Tag: 24 (Page 7 of 14)

24

Going forward to yesterday

Some of you may know that I have my own blog, Forward to Yesterday. Today we have numerous items that inspire movie déjà vu of various sorts. Below are just a few and there’s more where that came from. Expect a sequel.

* Steven Spielberg is set to produce, but not direct, a possible series of films based on Donald Hamilton’s Matt Helm character. Cinegeeks will recall that during the sixties spy craze Dean Martin starred in four not terribly well regarded, highly tongue-in-cheek films featuring a character who I gather has a lot more in common with Austin Powers than he does with Hamilton’s far grittier and more realistic creation. (I haven’t seen any since I was maybe six or seven at the oldest; I have a vague memory of Martin lounging in a giant bottle of champagne.)

Apparently the thinking here is to update the series, but to hew a lot closer to the books, which Wikipedia explains are about as far from spy spoofs as they could possibly be, and take a more “Bourne”/”24”-like approach (I gather torture plays a part in the first Helm novel, Death of a Citizen.). I’m weird and “Munich” is by far my favorite recent spy film, so I’m kind of sorry Spielberg won’t be doing this. In any case, I actually hope the filmmakers who take this on find their own path. I’m not sure why, but I could see Steven Soderbergh or Alfonso Cuarón nailing this one.

* Original “Alien” director Ridley Scott is attached to a proposed prequel. He did pretty well the first time around; I say it’s high time the kid got another chance.

* Much as I dig both Johnny Depp and Keith Richard, I’m not a fan of the “Pirates of the Caribbean” franchise, though I’m rather fond of movies with sword fights in general. Nevertheless, Mike Fleming, who also brought us the Matt Helm news above, is here to tell you that, following up on the upcoming “Nine,” Rob Marshall’s next movie may be “Pirates 4.”

Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Bullz-Eye’s TV Girlfriends, Round Five: Married to the Job

Married to the Job

You’ve exercised your right to vote through the first four rounds of Bullz-Eye’s TV Girlfriends, choosing your favorites from the Hot and Smart, Pretty, Vacant, Girls Next Door, and Coworkers with Benefits categories…and now it’s time for round five: Married to the Job.

Your mission, should you choose to accept it, is to survey our shapely (and professionally driven) lineup of potential TV Girlfriends — a list that includes more recent hotties like Nancy Botwin of “Weeds” and Veronica Mars, as well as classics like Mary Richards — and pick the one you’d most like to spend your weekends with. Will it be Chloe O’Brian of “24”? Sarah Connor? Elaine Nardo from “Taxi”? Or another of our fine choices? Take a look and cast your vote!

Blu Tuesday: A Bug’s Life, Batman and Terminator 2

The wealth of Blu-ray titles being released this week is actually pretty incredible (in fact, most of the month has yielded a nice selection for HD enthusiasts), but you’d be wise to get in on the fun now, because the future is looking pretty dim – at least in the short term. Nevertheless, there are plenty A-list titles to last you through the upcoming drought, and most of them are good enough to warrant headlining their own column.

“A Bug’s Life” (Walt Disney)

It may not be one of Pixar’s most popular films (in fact, it’s curiously missing from just about every marketing campaign of the last decade), but “A Bug’s Life” is still a solid entry in the studio’s 14-year history. A clever reimagining of Akira Kurosawa’s “Seven Samurai,” the film features all of the usual Pixar trappings (humor, heart and charm), not to mention an awesome voice cast including the scene-stealing Kevin Spacey and Richard Kind as the villainous grasshopper and his dim-witted brother, respectively. Oh, and that cute little girl providing the voice of Dot? It’s none other than “Heroes” hottie Hayden Panettiere in one of her very first film roles. What’s ultimately so great about the new 10th anniversary Blu-ray release, however, is that it not only includes the previously released bonus material, but two brand new special features as well. The first is a 21-minute roundtable discussion with co-directors John Lasseter and Andrew Stanton and producers Darla K. Anderson and Kevin Reher where they reflect on the making of “A Bug’s Life” with stories about pitching the idea to Disney and screening the film for President Clinton at Camp David, while “A Bug’s Life: The First Draft” offers a never-before-seen look at the film’s original concept starring a completely different main character. It’s exactly the kind of fan service moviegoers don’t see enough of these days, but when it comes to a company like Pixar, you shouldn’t expect any less.

“Batman” (Warner Bros.)

It’s hard to imagine anyone that wanted a copy of “Batman” on Blu-ray didn’t pick up the anthology box set collecting the first four films when it was released a few months ago, but those holding out strictly for the Tim Burton original will be pleased with Warner’s new digibook release. Though the 1989 film doesn’t quite hold up when compared to Christopher Nolan’s reboot of the franchise, it’s still a solid entry in the history of comic book films that, if nothing else, offers a great performance from Jack Nicholson as a more classic version of the Joker. The set is also jam-packed with all of the special features from the 2005 DVD reissues including a director commentary, an in-depth look at the history of Batman, and hours of production featurettes about the making of the film. The digibook release also features slick packaging with a 48-page booklet filled with essays and a script excerpt, as well as a digital copy for those on the go.

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24 7.23-24: Make decisions that you can live with

Man, I saw more trailers for upcoming movies in tonight’s season finale of “24” than I did during the Super Bowl. Seriously, weren’t there ads for seven or eight movies? And do you know how many I stopped fast-forwarding through the commercials to watch? One: “Public Enemies.” Just sayin’, it does not look like a promising summer at the googoplex.

Maybe it’s just me, but I liked the second hour of tonight’s show more than the first one, which is odd, because they usually wait until the final minutes before fucking everything up. Remember the oil rig? The secret recording of President Logan? The last time the final seconds of “24” were truly nerve-wracking was when Jack hacked off Chase’s arm. (The best endings, of course, were the death of Teri Bauer and the poisoning of David Palmer by Mandy the bisexual assassin.) Tonight’s ending didn’t pack that kind of punch, but I like that they left us to wonder what Jacqueline Bauer did to Alan Wilson in the interrogation room (too late to give him a nickname, though I lean toward Coach Yoast, his character from “Remember the Titans”), and even having Jack end the season in a coma. Yes, we all know that he will be back for an eighth day, but perhaps Kim will die from complications while donating the stem cells that ultimately save his life. Hey, a guy can dream.

Having said that, Kim did not spend these two hours playing the damsel in distress, and in fact performed very admirably under the circumstances. She stabbed the girl in the leg and gave the cops a clean shot at her, and she saved the laptop that led the Feds to the location of Jack and Tony (more on that in a minute). No bear traps or Kwik-E-Mart holdups for our little Kimmy! Wow, maybe she isn’t as helpless as I made her out to be, but that’s no excuse for recycling a plot thread from the show’s first season, when Jack had to shoot Senator Palmer in order to save Kim and Teri. Silly, silly, silly, and that is the only reason I want her to go away. She brings out the worst in the writers.

As for that first hour…

Man oh man, I can’t tell you how many times I either laughed out loud or said, “You’ve gotta be kidding me.” Jack is doing the bidding of Mystery Girl (real name Cara) against his will, and tells Jackie that they’re threatening to kill Kim if he doesn’t cooperate. Seconds later, he tells Cara that he’s awaiting her next instruction…and she gives it to him, without a word of protest. I’m shouting, “Didn’t she just hear what he told them?” Those words should automatically trigger Kim’s death, yes? The only way around this that I see is that Cara would never actually have Kim killed before getting Tony, so it was an empty threat. Which is smart, because if Jack thinks that Kim’s dead, he kills Tony, then he kills Cara, then he hunts down every relative of Cara’s and kills them, their loved ones, their loved one’s neighbords, and their pets. Hell, Jack had a clean shot at her from inside the paddy wagon. He could have just killed her right there. I’m frankly surprised he didn’t.

“So what’s it like being the second-hottest woman on this show?” “That’s funny, I was about to ask you the same thing.”

And speaking of Jack taking shots, dude had pretty good aim when he shot Tony in the hand. This despite the fact that he’s suffering from a biological agent that attacks the nervous system. Funny how composed Jack could be when the moment called for it, and vice versa.

Then comes Tony’s big push to meet Alan Wilson. Ho, ho, and indeed ho, as our colleague Will Harris would say. Just like that, his motives became so transparent. He wants to take the big guy out! Could he be on the side of good after all? Well, no, as it turns out, but as retrofitted motives go, it could have been worse, especially when we discovered that…Michelle was pregnant when she was killed. Holy shit. As a father of two, I have to say that I would have elaborate revenge fantasies as well, had I been in his shoes. Kill my wife, and you only, only, have hell to pay. Kill my wife and son, well, you’re gonna wish the Devil was looking for you instead. I feel for you, Tony, I really do. But I still want to kick your ass for killing Dudley Do-Right.

Now back to that raid on the bad guy lair: Tony is about to hatch his evil scheme to blow up Jack and Alan Wilson with a bunch of C4, when the FBI not only finds them – last I remember, Chloe and Janis were still trying to crack the encryption on Bad Actor’s laptop – but they’re actually able to sneak up on them…by helicopter? Aren’t those things audible from a mile away? Classic moviemaking technique, that. If you don’t see it, then you can’t hear it. I also loved Jacqueline’s side saddle bit on the SUV, followed with the jump and roll. I’d love to see the real-life version of that. Jackie: Pew pew! Bad guys: Pip pip pip pip pip! Jackie: Dead.

But in the end, I’m not sure that anyone found themselves in a more difficult position than Madame President herself. After Kanin checkmated Hillary Clinton with the whole memory chip thing (which we all saw coming), I was surprised that Hillary actually showed genuine remorse and human emotion when confessing everything to her parents. I even felt a little sorry for her, which is something I never thought I’d say a week ago. But thank God that Hillary’s teary confession wasn’t enough to sway Madame Prez from doing the right thing and sending her sorry excuse for a daughter to the slammer. When she walked away from the First Man at the end, I was half-expecting her to have the First Dude escorted from the premises. After all, it’s not as though her marriage is going to survive a decision like that. On an unrelated note, I hope they bring Secret Service Agent Tim Woods back for another season. Not sure how you write him in, but he seems to be playing for the right team.

My hopes are not high that we will see our beloved Jacqueline Bauer again – odds are, she’s getting 20 years in the hole for whatever she was about to do to Wilson – and that makes me sad. I quite liked her character, and she can do Hell-hath-no-fury scorn like no other. Tony, of course, is still alive, but he may as well be dead since he’s just pissed all over the carcass of the Good Tony Almeida that we thought was killed years ago. I hated seeing them bring him back like this. Good people do bad things, yes, but they are still good at their core. I might be capable of committing unspeakable acts against anyone responsible for harming my family, but I wouldn’t kill half a dozen FBI agents to get to that person. I don’t know, maybe I’m just not hardcore enough. I can live with that, I guess.

So there you have it, another 24 hours of our lives, gone. I’m not sure if this show is ever going to give me what I want. Does it sound morbid to want more death and destruction? I don’t have bloodlust; I just want a show that doesn’t cry ‘Wolf!’ nine times out of ten. I think that all serial writers, the “24” writers in particular, should take a good long look at “The Dark Knight,” and how they mercilessly ratcheted up the tension until the very end, and none of it felt like a bluff or a false promise. There is a reason that movie made half a billion dollars at the box office, you know.

It is now three in the morning, and I have to take my son to day care in five hours. Time to head to bed. Thanks to all you wonderful 24-philes for reading my column, and I’ll see you all in seven months.

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