Tag: Dollhouse (Page 1 of 5)

I personally won’t be utterly sure it’s real until the man himself writes about it over at Whedonesque, but news today came via both Mike Fleming and (unlinkable/unreadable w/o subscription) Variety that mega-culty writer-producer-director Joss Whedon will be directing “The Avengers” as well as reworking the screenplay already written by Zak Penn.

It’s important to note that no one’s saying it’s yet a 100% done deal, just that Whedon and Marvel Studios are in “final negotiations.” I imagine that could mean anything from lawyerly due diligence, to the movieland equivalent of leaving a real estate transaction in escrow, to quibbling over whether craft services on the film will provide marshmallows along with the hot chocolate. Still, there is certainly some truth to the story, and not only because Fleming and Variety are highly reliable sources, but also that, if there were not, Whedon himself would almost certainly have piped up about it by now. He’s known for staying in touch with his fans and has quickly squelched many a baseless, “squee!”-generating rumor.

As a confessed Whedonite, I’m sure I’m biased, but I love this idea. When I first got seriously hooked on Whedon’s “Buffy, the Vampire Slayer” TV series, it was because I felt something of the same sense of involvement in the characters and backstory I had when I had become involved in the often soapy plot complications of Silver Age Marvel comics. When Whedon cites Charles Dickens and Stan Lee as his two favorite authors, it makes perfect sense to me.

More objectively, I’m not really that surprised that Marvel choose him and I think he’s a shrewd pick from their point of view. Some commenters have argued that Whedon is not an experienced action film-maker. I don’t think they’ve been paying attention. He’s supervised four action-heavy television series (“Buffy,” “Angel,” “Firefly,” and “Dollhouse“) and has directed one very strong action-packed movie space opera (“Serenity“) complete with space-car chases, martial arts, and even a bit of sword play mixed with down-and-dirty street fighting. I think he’s got that ground covered.

Moreover, he brought the film in with what is, by current standards, an impossibly tiny budget for a movie with copious effects and action ($40 million) and, in my book at least, he did so with plenty of cinematic style. That has to please the notoriously tight-fisted Marvel Studio heads and probably puts them somewhat in mind of their other “risky” choice of “Iron Man” director Jon Favreau, who prior to making “Zathura” had pretty much no experience with action or effects. More or less like “Serenity,” that film garnered good reviews but did kind of badly at the box office.  At $65 million, it was a somewhat higher budgeted box office disappointment, however.

“Serenity” fared poorly because it was a based on a TV show (“Firefly”) that most people had never seen, and was cursed with a premise and background that was very difficult to explain. Moreover, the title reminded people of very non-action-movie things like meditation, spas, and adult diapers. Worse, Universal was not really prepared to risk extra money on a months-long publicity campaign to try and bring the audience up to speed on what Whedon’s “verse” was all about. “”The Avengers” will not have that problem. It’s about a group of superheros doing superheroic stuff together. People will get it.

As a fan, I do have one concern — well, not a concern, but more a point of curiosity. Whedon has had, for the most part, rather fabulous luck with acting ensembles comprised mostly of unknowns, and I’m really looking forward to seeing what he can do with actual superstars like Robert Downey, Jr. and Samuel L. Jackson. This is, however, also the first time he’s not chosen his own cast but been given a ready-made ensemble, and it’s not like he can really make any major changes if he’s not happy with the way things are jelling. It’s just one of many aspects of this production that should be interesting to follow.