Category: Saturday Night Live (Page 3 of 4)

TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Motherlover

How do you follow up an Emmy-winning hit like “Dick in a Box”? With a tribute to mothers everywhere, just in time for Mother’s Day.

Kudos to Susan Sarandon and Patricia Clarkson for signing on to play the “loved” mothers.

Gilly, the unfunniest returning SNL character…ever

Truth be told, when fellow Premium Hollywood writer David Medsker filleted several Kristin Wiig characters in his mid-February post, “Kristen Wiig must be stopped,” I thought he might have been a little hard on her. I generally like her stuff, but I’ll admit that Penelope and Target Lady are wearing a little thin.

Then I saw a brutal skit in which Wiig debuted a new character, Gilly.

It’s one thing when a skit is repetitive and funny, but when it’s repetitive and unfunny, it’s just annoying. Thinking that this skit went over like a lead balloon, I figured that would be the last we’d see of Gilly, but last Saturday, there was another skit — this time Gilly sabotaged her school’s science fair.

The only thing mildly funny about this skit is Kenan Thompson’s “don’t make a kid ride a horse with crazy eyes” bit. Otherwise it was the same, unfunny shtick as the first Gilly skit. Some people laughed in the audience, but I have no idea why. Maybe Lorne Michaels pumps the place full of laughing gas, I don’t know. Now I’m starting to think that Mr. Medsker really is onto something — has Wiig run out of funny characters?

So Gilly is my choice for the unfunniest returning SNL character — who else makes the list?

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