Category: TV Reality (Page 4 of 18)

The 2010 Primetime Emmy Awards: The Post-Game Wrap-Up

First of all, I’d just like to say that it’s cruel of both “True Blood” and “Mad Men” to air new episodes on the same night as the Emmy Awards, especially when neither show is sending out advance screeners anymore. Yes, I’m a big whiner, and I don’t care. It’s 11 PM, the Emmys have just wrapped up, and now I’ve got to go blog both shows. I’m sorry, but there’s no way around it: this sucks.

Okay, enough of my bitching. Let’s talk about the Emmys.

As far as I’m concerned, Jimmy Fallon did a fine job as host. The “Glee”-inspired opening segment was awesome: Jon Hamm ruled that bit with his sweet-ass dance moves, but Joel McHale leaping in front the camera was pretty awesome, too, and once they switched over to the live performance, I laughed out loud at just how happy Randy Jackson seemed to be to get to play in front of the audience. Sometimes you forget that the guy’s got some serious studio-musician street cred.

The minstrel-in-the-aisles bit was hit or miss, but Stephen Colbert was hilarious, and I was pleasantly surprised at Kim Kardashian’s performance. Jimmy’s quick quip at Conan’s expense was pretty funny, too. I wasn’t as big a fan of the farewells to “24,” “Law & Order,” and “Lost,” mostly because all I could think was, “This kind of takes away from the seriousness of the farewells to the folks in the industry who really have died.” The segment with the “Modern Family” cast meeting with the network was hysterical, though.

And now on to the awards!

Continue reading »

Bullz-Eye’s TCA 2010 Summer Press Tour Wrap-Up: From the Big Bang to the Jersey Shore

He’s back.

That’s right, the summer 2010 press tour of the Television Critics Association – that’s TCA to you, see? – has come and gone, leaving in its wake a piece that I love to compile but hate to finish. It’s just that kind of experience: there’s always something else to write about.

I know I say this every time, so you’d think my mindset on the tour would’ve changed by now, but I still continue to get excited when I fly to California and spend the better part of two weeks ensconced in a hotel, watching and listening as closely as possible (which, admittedly, isn’t often as closely as I’d like) to various stars, directors, producers, and writers as they do a dog and pony show to promote their program. I know they get sick of it sometimes, but for my part, I still haven’t. I spend the better part of 48 weeks of the year in Chesapeake, VA, a place where I do not regularly cross paths with the people that you see on your TV screen. As such, I remain excited about the opportunity to participate in these ridiculously cool opportunities, and I still feel like I have to share the experience with you, the reader, lest they begin to seem normal to me.

It’s not normal.

It’s the TCA press tour.

And trust me, unless you’re actually in show business, life doesn’t get much less normal than this.

Most entertaining panel by a broadcast network: “Circus,” PBS. Given the subject matter of the series – yes, it really is about the circus, specifically what it’s like to be part of a traveling circus in 2010 – it wasn’t entirely surprising that the panel kicked off with acrobat Christian Stoinev demonstrating some of his gymnastic abilities, but that didn’t make his performance any less impressive.

Plus, he earned bonus points for incorporating a cute little dog named Scooby into the act, who jumped onto Stoinev’s butt, strolled down his back, sat on his feet, and looked as calm as possible as Stoinev balanced semi-precariously on his parallel bars.

Most entertaining panel by a cable network: “Kids in the Hall: Death Comes to Town,” IFC. When I walked into the ballroom and found that we’d all received autographed DVDs of the Kids’ latest endeavor, I thought, “Can it get any better than this?” (I’m a sucker for anything autographed.) Indeed, it could, as the Kids – minus Mark McKinney, who’d been called back to Canada because of a family emergency – held court and kept us in stitches.

Some of my favorite moments:

QUESTION: How long had it been since you had cross-dressed professionally before (“Death Comes to Town”), and was that sort of a difficult readjustment for any of you?
SCOTT THOMPSON: Define “professionally.”
QUESTION: With a large crew.
SCOTT THOMPSON: Oh.
DAVE FOLEY: Not just any exchange of money.
BRUCE McCULLOCH: So if you shoot porn with a small crew, that wouldn’t count…?
KEVIN McDONALD: That’s not cross-dressing professionally.
DAVE FOLEY: Yeah. If you put on a nice shirt and give a handjob at the bus station, that still is professional.
SCOTT THOMPSON: Yes, it is.
BRUCE McCULLOCH: And by “handjob,” we mean “Bible reading,” as we like The Bible.

* Dave Foley on the audience response to Scott Thompson’s cancer being in remission: “I’m getting a sense that a lot of these people are on the cancer side. Well, I hope you are proud of yourselves. ‘Oh, dammit, not another one beating cancer. Poor cancer. When will people learn to love cancer?'”

* Scott Thompson: “I had a much easier time making (‘Death Comes to Town’), even though I was fighting cancer, than I did with ‘Brain Candy,’ honestly. It was tougher to fight Paramount. Because, at least with cancer, you can win.”

QUESTION: Do you find that people, when they see you, wanted to just squash your head? Because, like, I’m sitting here, like, resisting.
DAVE FOLEY: Yeah, a lot of time it has no reference to that gesture. It’s people actually want to crush our heads.
KEVIN McDONALD: The first apartment I ever moved to in Los Angeles, 1996, I was in bed the first night, and a couple were having a fight in the floor above me. And he was crying, “I’m going to crush your head,” and I thought they were fans, but it turned out they weren’t.
DAVE FOLEY: Yeah, it was a bloody homicide.
KEVIN McDONALD: It was a bloody homicide, yes.
DAVE FOLEY: But still, you felt flattered.
KEVIN McDONALD: But still, I felt flattered.

* When asked about their current relationship with Lorne Michaels, who introduced them to the U.S., McCulloch said, “I watch him get a haircut once a year when I go to ‘Saturday Night Live,'” while Foley claimed, “I chill his Amstel Light.” (“And drink it,” added McDonald.)

* Kevin McDonald made the bold choice of using the word “guff” at one point, receiving no end of ridicule from his fellow Kids. “It’s a tough word,” said McCulloch,”I know it’s tough to hear.” Thompson gasped and shrieked, “You said ‘guff‘!” Foley, however, offered a practical solution to the assembled journalists. “You can put asterisks in that. Just G-asterisk-asterisk-asterisk for your print,” he said, adding, “Of course, you online media people can just change it to ‘fuck.’”

* “Death Comes to Town” was filmed in North Bay, ON, but Foley said that it was a rarity for locals to come up and acknowledge their recognition of the Kids. “Canadians don’t do that,” explained Thompson. “Yeah,” agreed Foley. “They’d just come up and start talking to you like they knew you. You know, you would be in the grocery store, and somebody would just come up behind you and say, ‘Special K is marked down today. I’m getting the Special K as well. What are you doing later, Dave?’ And that was how you knew they recognized you.”

* The miniseries features Foley playing “the kindly old town abortionist,” which made it a bit difficult to scout for locations. Foley said that they had to keep making up stuff to tell the people of North Bay, saying things like, “Yeah, this scene, it’s a gynecologist’s office,” or “Oh, it’s an obstetrician’s office.” Or, as Scott Thompson claimed, “It’s a very bad day care.” At this, the crowd of critics erupted with a mixture of boos and laughs. “That was good,” Thompson assured us. “That was bad,” Foley assured him. At this, Thompson nodded, grinned, and admitted, “Very bad.”

Continue reading »

TCA Press Tour, Summer 2010: Day 6

Day 6 of the TCA Press Tour was all about the American Broadcasting Company – that’s ABC to you and me – presenting their slate of programming for Fall 2010, along with a couple of new entries that are technically midseason entries but will likely find themselves slotted into the schedule sooner than that. (You know how it goes: there’s always a show or two that gets the boot within a couple of episodes, thereby giving one of the relief squad a chance to go in early.)

Give Kevin Brockman, ABC’s head of publicity, full credit for getting the first big laugh of the day: he walked onto the stage holding a giant stuffed pink elephant named Binky, allowing him to be flanked by the real elephant in the room while addressing the metaphorical one, which was the somewhat unexpected departure of Steve McPherson, the network’s former President of Entertainment.

“On Tuesday, we issued a statement announcing Steve McPherson’s resignation from ABC Entertainment Group,” said Brockman. “I realize you all may have questions, obviously. That is what you do for a living. But to save us some time and hopefully make this as productive as possible, I just want to say that Tuesday’s statement still holds. It is literally all we are going to say on the subject. So you may ask, but you will get the same answer. So I’m just saying please know that is the statement. We have given it. We will give it again if we need to. But in the spirit of trying to make things as productive today, just realize that that’s where we are. We really have nothing more to add.”

And, indeed, they did not. Someone tried a bit later in the morning to get Paul Lee, McPherson’s hastily arranged replacement, to say something on the matter, but…well, we’ll get to that in a moment. First, let’s talk about the panel that preceded Mr. Lee’s executive session.

Detroit 1-8-7

Can it really be possible that “Detroit 1-8-7” is the first police drama to be set within the city of Detroit? That would seem to be the case, and yet it seems like such an incredible oversight that it’s never been done before. More impressive, however, is the fact that the show is actually being filmed in Detroit.

“There are a lot of benefits to shooting in Detroit,” said producer David Zabel. “Included in that is that there is a bit of an infrastructure forming of crew. We are filling out our crew with a lot of locals. A lot of locals are working on the show, and hopefully in the long run what will then happen is that a lot of the locals who are working at mid-level positions are going to get better at these jobs and rise up and be doing more of the key department-head work as well. Overall, they’ve been doing quite a bit of feature work in Detroit, so there’s some aspects there that are well in place, but there are some things that are a little bit of a learning curve, and we’re sort of going through that together. A lot of the key department heads are from Los Angeles for now, but the vast numbers of the crew are largely local hires. In certain key departments we had to bring from L.A. in order to have qualified people so that we could deliver the show. Also, they are shooting seven features right now in Detroit, so even the talent pool that exists locally in Detroit is spread a little thin right now. But as the series goes on, I think we’re going to get more and more people that are local working on the show.”

As happy as I am for Detroit that they’ve got this series filming in their fine city, I must say that I got more than a little bored with the plethora of questions about that particular aspect. I was much more interested in the fact that the original conceit of the series as seen in the pilot which was screened for us in advance of the TCA tour – the detectives were being filmed as part of a documentary – has been thrown out the window due to the fact that, as a result of an unfortunate event in Detroit, the city has banned documentary filmmakers from following police officers around. With that having been put into play, they couldn’t exactly show such a thing going on within “Detroit 1-8-7,” now, could they?

Continue reading »

TCA Press Tour, Summer 2010: Day 4

The 4th day of the TCA tour started out not with a panel but with a poolside breakfast with the cast of USA’s new series, “Covert Affairs.” Like several of my fellow critics, I’m not a huge fan of events where the network publicists divide with the cast members and conquer the room by bringing the actors by the various tables and saying, “Oh, have you met (INSERT ACTOR’S NAME HERE) yet?” I’m not saying it isn’t kind of cool to be finishing up your danish and have Peter Gallagher and Keri Matchett stroll up…which, as you might’ve guessed, is exactly what happened to me…but at the same time, my concentration is on my breakfast, not on whatever questions I might have for them, so it’s kind of a stilted conversation. I mean, c’mon, man, I haven’t even finished my coffee yet! I did manage to ask Keri if this new gig meant that we wouldn’t be seeing her pop up on “Leverage” again anytime soon, and, alas, she sighed and admitted that it probably did. Damn.

Before I headed back upstairs to the ballroom to get ready for the first proper panel of the day, I waited around for a few minutes in hopes of chatting with Sendhil Ramamurthy and Anne Dudek, but after loitering for 10+ minutes as they talked with someone from TV Guide, I could see no signs of their conversation abating. I finally gave up and decided that I’d just try to grab them at the NBC party that evening…which, FYI, I successfully ended up doing.

The Event

When I watched the pilot for “The Event,” a new sci-fi / action series that will immediately remind viewers of “Lost,” “Fringe,” and possibly even “24,” I was instantly captivated and loved every minute of it. Even as I watched it, though, I knew that my wife would be far less thrilled, owing to the fact that there is a tendency for the proceedings to bounce back and forth in time…and she hates that. Clearly, she’s not the only one, since the topic was addressed almost immediately during the show’s panel, but the show’s executive producers – Nick Wauters, Steve Stark, Evan Katz, and Jeffrey Reiner – reassured us as much as possible.

“It’s definitely something that we’re going to keep using, at least in the near future, as long as it serves character and story,” said Wauters. “But you may not see as much of it as we go along.”

“Also, I think if you look at the pilot, the pilot was about 50 percent flashbacks, believe it or not,” said Stark. “A little over that, actually. That’s not going to be the idea moving forward. In episode 4, there’s a whole series of just getting to know Sean and Leila from a character standpoint, but it’s just that.”

“Time will move forward from episode 2 on,” said Katz. “It will be a more linear approach, and there will be flashbacks, but the story will continue to thrust forward.”

I don’t know if that’ll make my wife feel a heck of a lot better, but it’s something, anyway. It also serves as a reminder that, although “The Event” has a tremendous cast, one which includes Zeljko Ivanek, Laura Innes, Jason Ritter, Sarah Roemer, Scott Patterson, and Blair Underwood (as the President of the United States), as a serialized drama, it’s the producers who hold the answers to all of the truly important questions. Heck, the actors don’t really know anything…and they’re not afraid to admit it!

Continue reading »

TCA Press Tour, Summer 2010: Day 3

Day 3 of the TCA Press Tour continued with the CBS family of networks, offering us a split day between Showtime and The CW…and if I’m to be honest, my enthusiasm was decidedly higher for the former. I’ve made this comment before, but The CW so unabashedly caters to an audience that’s far younger and prettier than myself (or, really, almost anyone I interact with on a regular basis) that it’s hard for me to get but so excited about their shows…but, of course, that doesn’t mean I won’t be reporting on them, anyway. First up, though, is Showtime, which I am excited about. Seriously, it’s reached the point where I’m pretty sure I prefer Showtime to HBO.

There, I said it…and it feels good.

Showtime Introductory Remarks

Matthew C. Blank, Chairman and Chief Executive Officer of Showtime, took the stage to welcome the assembled throng, then launched immediately into a series of announcements and remarks, including the following:

“Weeds” guest stars: Richard Dreyfuss, Alanis Morrissette, Jennifer Jason-Leigh, Mark Paul Gosselaar, Peter Stormare, and Linda Hamilton.

“Dexter” guest stars: Julia Stiles, Peter Weller, Maria Doyle Kennedy, Shawn Hatosy, and Jonny Lee Miller.

“Californication” guest stars: Carla Gugino, Rob Lowe, Tommy Lee, Zoe Kravitz, Michael Ealy, and Callie Thorne.

Liam Neeson will be joining his former “Kinsey” co-star Laura Linney for an episode of her new Showtime series, “The Big C.” Also guesting on the show: Cynthia Nixon and Idris Elba.

The network has committed to ten episodes of “Web Therapy,” a comedy developed by and starring Lisa Kudrow.

“Nurse Jackie” and “United States of Tara” will be both be returning for third seasons, as will “Secret Diary of a Call Girl” for Season 4.

Producer John Wells is premiering his new Showtime series, “Shameless,” starring William H. Macy and Emmy Rossum, on January 9th. Also coming in 2011 is “The Borgias,” starring Jeremy Irons and created and executive-produced by Neil Jordan, who’s directing the series’ first two episodes as well. The trailer for “Shameless” looks like the start of another great dysfunctional-family drama for Showtime, and…well, actually, I guess you could say the same of “The Borgias,” although they haven’t really filmed enough of it yet for us to get much of a feel for it. Most of what we were shown was interview clips with Irons and Jordan and footage from the photo sessions for the series, so all I can really confirm is that it looks awesome…but, then, what else would you expect from the network that brought you the gorgeousness of “The Tudors”?

Continue reading »

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑