Tag: Dileep Rao (Page 1 of 2)

2010: A Look Back at a Lot of Interviews

At the end of 2009, I took a look back at 100 interviews I’d done over the course of the year, and it was exhausting…not only for me, but possibly also for you, the reader. Oh, I still think it was a heck of a piece, but I believe I made a mistake by numbering them. I mean, you get about 20 – 25 into the proceedings, and it’s, like, “Oh, geez, I’ve still got 75 left to go? Screw this, I’m out of here.” So this time, I’m not going to tell you how many quotes are in the piece. I’ll just say that I talked to a lot of really funny, fascinating, and decidedly forthright people during the course of 2010, and I’ll let you dive in. Hope you enjoy the chance to reminisce as much I did, and here’s to a great 2011 for us all!

Big Shots at the Box Office

“I was in Australia, touring with my films and live show, and I got an E-mail from my agent, saying that there was interest in me for Tim Burton’s ‘Alice in Wonderland.’ I thought, ‘Okay, that sounds good.’ I thought it would be for a day or two, maybe a few days or something, and I would’ve been very happy to do that. But then the offer came in, and it was for virtually the entire run of the film. I didn’t even know what part it was for, so I asked my agent, and he said it was for the Knave of Hearts. So I looked up the Knave of Hearts in the original book online and…it didn’t really seem like a character that would require the run of the film. I thought, ‘Something must be different.’ And then I got the actual screenplay, and it was extremely different. I could see that it was written as a sequel. But it was a great part, and I was ecstatic to be in it…and I’m still ecstatic to be in it!” – Crispin Glover, Alice in Wonderland

“They called my agent and said they were auditioning for (‘Inception’), so I flew myself back, I read for Chris (Nolan) once, and I left. I think it was later that day that I heard from my agent, saying, ‘They’ve cut everyone except you. Now, they’re going to go to London to see some people, and then we’ll know more after that. So don’t get your hopes up, but…this is great!’ Then I came back and read again, and I got the job. And then, as you might expect, I freaked out completely.” – Dileep Rao, Inception

Dileep Rao

“I was actually down at my ranch in South Texas, and my guys called me and said, ‘Hey, we’re trying to get you a meeting with Sylvester Stallone. He’s casting a movie called ‘The Expendables.’’ Several months went by, and he’d already cast ‘The Expendables,’ but he still wanted to meet me for potentially playing the part of Dan Paine. So I went in to meet Sly, it was the first time I’d ever met him, and I’m a huge fan. I remember watching ‘Rocky’ back in ’76 or whenever it was, then getting up the next morning, drinking eggs, and running down the street…and now here I am meeting with this guy!” – Steve Austin, The Expendables

Steve Austin

“I was privileged and honored to work side by side with Sly (Stallone in ‘The Expendables’). Most of my scenes take place with him, and I’m telling you, man, he took me under his wing, and it was a brilliant thing. I don’t know what else to say. ‘Rocky,’ ‘Rambo,’ just everything he’s done is iconic, and it wasn’t lost on me. I love the man, and I can’t wait to do another one, ‘cause Sly’s the king of the sequels…and in my whole career, I’ve never done a sequel to any one of my projects. So I’m, like, ‘Sly, I’m ready for ‘Expendables 2,’ okay?'” – Terry Crews, The Expendables

Terry Crews

“Jessica (Pare) was just about to disrobe…we were in the (hot) tub…and they were, like, ‘Ready!’ And she took off whatever was covering her in the tub. And somebody asked the boom guy a question just as she was disrobing, and all he could say was, ‘Yesssssss…’ He could only whisper. I didn’t make a joke about it, though. I was just, like, ‘Okay, Craig, keep it cool, keep it together…’” – Craig Robinson, Hot Tub Time Machine

Craig Robinson

“I made the mistake of using one term loosely and saying (filming in 3D) was a tedious process, and somebody made it sound really bad. The bottom line is that it took a little longer, and the one that suffered more than anybody was (director Kevin Greutert) and the camera guy, because they have to get it right. You know, calibration and being specific with lights and all that stuff. For me, it was a good excuse to go play with the crew that wasn’t on set and crack a couple of jokes, so I got to socialize a little bit more.” – Costas Mandylor, Saw 3D

“Usually, when you’re coming in completely blind with who you’re working with, you don’t know if you’re going to get along, nor do some people put the time in to try to get along. We were all in Pittsburgh, and we did do, like, two weeks of rehearsal before we started shooting (‘She’s Out of My League’), and in those two weeks, we hung out a lot…and, luckily, it went good rather than bad. Because sometimes it’s just awful, and you’re going, ‘I can’t stand that guy!’ So we were lucky. I know a lot of people always say this when they come off work, because they’re kind of trained to say it, but with this one, we all really got along, and I think that’s what helps our chemistry on screen so much: we thought each other were funny, we even liked to hang out afterward, and that played well. ” – Nate Torrence, She’s Out of My League

Nate Torrence

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TCA Press Tour, Summer 2010: Day 5

Mercifully, there were no panels to attend on Day 5 of the TCA Press Tour, thereby allowing me a brief chance to breathe…and, more importantly, to spend some time with my lovely wife Jenn, who arrived from Virginia in the wee hours of Day 4. Although I ducked out to attend the TCA business meeting that morning, I passed on a chance to visit the set of “Big Brother” in order for Jenn and I to have lunch at the South Beverly Grill with my friend Dileep Rao, who I knew way back when he was just a member of the Trashcan Sinatras mailing list. Now, of course, he’s a big shot movie actor who can’t even finish his lunch without having someone come up and say, “I loved you in ‘Inception.'” Either way, it was still good to see him again.

After that, it was back to the hotel to get ready for the TCA Awards, an evening which always proves to be one of the most enjoyable evenings of the tour. It’s the opportunity for the members of the organization to pay tribute to our favorite programs and performances of the previous year, and it’s also a chance for us to interact with the individuals responsible, but we do so with our tape recorders put away for the evening. There’s no red carpet. There’s no video document of the proceedings. It’s just us, the stars, and the night…or does that sound too pretentious? Yeah, it probably does, especially when you’re talking about a night that’s hosted by Dax Shepherd.

Given that the first two TCA Awards ceremonies that I attended were hosted by John Oliver (“The Daily Show”) and the Smothers Brothers, respectively, you’d think that Dax Shepherd would feel like a step down…but then you factor in how awful Chelsea Handler was as last year’s host, and darned if Dax doesn’t seem like a decent choice. Indeed, he proved to be extremely funny, much funnier than I think a lot of us were expecting him to be. He kicked things off by pretending he was addressing a group of HerbalLife salespeople, claimed that he was only hosting because Dog the Bounty Hunter dropped out, then acknowledged he was a little hurt by the fact that just about every review of “Parenthood” that mentioned his performance invariably began with some semblance of the phrase, “You’re never going to believe this, but he’s actually pretty good.” There was also a funny story about how he’s a god at CostCo, thanks to having co-starred in “Employee of the Month” with Dane Cook, and he did a spot-on impression of Owen Wilson calling his brother Luke and mocking him for his telephone commercials. Really, the only disappointing thing about Dax’s appearance was that I didn’t realize he’d brought his fiancee, Kristen Bell, until after she’d already gone. DAMN!

From there, we entered the awards portion of the evening.

PROGRAM OF THE YEAR: “Glee” (FOX)
OUTSTANDING NEW PROGRAM: “Glee” (FOX).
INDIVIDUAL ACHIEVEMENT IN COMEDY: Jane Lynch, “Glee” (FOX).

Alas, Jane Lynch was suffering from laryngitis and was unable to attend, but Ryan Murphy and Ian Brennan accepted the award in her stead, offering as solace a list of four things we’ll hear Sue Sylvester say in Season 2.

4. “A female football coach is like a male nurse, Will: it’s a sin against nature.”
3. “I secretly hope you’re in the middle of a midlife crisis, William, as that means you’re halfway to an early death, affording me a blissful demented convalescence spent peeing on your grave.”
2. “Don’t go soft on me, Will. I realize you’re mourning the loss of that bony little redhead you’re in love with, and I understand. It’s not just a loss for you. As she appears to be the link between early hominids and man, it’s also a loss for science.”
1. “Should’ve taken the poop cookies, Will.”

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A slightly lighter than usual end of week movie news dump

Well, at least I hope can get this done nice and quick because I’m really looking forward to making a Manhattan very soon. Forgive me if I miss something huge.

* As per Nikki Finke, the early box office returns for “Inception” are looking good.

* Though I was a big fan of “The West Wing” while he worked on it, my one complaint with Aaron Sorkin’s abandoned TV classic was that it was a bit rosy in how it viewed politics and politicians. Currently flying high as the screenwriter of the upcoming docudramas, “The Social Network” and “Moneyball,” he was almost the Gene Roddenberry of political drama in imagining a relatively ideal world that could be, but probably never would be. I don’t think excess positivity is going to be an issue in his movie directorial debut, as he’ll be covering the John Edwards mega-debacle. To think I contemplated voting for/volunteering for the egocentric jerkwad who, had he succeeded, would have sunk a party and a nation on the altar of his ego.

John-Edwards-NYC

* I don’t think I’ll really know what I think of Ryan Reynolds’ CGI-aided Green Lantern costume until I see it in the movie.

* Things have been hopping over at our sister site, Bullz-Eye.com. Earlier in the week Will Harris, with a little assistance from one or two other people who will remain nameless, took a look at 25 cinematic swan songs from film acting greats. Very cool (except for seven of them, which I’m unable to judge). Also, today, Will had a chat with his friend and rising young star, Dileep Rao, currently being seen in “Inception.”

* There may be no justice in the world, but Roman Polanski’s next movie is already being prepped, and it sounds good. It’s the film version of the London/Broadway hit play “God of Carnage.” Being as it’s a dark comedy/drama, it sounds right up Polanski’s alley. Also, Polanski’s 1994 film version of Ariel Dorfman’s “Death and the Maiden” was one of the most seamless stage-to-film translations I’ve ever seen.

* My high school history teacher, who was also a saxophone playing jazz fan on the side, always used to say that of all the rock music figures, the one he was sure wouldn’t last beyond another couple of decades in terms of popularity was Janis Joplin. Her super-gritty style was just too of the late sixties moment, he theorized. Indeed, she seems to be one of the less popular of the rock superstars of that era today. Well, director Fernando Meirelles of “City of God” and Amy Adams — a top-flight actress who is way cute to be playing the weather-worn Joplin  — will be hoping to disprove that theory with a new biopic.

* Okay, so we’ve got “Pride and Prejudice and Zombies” so why not Cain and Abel with Vampires (and Will Smith)?

* I like the sound of this: Stanley Tucci, who obviously gets along very well with Meryl Streep, will direct her and Tina Fey in a mother daughter comedy.

Grindhouse
* The Playlist apparently wants to make me happy. First, they report that the long-awaited DVD of the pre-prepared exploitation double-bill, “Grindhouse,” as it was originally presented in theaters is coming this October. Second, Joseph Gordon-Levitt is apparently planning to appear in some kind of a musical. Interesting.

I’m just annoyed that I missed his rendition of the Donald O’Connor “Make ‘Em Laugh” number from “Singin’ in the Rain” on SNL last year and it’s gone from Hulu for some reason. Moment of rank and utterly baseless speculation here: Could a team-up with fellow three-namer Neil Patrick Harris be in the cards? “Dr. Horrible and Dr. Horribler” perhaps? Forget I said that.

“Sex and the City 2” insufficiently pleasured at the box office; the troll scores

Sarah Jessica Parker and Chris Noth in The long Memorial Day weekend is not quite half over but it doesn’t look like a barn-burner for anyone. Looking at the traditional three days which are used to cover the more competitive side of box office results, it’s looking like Carrie Bradshaw and the other women of “Sex and the City 2” have been stood up by a significant share of the expected audience, leaving “Shrek Forever After” the box office leader.

The $60 million guessed at for the entire “five day frame” by jolly Carl DiOrio on Thursday may still be possible” but it’s start to look like it’ll be lucky to hit even that modest number. (The first film in the series earned $57 million in its initial three-day frame.) In any case,everyone really did seem to expect the film to hit #1 and that certainly doesn’t seem to be the case. The present weekend estimate for Warners’ “Sex” according to Box Office Mojo is $32.125 million while the final Shrek film took in $43.345 million.

The pleasant surprise for Dreamworks/Paramount here is that their animated comedy about the world famous fairy tale troll experienced a better than average 38% percent drop from it’s opening — which was a big let down compared to previous films at just under $71 million, but far from disastrous. This may be more evidence that telling a decent story actually counts for something.

Shrek Forever After

The consensus on this “Shrek” is that it’s nothing great (Mike Fleming termed the reviews “mediogre” <yuck, yuck>), but a relatively decent ending to the series with some considering it one of the better entries in the four picture series, so word-of-mouth may be giving it a small boost. There’s also the factor of it in being in nearly a thousand more theaters than the other films and many of those being 3-D with higher ticket prices. The public may be starting to tire of those prices, but enough of them appear to still be willing to pay the added freight to keep the troll on top.

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