Tag: Janis Joplin (Page 1 of 2)

A slightly lighter than usual end of week movie news dump

Well, at least I hope can get this done nice and quick because I’m really looking forward to making a Manhattan very soon. Forgive me if I miss something huge.

* As per Nikki Finke, the early box office returns for “Inception” are looking good.

* Though I was a big fan of “The West Wing” while he worked on it, my one complaint with Aaron Sorkin’s abandoned TV classic was that it was a bit rosy in how it viewed politics and politicians. Currently flying high as the screenwriter of the upcoming docudramas, “The Social Network” and “Moneyball,” he was almost the Gene Roddenberry of political drama in imagining a relatively ideal world that could be, but probably never would be. I don’t think excess positivity is going to be an issue in his movie directorial debut, as he’ll be covering the John Edwards mega-debacle. To think I contemplated voting for/volunteering for the egocentric jerkwad who, had he succeeded, would have sunk a party and a nation on the altar of his ego.

John-Edwards-NYC

* I don’t think I’ll really know what I think of Ryan Reynolds’ CGI-aided Green Lantern costume until I see it in the movie.

* Things have been hopping over at our sister site, Bullz-Eye.com. Earlier in the week Will Harris, with a little assistance from one or two other people who will remain nameless, took a look at 25 cinematic swan songs from film acting greats. Very cool (except for seven of them, which I’m unable to judge). Also, today, Will had a chat with his friend and rising young star, Dileep Rao, currently being seen in “Inception.”

* There may be no justice in the world, but Roman Polanski’s next movie is already being prepped, and it sounds good. It’s the film version of the London/Broadway hit play “God of Carnage.” Being as it’s a dark comedy/drama, it sounds right up Polanski’s alley. Also, Polanski’s 1994 film version of Ariel Dorfman’s “Death and the Maiden” was one of the most seamless stage-to-film translations I’ve ever seen.

* My high school history teacher, who was also a saxophone playing jazz fan on the side, always used to say that of all the rock music figures, the one he was sure wouldn’t last beyond another couple of decades in terms of popularity was Janis Joplin. Her super-gritty style was just too of the late sixties moment, he theorized. Indeed, she seems to be one of the less popular of the rock superstars of that era today. Well, director Fernando Meirelles of “City of God” and Amy Adams — a top-flight actress who is way cute to be playing the weather-worn JoplinĀ  — will be hoping to disprove that theory with a new biopic.

* Okay, so we’ve got “Pride and Prejudice and Zombies” so why not Cain and Abel with Vampires (and Will Smith)?

* I like the sound of this: Stanley Tucci, who obviously gets along very well with Meryl Streep, will direct her and Tina Fey in a mother daughter comedy.

Grindhouse
* The Playlist apparently wants to make me happy. First, they report that the long-awaited DVD of the pre-prepared exploitation double-bill, “Grindhouse,” as it was originally presented in theaters is coming this October. Second, Joseph Gordon-Levitt is apparently planning to appear in some kind of a musical. Interesting.

I’m just annoyed that I missed his rendition of the Donald O’Connor “Make ‘Em Laugh” number from “Singin’ in the Rain” on SNL last year and it’s gone from Hulu for some reason. Moment of rank and utterly baseless speculation here: Could a team-up with fellow three-namer Neil Patrick Harris be in the cards? “Dr. Horrible and Dr. Horribler” perhaps? Forget I said that.

American Idol: to cha ching or not to cha ching

Last night before the 11 hopefuls took the stage on American Idol,” judge Simon Cowell told Ryan Seacrest and all of us who cared to listen that he thought it was a critical night for the singers. That’s because the one that goes home this week will miss out on the American Idol summer tour. Only the Top 10 go (I’ve never quite figured out why the 12 finalists don’t all go), which means the 11th place finisher may miss out on all that tour dough. Seriously, that’s huge…and I’m glad Simon pointed it out. However, not too many of the contestants sounded like they were singing for their lives last night. Again. Oh yeah, and Miley Cyrus was the “mentor” this week, and I think we have to use “mentor” in very loose terms here. Here is the recap….

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American Idol: southern hospitality

Last night “American Idol” on Fox moved to Atlanta, hometown of host Ryan Seacrest. Oh really, you say? Seacrest wasn’t created in some robot factory? Nope, guess not. Anyway, Mary J. Blige was the guest judge and as always they showed us the best and worst of the auditions. Here is your recap….

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American Idol: more of the same

Fox’s “American Idol” returned last night for the start of its ninth season, and while they can rotate judges and air this show right after Simon Cowell announced he is leaving the show, they can’t change the fact that the talent or lack thereof ultimately drives this thing. Last night was no exception, as we had to endure the first of seven or eight episodes of those initial auditions, showing us the very polarizing best and worst of the lot.

The first auditions were in Boston, and along with Cowell, the other judges were the returning Randy Jackson and Kara DioGuardi, with Victoria Beckham, a.k.a. Posh Spice, as a guest judge. As we do each season at this time, we’ll try to briefly summarize by separating the best and the worst.

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American Idol: Boys club

I’m convinced there is nothing that makes Ryan Seacrest happier than announcing how many votes were tallied on Idol Tuesdays. Last night, he beamed as there were a record 64 million votes…a record for any non-finale Idol show. Of course, I think you can vote like 1000 times if you want so who knows how skewed those numbers really are. Anyway, these results shows have become a spectacle this season, as they try and cram three or four performances into the hour-long show. Here we go….

First, there was a group performance of “School’s Out” with this week’s mentor, Slash, on guitar. Not awful, but not worth watching on your DVR again. I will say that, holy crap, can that dude shred.

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