Category: TV Dramas (Page 28 of 235)

True Blood 3.5 – Where’s Your Badge? Where’s Your Gun? Where’s Your Shirt?

“Mmmm, spicy!” So says Talbot, the close personal friend of the Vampire King of Mississippi, as he takes a big whiff from Tara, who’s tied up next to the dining room table. Franklin tells him to piss off, and so it is established immediately that these two aren’t exactly thrilled with each other, a fact which is decidedly underlined by the breaking out of the fangs a few moments later. (In fairness, Franklin called Talbot “the cleaning lady.” Not cool, man.) Before the two can really get down to business, though, Bill, Lorena, and the King are back in the building…and, oh, the look on Tara’s face! And it only gets worse when Bill is totally dismissive of her plight. While meeting with the King, we learn that Franklin has a history of causing trouble amongst humans, but for what it’s worth, he seems to legitimately like Tara…not that it makes him any less batshit crazy.

So was it just me, or was that a ridiculously anticlimactic departure from the were-club? Unless my memory is failing me, Alcide told Sookie to run, she ran, and…the next thing we see, they’re driving off together in the truck? I feel more than a little bit gypped. Anyway, Wereboy’s busy reminiscing about the good ol’ days with his ex-girlfriend, Debbie, while Sookie’s intuition has convinced her that Bill’s connected to Russell in some capacity or other. That girl’s got a nice set of instincts on her. There’s also a touching moment when Debbie stops by to scream at Sookie, at which point it’s like we’ve stepped into an episode of “The Jerry Springer Show,” but the scene serves to confirm that Debbie doesn’t know anything about Bill.

Eric turns up at the King’s pad, duly impressing Talbot, who’s pretty clearly undressing him with his eyes. Unfortunately, the discussion between Eric and the King goes south almost immediately when Eric tries to blame Bill for all the shenanigans back in Bon Temps, only to have Bill step out of the shadows behind him. As usual, the tension between Bill and Eric was palpable, which was good to see again, and I loved the expression on Eric’s face when he absorbed the information that Sookie was now a free woman. So maybe everyone can work together like one big happy vampire family? Yeah, I’ll believe that when I see it…

I just don’t know what to make of this whole Franklin / Tara storyline. She’s petrified, he’s crazy…nah, I’m just not seeing a future in it. And, clearly, neither is Tara, given the way she manages to cut herself free and make a run for it. I’m a little skeptical that she could’ve succeeded in escaping from literally under a vampire’s nose, but it doesn’t matter, anyway, since she ends up getting chased and captured by a werewolf. So he’s planning to turn her and make her his vampire wife, huh? Cue another freaked-out expression from Tara.

Things in the sheriff’s office have clearly gone to shit since Sheriff Bud left. Looks like Andy’s dealing with Jason’s threats of blackmail by giving him a gig, and, man, are the deputies pissed about it. Clearly, the desk job isn’t exactly what Jason signed on for, as was proven with the comedy montage of him performing that brilliant paperclip limbo, smearing fingerprint ink everywhere, and so forth. It was deeply dumb, yes, but I laughed in spite of myself. Andy’s managed to pull some strings for Jason, but even so, he’s still got to take a handwritten exam, which is his worst nightmare…literally. A bit later, while he was out washing cars, he spotted the cute blonde driving by. Frankly, I’d all but forgotten about Jason seeing that girl in the woods, but I enjoyed the Flatt & Scruggs styled music playing while he was in hot pursuit. Again, watching him approach her truck wearing nothing but pants and sunglasses was so completely ridiculous that I had to laugh. Although he invites her to meet him at Merlotte’s later in the evening, it looks as though she’s stood him up…until he strolls outside and sees her walking away. They end up wandering into the woods, where they make out and she says cryptic things like, “There’s no forever for us, only now.” What’s her deal, anyway?

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A slightly lighter than usual end of week movie news dump

Well, at least I hope can get this done nice and quick because I’m really looking forward to making a Manhattan very soon. Forgive me if I miss something huge.

* As per Nikki Finke, the early box office returns for “Inception” are looking good.

* Though I was a big fan of “The West Wing” while he worked on it, my one complaint with Aaron Sorkin’s abandoned TV classic was that it was a bit rosy in how it viewed politics and politicians. Currently flying high as the screenwriter of the upcoming docudramas, “The Social Network” and “Moneyball,” he was almost the Gene Roddenberry of political drama in imagining a relatively ideal world that could be, but probably never would be. I don’t think excess positivity is going to be an issue in his movie directorial debut, as he’ll be covering the John Edwards mega-debacle. To think I contemplated voting for/volunteering for the egocentric jerkwad who, had he succeeded, would have sunk a party and a nation on the altar of his ego.

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* I don’t think I’ll really know what I think of Ryan Reynolds’ CGI-aided Green Lantern costume until I see it in the movie.

* Things have been hopping over at our sister site, Bullz-Eye.com. Earlier in the week Will Harris, with a little assistance from one or two other people who will remain nameless, took a look at 25 cinematic swan songs from film acting greats. Very cool (except for seven of them, which I’m unable to judge). Also, today, Will had a chat with his friend and rising young star, Dileep Rao, currently being seen in “Inception.”

* There may be no justice in the world, but Roman Polanski’s next movie is already being prepped, and it sounds good. It’s the film version of the London/Broadway hit play “God of Carnage.” Being as it’s a dark comedy/drama, it sounds right up Polanski’s alley. Also, Polanski’s 1994 film version of Ariel Dorfman’s “Death and the Maiden” was one of the most seamless stage-to-film translations I’ve ever seen.

* My high school history teacher, who was also a saxophone playing jazz fan on the side, always used to say that of all the rock music figures, the one he was sure wouldn’t last beyond another couple of decades in terms of popularity was Janis Joplin. Her super-gritty style was just too of the late sixties moment, he theorized. Indeed, she seems to be one of the less popular of the rock superstars of that era today. Well, director Fernando Meirelles of “City of God” and Amy Adams — a top-flight actress who is way cute to be playing the weather-worn Joplin  — will be hoping to disprove that theory with a new biopic.

* Okay, so we’ve got “Pride and Prejudice and Zombies” so why not Cain and Abel with Vampires (and Will Smith)?

* I like the sound of this: Stanley Tucci, who obviously gets along very well with Meryl Streep, will direct her and Tina Fey in a mother daughter comedy.

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* The Playlist apparently wants to make me happy. First, they report that the long-awaited DVD of the pre-prepared exploitation double-bill, “Grindhouse,” as it was originally presented in theaters is coming this October. Second, Joseph Gordon-Levitt is apparently planning to appear in some kind of a musical. Interesting.

I’m just annoyed that I missed his rendition of the Donald O’Connor “Make ‘Em Laugh” number from “Singin’ in the Rain” on SNL last year and it’s gone from Hulu for some reason. Moment of rank and utterly baseless speculation here: Could a team-up with fellow three-namer Neil Patrick Harris be in the cards? “Dr. Horrible and Dr. Horribler” perhaps? Forget I said that.

True Blood 3.4 – Smell The Memories

Tonight’s episode kicks off with Sookie trying to make her new werewolf pal, Alcide, feel a little less crappy about having gotten his ass kicked in Lou Pine’s were-bar. Alcide’s pissed that his brethren would indulge in vampire blood and sad about the departure of his fiancée, the latter feeling only slightly less shoehorned into the script than it did in the previous episode. Sookie obviously felt guilty about the way she was laying hands on Alcide, but one suspects that the guilt only lasted until the phone rang and Bill dumped her. I know he’s doing it because he thinks it’s the only way to save her life, but the effect it’s having on Sookie is clearly traumatizing the poor girl. She gets into a debate with Alcide over what Bill said, why he said it, and what it all means, but it’s quickly made obvious that the last person who she ought to be talking to about her situation is a werewolf dealing with his own relationship problems. Thank God the guy’s got some semblance of restraint, but come the next morning, things somehow end up even more tense between them, with Alcide accusing her of being a doormat and Sookie demanding that he take her to his ex-fiancee’s engagement party. Yeah, ‘cause that’s an event every guy wants to attend…

Alcide’s sister, Janice, sure knows how to offer a compliment, telling Sookie that she’s cute and sweet, but only after admitting that she’d’ve settled for a two-bit hooker to get her brother’s mind off his ex-fiancee. Between what Janice said and what Sookie heard her thinking, it appears there are some serious parallels between the relationships of Sookie and Alcide, insofar as how long one should suffer through first love before realizing that it might not be worth all the trouble. But I digress, when I should be pointing out how Janice made Sookie look like Joan Jett’s hot little sister. (Marjorie Kase suggested that I throw a “Sandy from ‘Grease'” reference into my write-up. I’m guessing this is a reference to the “tell me about it, stud” transformation.) Unsurprisingly, Alcide isn’t exactly pleased to hear the news about Debbie’s situation, but he nonetheless agrees to help Sookie get into her party…which we’ll get back to discussing in a little bit.

Sam’s ready to kick his little brother’s ass for sneaking into his office, but in the process of trying to hunt him down, he stumbles upon his family’s van and learns that they’re temporarily camped out in his parking lot because of unpaid rent. Mom and Dad are less than thrilled at the news, but they’re not in any way surprised, either. Meanwhile at Merlotte’s, Jason tries to buy a round for his boys, but he ends up suffering pangs of jealousy over some young high school punk, while Sheriff Bud really is retiring, apparently, and he’s been given a pair of “dancing shoes” as a farewell gift. The revelation that Andy’s taking over the reigns of command pisses Jason off, though, sending him over to start some shit with the aforementioned young punk. Jason might’ve confused the kid with his “ten years from now” speech, but it actually made more sense than most of the things that’ve come of his mouth on this show. Also, Jessica’s working for Sam as a hostess…but not a waitress, owing to the fact that she’s forever trapped at the age of 17 and therefore unable to sell alcohol for all perpetuity (have these people never heard of a fake ID?)…but being out in the open leads her to be spotted by a former Bible-study classmate. Clearly, she’s got the hang of this glamoring thing, but too bad Hoyt got the wrong impression by only seeing the situation from a distance. So Hoyt’s jealous, Deputy Jones and Jason are both pissed, Arlene’s sobbing because the number of redheads employed by the bar has suddenly doubled…yep, it’s just another night in Merlotte’s. Oh, and by the way, Sam’s family is having a cookout in the parking lot. Son of a…

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Entourage 7.2 – Buzzed

Many people have been clamoring for “Entourage” to switch to an hour-long format for quite some time now, but with how thinly plotted each season tends to be, I’m glad that the only thing HBO has changed is reducing this season’s order from 12 to ten episodes. And it appears to be already working, as tonight was jam-packed with so much story that the chance of those pesky filler episodes popping up this season is unlikely.

Vince was also at the forefront yet again, as his newfound addiction to thrill-seeking continues to get him into trouble. I don’t think cutting his hair was a really big problem (if Cassavetes wants to do reshoots, he can always use a wig), but Vince certainly isn’t doing himself or his career any favors by acting out like that. It’s good to see him finally having some fun, even if it’s posing for pictures while leaving a strip joint or skydiving with a bottom feeding agent like Scotty Lavin, but that doesn’t mean he can act like an asshole either. While doing an interview for Access Hollywood, Vince says that his new film with Cassavetes would “probably end up sucking,” and while he may get a thrill out of making a joke like that, it’s also pretty damn rude and unprofessional. And if he was trying to be funny, then he should have at least told Maria Menounos that he was just joking around, because now Shauna, Ari and Eric are forced to run around town trying to fan the flames while Vince leaves a path of destruction behind him.

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And it’s not as if Ari has the time to deal with such childish behavior. After all, he’s finally done the impossible: get a meeting with the NFL. Granted, it’s only Cowboys owner Jerry Jones and a handful of others that take the meeting, but he definitely left a lasting impression, thanks in part to Lizzie, who helped break the ice after begging Ari to sit in. Nevertheless, Jones informs Ari that they won’t be needing his services to negotiate the TV rights, but does invite him to the upcoming owner’s meeting with an eye to bring an NFL team to Los Angeles. Ari loves the idea (although the L.A. Gold sounds more like a WNBA team), and expresses his excitement by dancing with Lizzie around his office… just as Mrs. Ari walks in.

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The 2010 Primetime Emmy nominations are in!

Bright and early this morning…by which we mean 8:40 AM EST / 5:40 AM PST…the nominees for the 62nd Primetime Emmy Awards were announced by Joel McHale (“Community,” “The Soup”) and Sofia Vergara (“Modern Family”). It ended up being a worthwhile gig for one of them, at least, with Vergara pulling in a Supporting Actress nod for “Modern Family.” Maybe that’s why McHale seemed so stone-faced. (Seriously, did someone tell McHale that he wasn’t getting paid if he didn’t keep his smart-assery in line ’til after the nominees were read? The only time he cracked anything approaching a joke was when he preempted Vergara’s mangling of Mariska Hargitay’s last name.) Anyway, here’s a list of who got the glory…and, in the case of Best Actress in a Drama, who got the shaft.

Outstanding Comedy Series:

* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)

My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.

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