Tag: Romany Malco

Box Office Preview: Two kinds of romance, chimps and Bob Marley

What’s new this week? Well, not much. In terms of wide releases we’ve got a romantic drama starring Zac Efron, a rom-com based on a Steve Harvey book, and a nature documentary from Disney. A critically acclaimed documentary about Bob Marley could break up the monotony. It won’t be in a huge number of theaters but it will be available through on demand television services. For you glass half-full types, at least we won’t be subjected to any sequels or 3D re-releases.


The Lucky One
This movie is exactly what you think it is. It’s an adaptation of a Nicholas Sparks novel (you know, that guy who wrote “The Notebook”) starring Zac Efron. Reviews have been mixed, but tilt towards the not so good side. Even the nicer critics are quick to point out that there’s a formula at work here.

It’s rarely a good sign when you can figure out the entire plot of a movie from a trailer.

While serving in Iraq, U.S. Marine Logan Thibault finds a picture of a woman he has never met and decides it’s lucky. So lucky in fact that he credits it with keeping him alive. Sound familiar? Didn’t Channing Tatum star in this movie like two years ago?

Logan comes home determined to find the woman, Beth, and succeeds after just a bit of internet stalking. Right when things start to get romancey, boom, conflict. Beth discovers the picture and is understandably creeped out before things inevitably work out in the end. Moral of the story: stalking is OK as long as you look like Zac Efron.


Think Like a Man
Again, nothing new to see here. “Think Like a Man” has gotten mixed reviews and looks like any other romantic comedy with an ensemble cast. Although to its credit, the movie seems like it could be appealing regardless of gender. Michael Rechtshaffen of The Hollywood Reporter sums it up nicely:

As executed by an appealing ensemble of smooth operators, this adaptation of the Steve Harvey advice book Act Like a Lady, Think Like a Man often hits its amusing marks, but with a weighty running time of two hours, it often feels more like a lecture than an intended romp.

My fellow TV junkies will see some familiar faces. Most prominent is Jerry Ferrara, also known as Turtle from “Entourage.” Also appearing are Michael Ealy and Meagan Good, who’ve had recurring roles in “Californication,” as Ben and Kali, respectively.

Hopefully Kevin Hart and Romany Malco, who had a hilarious exchange in “The 40 Year-Old Virgin,” will get to interact again.

Last and least, R&B singer/Rihanna-beater Chris Brown has a role as well. Because nobody belongs in a romantic comedy more than a man convicted of felony assault. Hilarious!


Chimpanzee
Jane Goodall’s appearance on “The Daily Show” on Monday certainly made “Chimpanzee” sound intriguing. The nature-doc has received more good reviews than bad ones.The consensus seems to be that the spectacular raw footage outweighs the sometimes forced, cutesy narration. Above all this is a Disney movie, so even its primate stars can probably count to the average age of its target audience.


Marley
It’s probably just a coincidence that a documentary about Bob Marley is being released on 4/20, also known as the stoner’s Fourth of July. When I say “coincidence,” I mean brilliant marketing. I’m going to stop right there, I don’t want my discussion of a critically acclaimed film directed by Oscar-winner Kevin Macdonald to descend into pot jokes. But believe me, they’re up my sleeve.

The film’s official site describes it as “the definitive life story of the musician, revolutionary, and legend, from his early days to his rise to international superstardom.” “Marley” celebrates its subject’s life, the good parts and the bad. Melissa Anderson of The Village Voice called it “a rousing tribute to a mesmerizing performer that forgoes blind hero worship.”

Despite its Oscar-winning director and overwhelmingly positive reviews, “Marley” will see only limited release. The good news is the film will be available through various on-demand television services. VOD is the future of film. You won’t have to “get up, stand up” and go to the theater, you pay $10 total instead of $10 a piece, and you can pause the movie for bathroom breaks.

Happy holidays.

ABC: What’s New for Fall 2010

TUESDAY

No Ordinary Family (Tues., Sept. 28 @ 8:00 PM, ABC)

* The competition: “NCIS” (CBS), “The Biggest Loser” (NBC), “Glee” (Fox), “One Tree Hill” (The CW)

Starring: Michael Chiklis, Julie Benz, Romany Malco, Autumn Reeser, Kay Panabaker, Jimmy Bennett, Stephen Collins

Producers: Greg Berlanti (“Eli Stone”), Jon Harmon (“Tru Calling”), David Semel (“Life”), Morgan Wandell

Network’s Description: The Powells are about to go from ordinary to extraordinary. After 16 years of marriage, Jim feels disconnected from his workaholic wife, Stephanie, and two teenage children, Daphne and JJ. To encourage family bonding time, Jim decides the family will join Stephanie on her business trip to South America. When their plane crashes into the Amazon River, they barely enjoy a moment to celebrate their survival before returning to the grind of everyday life. But they will soon realize that their lives have been forever changed. Each member of the family starts to show signs of new, unique and distinct super powers. Will their newfound abilities finally bring them together or push them further apart? For the Powells, embarking on a mission to understand their new abilities becomes the key to rebuilding their family life, as they learn what defines and unifies them. Despite the fact they can collectively lift a car, run at lightning speed, read your mind and calculate the dimensions of the Eiffel Tower — all before you say “superhero” – they are first and foremost an average family with everyday problems.

The Buzz: Decidedly strong at Comic-Con, as you’d expect, and there’s no question that ABC’s treating it as a major player in the season, given all of the intrusive pop-ups promoting the series during its current programming. The big question, though, is whether or not non-nerds (and as a nerd myself, please understand that I’m simply using this phrase as to separate us cool kids from those other people) can be sold on the show.

Pilot Highlight: Perhaps unsurprisingly, the members of the family discovering their respective abilities make for the most fun, but as for the best of that bunch, it’s a tie between Jim learning how to jump and Stephanie speeding around the track.

Bottom Line: The pilot is a heck of a lot of fun, offering a sense of humor and a sense of adventure that’s more like a live-action “Incredibles” than another “Heroes,” but given the tough competition, superhero fans had better tune in from the get-go, keep on coming back for more, and spread the good word on the show for all they’re worth if they want “No Ordinary Family” to stick around.

Detroit 1-8-7 (Tues., Sept. 21 @ 10:00 PM, ABC)

* The competition: “The Good Wife” (CBS), “Parenthood” (NBC)

Starring: Michael Imperioli, James McDaniel, Aisha Hinds, D.J. Cotrona, Jon Michael Hill, Shaun Majumder, Natalie Martinez, Erin Cummings

Producers: David Zabel (“ER”), Jason Richman (“Bangkok Dangerous”), Kevin Hooks (“Prison Break”), David Hoberman (“Monk”), Todd Lieberman (“The Kill Point”)

Network’s Description: What does it take to be a detective in one of America’s toughest cities? Follow one homicide unit as Detroit’s finest reveal the crisis and revelation, heartbreak and heroism that characterize these inner city cops in this series shot entirely in Detroit, Michigan. There’s the damaged but driven Detective Louis Fitch, a wily homicide vet who is the most respected — and most misunderstood — man in the division; Detective Damon Washington, Fitch’s new partner, who finds the first day on the job is a trial by fire, complicated by the imminent birth of his first child; Detective Ariana Sanchez, sexy, edgy and beautiful, who has emerged from a rough background to become a rising star in the department; narcotics undercover cop John Stone, a streetwise smooth talker, clever and quick with a smile made for the movies, who is teamed with Sanchez — a combustible pairing rife with conflict and sexual tension; Sergeant Jesse Longford, a 30-year veteran and sage of the department struggling with his impending retirement from the force and the city he loves, who, together with his partner, Detective Vikram Mahajan — a fully Americanized son of Indian immigrants — form an amusing mismatch of experience and enthusiasm, intellect and instinct, old school and new world, but whose combined skills have never encountered a case that couldn’t be cleared; and all are headed by Lieutenant Maureen Mason, a strong-willed single mom struggling to balance home and work. The unit works with the primary medical examiner, Dr. Abbey Ward, who has an unusual hobby in her off-hours-roller derby. The men and women of Detroit Homicide are as smart and tough as they come. They have to be, as they struggle with their own inner demons, using only their sharp sense of humor to keep them grounded while working the neighborhoods of the historic Motor City.

The Buzz: The show earned a few headlines when it had to deal with an impossible-to-predict change from its original faux-documentary format after a real death in Detroit during the filming of an episode of A&E’s “The First 48” led the city to ban camera crews from following cops around. The producers, of course, have put the most positive possible spin on the situation, but given that it was one of the few things that instantly helped the show stand out from its fellow police dramas, you know it had to hurt, especially since there hasn’t really been any buzz about the show.

Pilot Highlight: The conclusion to Washington’s first day as a detective. You won’t see it coming, and it wipes away many of your concerns that the show might wallow in schmaltz.

Bottom Line: The cast is strong, but the show still ends up feeling like a typical cop drama. Having both Imperioli (“Life on Mars”) and McDaniel (“NYPD Blue”) back on the beat is nice, and the last scene of the first episode will no doubt bring just about everyone who’s watching back for Episode #2, but it still may not be enough to help “Detroit 1-8-7” compete against two shows that absolutely do have buzz.

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TCA Press Tour, Summer 2010: Day 6

Day 6 of the TCA Press Tour was all about the American Broadcasting Company – that’s ABC to you and me – presenting their slate of programming for Fall 2010, along with a couple of new entries that are technically midseason entries but will likely find themselves slotted into the schedule sooner than that. (You know how it goes: there’s always a show or two that gets the boot within a couple of episodes, thereby giving one of the relief squad a chance to go in early.)

Give Kevin Brockman, ABC’s head of publicity, full credit for getting the first big laugh of the day: he walked onto the stage holding a giant stuffed pink elephant named Binky, allowing him to be flanked by the real elephant in the room while addressing the metaphorical one, which was the somewhat unexpected departure of Steve McPherson, the network’s former President of Entertainment.

“On Tuesday, we issued a statement announcing Steve McPherson’s resignation from ABC Entertainment Group,” said Brockman. “I realize you all may have questions, obviously. That is what you do for a living. But to save us some time and hopefully make this as productive as possible, I just want to say that Tuesday’s statement still holds. It is literally all we are going to say on the subject. So you may ask, but you will get the same answer. So I’m just saying please know that is the statement. We have given it. We will give it again if we need to. But in the spirit of trying to make things as productive today, just realize that that’s where we are. We really have nothing more to add.”

And, indeed, they did not. Someone tried a bit later in the morning to get Paul Lee, McPherson’s hastily arranged replacement, to say something on the matter, but…well, we’ll get to that in a moment. First, let’s talk about the panel that preceded Mr. Lee’s executive session.

Detroit 1-8-7

Can it really be possible that “Detroit 1-8-7” is the first police drama to be set within the city of Detroit? That would seem to be the case, and yet it seems like such an incredible oversight that it’s never been done before. More impressive, however, is the fact that the show is actually being filmed in Detroit.

“There are a lot of benefits to shooting in Detroit,” said producer David Zabel. “Included in that is that there is a bit of an infrastructure forming of crew. We are filling out our crew with a lot of locals. A lot of locals are working on the show, and hopefully in the long run what will then happen is that a lot of the locals who are working at mid-level positions are going to get better at these jobs and rise up and be doing more of the key department-head work as well. Overall, they’ve been doing quite a bit of feature work in Detroit, so there’s some aspects there that are well in place, but there are some things that are a little bit of a learning curve, and we’re sort of going through that together. A lot of the key department heads are from Los Angeles for now, but the vast numbers of the crew are largely local hires. In certain key departments we had to bring from L.A. in order to have qualified people so that we could deliver the show. Also, they are shooting seven features right now in Detroit, so even the talent pool that exists locally in Detroit is spread a little thin right now. But as the series goes on, I think we’re going to get more and more people that are local working on the show.”

As happy as I am for Detroit that they’ve got this series filming in their fine city, I must say that I got more than a little bored with the plethora of questions about that particular aspect. I was much more interested in the fact that the original conceit of the series as seen in the pilot which was screened for us in advance of the TCA tour – the detectives were being filmed as part of a documentary – has been thrown out the window due to the fact that, as a result of an unfortunate event in Detroit, the city has banned documentary filmmakers from following police officers around. With that having been put into play, they couldn’t exactly show such a thing going on within “Detroit 1-8-7,” now, could they?

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