fred and Wesley get drunk after Lorne tells them to loosen up, Spike and Harmony dance the night away, Angel and Eve do the horizontal bop, and, Gunn, uh, relieves himself after being told to “stake out his territory.” Good times.
4. Beavis and Butthead, “Butt-o-ween”: It starts simply enough, with the guys trying to master the concept of trick or treating, first without costumes, then wearing Beavis’s “monkey sheets” and going as ghosts. Eventually, however, Beavis + Halloween candy = Cornholio. The equation was ever thus, and here it leads to a quest for more candy…and, y’know, some T.P. for his bunghole.
5. Beverly Hills 90210, “Halloween”: The stock line is that Halloween costumes allow a woman to bring out her inner slut, and when the gang from West Beverly goes to a Halloween party, Kelly’s seductive costume leads a college student to translate “no” as “yes.” It’s absolutely inexcusable, of course, but – whew! – you can’t say she doesn’t make an impression. Meanwhile, Brenda and Dylan go as Bonnie and Clyde, Steve is Zorro, and Donna comes as a mermaid, a move which seriously hinders her dance moves.
6. The Big Bang Theory, “The Middle Earth Paradigm”: Penny throws a great Halloween party, and she makes a pretty kitty, too, but it’s hard to top the meeting of the four Flashes.
When Marlo Thomas turned up as Rachel Green’s mother on “Friends,” ’60s TV aficionados had a good laugh at the appropriateness of the casting, since Ann Marie – Thomas’s character on “That Girl” – could easily have been Rachel’s mother, given all of their similarities. By the fifth and final season of “That Girl,” things had finally gotten serious between Ann Marie and her longtime beau, Don Hollinger (Ted Bessell), with the two of them at long last getting engaged…not that we actually saw them tie the knot by the end of the series. (Apparently, Marlo didn’t want to send a message to young women that marriage was the ultimate goal for them.) Virtually every episode this season features a recognizable guest star, but some of the bigger names include Cloris Leachman, Regis Philbin, Alex Rocco, Dick Van Patten, Milton Berle, and Marlo’s daddy, Danny. Meanwhile, fans will be glad to find that Marlo has returned, along with series co-creator Bill Persky, to contribute a foursome of audio commentaries, including one for the final episode. Kudos to Shout Factory for successfully putting out the entire series of “That Girl” onto DVD; it might not be the funniest sitcom of the ’60s, but it’s an important one that deserves to be remembered.