Tag: Glee (Page 4 of 5)

TCA Tour: Live from (the same state as) the Golden Globes!

Since I’m currently sitting in southern California with a bunch of TV critics and watching the Golden Globes, it seems a little ridiculous for me to do anything other than live blog the thing…well, the TV portion, anyway. I wouldn’t dare take away anything from Mr. Westal’s coverage of the film portion. With that said, however, I can’t exactly ignore the show’s host, Ricky Gervais, so I’m definitely planning to give him a shout-out whenever he offers up a great line.

I’ve never done this before, so be gentle with me…

8:01 PM: Gervais suggests that most people probably know him as the guy from the original British “Office,” then shakes his head and says, “No, you don’t, do you?” The highlight comes when Gervais suggests that “quality, not quantity” makes his version of “The Office” the better one, which results in Steve Carell’s mouthing of “I will break you” to Gervais.

8:02 PM: “I’m not used to these sort of viewing figures. Then again, neither is NBC.”

8:03 PM: “Actors: they’re just better than ordinary people, aren’t they?” Hugh Laurie seems amused by Gervais’s remarks about he plays a doctor on television better than a real physician would, while Kiefer Sutherland is perhaps less so by the suggestion that some of the fights on “24” aren’t scripted.

8:04 PM: “Let’s get on with it before NBC replaces me with Jay Leno.”

Best Performance by an Actress in a Television Series – Musical or Comedy: Toni Collette, “United States of Tara.” Although I’m a little surprised that Tina Fey didn’t take home the award, I acknowledged in my nominations piece that I figured a lot of people might favor Collette. I guess it was an easy pick. It just wasn’t mine. I still think it’s John Corbett and the kids who are the real stars of that show.

Best Performance by an Actor in a Supporting Role in a Series, Mini-Series, or Motion Picture Made for Television: John Lithgow, “Dexter.” I still haven’t seen his performance yet, and yet I still picked it. That’s how strong the buzz was. Glad to see it paid off.

8:29 PM: “We’ve seen some worthy winners…aaaaaaand we’ve seen some not so worthy winners.”

8:30 PM: After observing that one can’t officially buy a Golden Globe Award, Gervais concedes that he’s probably never going to be allowed to do the show again.

Best Performance by an Actor in a Television Series – Drama: Michael C. Hall, “Dexter.” I think that, at three (TV) awards in a row, you can officially begin to suggest that Showtime is dominating the proceedings. Given the acclaim that this season has received, I’m not surprised that Hall beat out my pick (Hugh Laurie), and once you’ve factored in the fact that he’s battling back from lymphoma, who could complain, really?

Best Performance by an Actress in a Television Series – Drama: Julianna Marguiles, “The Good Wife.” Holy crap! My dark horse pick took home the win! What an awesome line from Julianna about CBS keeping the faith by continuing to air quality drama at 10 PM. I announced to my fellow critics that I’d gotten this pick right, and I was accused of being Nostradamus. Somebody cue up “We Are The Champions,” please. I’d like to enjoy this victory as long as possible.

8:43 PM: Gervais bashes Paul McCartney by claiming that he shared a flight with the former Beatle, with Gervais in first class and Macca in coach because he’s “saving money.” After receiving several boos for his trouble, Gervais assures the crowd, “Uh, I think he’s still doing all right!”

Best Mini-Series or Motion Picture Made for Television: “Grey Gardens.” No complaints. I picked “Taking Chance” for this category, but I picked Drew Barrymore for her performance in the film, so I can hardly argue with this selection.

8:59 PM: Gervais decries the boozing, brawling Irish stereotype, then introduces Colin Farrell. (Farrell admits, “When I heard Ricky Gervais was gonna be introducing me, I said, ‘Oh, balls…'”)

9:09 PM: When Helen Mirren said, “Life,” then paused, I was really hoping she was going to follow it by saying, “Don’t talk to me about life.” But she didn’t.

Best Performance by an Actor in a Mini-Series or Motion Picture Made for Television: Kevin Bacon, “Taking Chance.” Same situation as above. I wanted to see Chiwetel Ejiofor take it home for “Endgame,” but given how much I loved “Taking Chance,” I’ve no complaints.

Best Performance by an Actress in a Mini-Series or Motion Picture Made for Television: Drew Barrymore, “Grey Gardens.” Exxxxxxxcellent. Someone here just referred to the performance as “her first acting award,” and there’s a certain amount of truth to that, as she offered up more in “Grey Gardens” than most people would’ve expected that she had in her. You know, I’ve watched “Fast Times at Ridgemont High” a lot of times, but that reference to “Jeff Spicoli’s girlfriend” flew right over my head. Anyone…?

9:22 PM: Gervais notes how actors want to be ever-changing and constantly moving, then says, “Please welcome Rachel from ‘Friends’ and that bloke from ‘300.’”

Best Performance by an Actor in a Television Series – Musical or Comedy: Alec Baldwin, “30 Rock.” You can never go wrong with Alec Baldwin, I guess. But I still wanted Steve Carell to win it, if only to hear what Gervais had to say about it.

9:36 PM: God love Zachary Levi and Amy Poehler, but…really? Those were the best jokes you could provide for the stars of two of NBC’s best shows? The network needs all the help it can get!

Best Television Series – Drama: “Mad Men.” This is a category where there were no losers, but with that said, I really couldn’t imagine any other series than this one taking home the win. Look at the beard on Jon Hamm..and the breasts on Christina Hendricks! I couldn’t believe the music kicked in so quickly on Matthew Weiner, but as someone here said, it’s a basic-cable network. That doesn’t buy you much time, no matter how much acclaim your show gets.

Best Performance by an Actress in a Supporting Role in a Series, Mini-Series, or Motion Picture Made for Television: Chloe Sevigny, “Big Love.” The only thing more upsetting than her win is her dress. I kid. Well, about the win, anyway. (I love Rose Byrne, but after seeing her today at the TCA panel for “Damages,” I was beginning to wonder if she was even capable of smiling anymore.) Seriously, though, that dress is horrid.

9:48 PM: Gervais sips from what is almost certainly a glass of real lager, then struggles to get a laugh from his “Catwoman” joke…which is probably almost as much of a struggle as it took to get Halle Berry into that dress she’s wearing.

9:57 PM: Am I the only one who was just creeped out by DeNiro’s bit about Scorcese having sex with film?

10:00 PM: Great clipfest for Scorcese. Methinks it might be time to go order a copy of “The King of Comedy” from Amazon.

10:12 PM: The lager’s back, as Gervais admits, “I’ve had a couple, I’m not gonna lie to you.” He then blames the alcohol for anyone he might’ve offended, after which he quickly offers up the most incredible introduction of the night: “I like a drink as much as the next man…unless the next man is Mel Gibson.” And just like that, Ricky Gervais is officially the best host of the Golden Globes EVER.

10:16 PM: James Cameron wins for “Avatar,” and Dileep Rao’s Golden Globes party suddenly gets kicked up a notch. I only mention this because he went to that party instead of having dinner with me. You got lucky, Rao!

Best Television Series – Musical or Comedy: “Glee.” That’s going to be one happy set when I go visit it tomorrow. Nice shout-out from Ryan Murphy to Miss Barbra Streisand and the show’s “fake sexy teen cast,” as well as the dedication to everyone who ever got a wedgie in high school. Aw, that’s so sweet of you to include me, Ryan…

Well, that’s it for the TV awards, but I have to hang in there to see if Ricky Gervais has anything else left to say…or anyone else does, for that matter. Like, say, the governor of California…

10:34 PM: Damn, even Schwarzenegger can’t resist getting in a jab at NBC!

10:35 PM: Gervais really must be scared of Mickey Rourke if the best he can offer up is, “I haven’t gotten a bad word to say about him, mostly because he’s got arms as big as my legs.”

10:42 PM: I hope the kazillion ads they’ve shown for “Parenthood’ actually earn the show some viewers. I really liked the pilot. I can’t say the same for “The Marriage Ref,” partially because they haven’t produced a screener for us yet, but mostly because of my feud with Jerry Seinfeld. But that’s a story for another time.

10:52 PM: Do you get the impression that, were it not for Chrysler, we might’ve been stuck listening to the Golden Globes on the radio?

10:55 PM: What? Straight into Julia Roberts and Best Motion Picture – Drama without a last appearance from Gervias? Gyp! Oh, well, at least “Avatar” won. Congrats again, Mr. Rao. I just hope that party was worth it…

10:59 PM: Ah, there we go. “If I had one wish, it would be for peace on earth. No, wait, can I change that? It would be for everyone to watch ‘The Ricky Gervais Show,’ on HBO on Feb. 19th.” Way to end on a plug, sir.

So there you go: my first-ever live blog. I hope it made for at least a semi-entertaining read, and stay tuned for Bob Westal’s movie portion of the proceedings, coming soon!

Let’s Have a Ball Down at the Globes (TV Edition)

The announcements have been made, and the nominations for the 67th Golden Globe Awards are now officially a matter of public record, but just in case you haven’t caught them elsewhere (which, to be fair, is highly possible), here’s my look at the TV series, mini-series, and movies which received nods, along with my personal picks for who should take home the win for each category.

Best Television Series – Drama

• Big Love (HBO)
• Dexter (Showtime)
• House (Fox)
• Mad Men (AMC)
• True Blood (HBO)

My pick: “Mad Men.” Regular readers of Premium Hollywood had probably already narrowed my pick down to two entries, anyway, since I’m the designated blogger for both “True Blood” and “Mad Men,” but while “True Blood” had a strong season that was tarnished slightly by an unsatisfying finale, “Mad Men” offered up a full-fledged game-changer for the conclusion of their third year. The most notable omission from this list, however, is “Sons of Anarchy,” which you could almost write off as being too harsh for the voters if you didn’t have a drama about a serial killer in the mix.

Best Performance by an Actress in a Television Series – Drama

• Glenn Close, “Damages” (FX)
• January Jones, “Mad Men” (AMC)
• Julianna Marguiles, “The Good Wife” (CBS)
• Anna Paquin, “True Blood” (HBO)
• Kyra Sedgwick, “The Closer” (TNT)

My pick: Julianna Marguiles. I know full well that it’s a dark horse pick that almost certainly won’t pay off, but “The Good Wife” has been my favorite drama of the new season, and Marguiles offers a multi-layered performance as Alicia Florrick, a woman having to struggle with the media shining the spotlight on her husband’s infidelity and political and legal misdealings while she’s trying to return to a career as a litigator. And am I the only one who scoffed somewhat at January Jones’ nomination? Of the three primary “Mad Men” actresses, she’s the last I would’ve nominated, and this is one case where I think most would agree with me.

Best Performance by an Actor in a Television Series – Drama

• Simon Baker, “The Mentalist” (CBS)
• Michael C. Hall, “Dexter” (Showtime)
• Jon Hamm, “Mad Men” (AMC)
• Hugh Laurie, “House” (Fox)
• Bill Paxton, “Big Love” (HBO)

My pick: Hugh Laurie, “House.” God love Jon Hamm, but I said of the “House” season premiere back in September that it was “strong enough to warrant giving Hugh Laurie an Emmy nomination no matter what else he may do on the show during the course of the season’s subsequent episodes,” and I stand by that.

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The Return of Bullz-Eye’s TV Power Rankings

Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:


5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did.David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been.R. David Smola

Honorable MentionCougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last.Will Harris

Returning in 2010Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.”Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (“FlashForward”), Kurt Sutter (“Sons of Anarchy”), Jonathan Ames (“Bored to Death”), and Bryan Cranston (“Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

Fox: What’s New for Fall 2009

Glee (Wed., Sept. 9 @ 9:00 PM, Fox)

The competition: “Modern Family” and “Cougar Town” (ABC), “Criminal Minds” (CBS), “Law and Order: Special Victims Unit” (NBC), “The Beautiful Life” (The CW)

Starring: Jane Lynch, Jayma Mays, Corey Monteith, Lea Michele, Dianna Agron, Matthew Morrison, Jessalyn Gilsig, Chris Colfer, Patrick Gallagher, Kevin McHale, Jenna Ushkowitz, Amber Riley, Mark Salling
Producers: Bradley Buecker, Brad Falchuk, and Ryan Murphy (“Nip/Tuck”), Zachary Woodlee (“Eli Stone”)
Network’s Description: A one-hour musical comedy that follows an optimistic high school teacher as he tries to transform the school’s Glee Club and inspire a group of ragtag performers to make it to the biggest competition of them all: Nationals. McKinley High School’s Glee Club used to be at the top of the show choir world, but years later, a series of scandals have turned it into a haven for misfits and social outcasts. Will Schuester, a young optimistic teacher, has offered to take on the Herculean task of restoring McKinley’s Glee Club to its former glory with the help of fellow teacher Emma Pillsbury. It’s a tall order when the brightest stars of the pitch-imperfect club include Kurt, a nerdy soprano with a flair for the dramatic; Mercedes, a dynamic diva-in-training who refuses to sing back-up; Artie, a geeky guitarist who spends more time avoiding bullies than chasing girls; and Tina, an awkward girl who needs to suppress her stutter before she can take center stage. Will’s only hope lies with two true talents: Rachel Berry, a perfectionist firecracker who is convinced that show choir is her ticket to stardom; and Finn Hudson, the popular high school quarterback with movie star looks and a Motown voice who must protect his reputation with his holier-than-thou girlfriend, Quinn, and his arrogant teammate, Puck. Driven by his secret past, Will is determined to do whatever it takes to make Glee great again, even though everyone around him thinks he’s nuts. He’s out to prove them all wrong – from his tough-as-nails wife Terri Schuester to McKinley’s cheerleading coach Sue Sylvester to an über-hip world that thinks jazz hands and sequined tuxedos litter the road to infamy rather than pave the way to Hollywood dreams.
The Buzz: Crazy insane. (Insane? Crazy?) Fox’s decision to air the pilot for the show back in May and let it simmer for the summer was one of the strongest marketing moves in recent television history, as evidenced by the ridiculous amount of iTunes downloads of the songs from the show, and while having the cast turn up at Comic-Con might’ve seemed out of place at first, given how close the lines for “glee club members” and “comic book and sci-fi aficionados” lie on the geek flowchart, it shouldn’t have. And now they’re preparing to tour the malls of America…? The buzz buzz buzz you’re hearing in the drum of your ear is the sound of “Glee.”
Pilot Highlight: If you didn’t want to leap to your feet and applaud at the end of their performance of “Don’t Stop Believin’,” you are dead inside. Dead, I say.
Bottom Line: It’s going to be like having a new volume of “High School Musical” airing every single week, except with sensibilities falling closer to “Freaks and Geeks.” If it isn’t a huge hit, and if the soundtrack to the show isn’t one of the biggest selling albums of the holiday season, I will be shocked…and crestfallen, too, as I’m totally in the “Glee” club as well.

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TCA Tour: “Glee”

During his executive session at the TCA Press Tour, Fox President of Entertainment Kevin Reilly announced that they’ve finished 13 episodes of “Glee,” assuring us that “the show delivers. It’s fantastic.” While this is exactly the sort of thing you’d expect a network president to say, those of us who caught the pilot episode of the series when it aired earlier this year couldn’t be much more hopeful that Reilly isn’t just talking out of his arse.

It was an interesting experiment for Fox to air the series pilot months before the series was to make its proper debut, but it created the kind of buzz that makes network executives giddy.

“We didn’t really think that a one-time-only play was going to be about ratings,” said Reilly. “It was really a marketing stunt to a certain extent, and it’s something that has ended up being very successful. In fact, it could be the marker for something we’re going to employ more frequently, because our marketing effort in these things get wedged into such a narrow window from the time they’re ready to put out there to the time they air. We wanted people to talk about it and take time to get their heads around it. It did a 4.3 rating ultimately in the Live-Plus-Seven. It’s been sampled by 25 million people between TV, the online site, and Hulu, which has been unbelievably strong. We’re going to repeat it again. We’ve heard the chatter, and the talk continues to get more and more positive.

“We were at Comic-Con last week, which was a stretch for this show,” he admitted. “We were nervous nobody was going to show up. It wasn’t even in the main venue. There were thousands of people out the door, and it was like The Beatles were there. There’s something happening with the show. With that said, we’re both very confident there is a core audience for this show that is going to be there and it will be successful. How much the upside is…? I don’t think we’re looking for this to be necessarily the biggest phenomenon of the fall. It is a little bit of an offbeat show, but we’d certainly love to have it in that square success category. We know it’s a creative success because we’ve now seen the work. So all in all, we like that strategy. It worked very well.”

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