Now that Angelenos are getting our own “Law & Order” show and are coming out the other end of killer heat wave, I guess it makes sense that we get our first big movie alien invasion since, I think, the 1953 version of “War of the Worlds.”
This is supposedly a lowish budget affair and is impressive. I kind of dig the “District 9“-esque effects, and there are some decent low-budget actors here as well. Might not be bad.
It’s 2-for-1 day with the upfronts, with NBC following ABC in announcing their fall schedule. The National Broadcasting Company was already in a crap ratings position even before they decided to try the radical maneuver of giving Jay Leno the 10 PM timeslot, so they really can’t lose very much by trying such an experiment. It still sucks for fans of scripted television, though. Fortunately, the people at the Peacock have still found it in their heart to offer up a few new series, and they’re also trying the shared-timeslot concept in earnest, as you’ll see below.
Monday
8:00 PM – Heroes
9:00 PM – Trauma
From executive producer Peter Berg comes the first high-octane medical drama series to live exclusively in the field where the real action is. Like an adrenaline shot to the heart, the show is an intense, action-packed look at one of the most dangerous medical professions in the world: first responder paramedics. When emergencies occur, the trauma team from San Francisco General is first on the scene, traveling by land, by sea or by air to reach their victims in time. From the heights of the city’s Transamerica Pyramid to the depths of the San Francisco Bay, these heroes must face the most extreme conditions to save lives — and give meaning to their own existence in the process. Starring are Derek Luke, Cliff Curtis, Anastasia Griffith, Aimee Garcia, Kevin Rankin, and Jamey Sheridan.
10:00 PM – The Jay Leno Show
Tuesday
8:00 PM – The Biggest Loser
10:00 PM – The Jay Leno Show
Wednesday
8:00 PM – Parenthood
From the executive producers of the box-office hit “Parenthood,” Ron Howard and Brian Grazer, and writer/executive producer Jason Katims, this contemporary re-imagining of the blockbuster film depicts the colorful and imperfect Braverman family – four grown siblings sharing the headaches, heartaches, and joy of being parents. The star-studded cast includes Peter Krause, Maura Tierney, Craig T. Nelson, Dax Shepard, Bonnie Bedelia, Monica Potter, Erika Christensen and Mae Whitman. When Sarah Braverman (Tierney), a financially strapped single mother, returns home to her parents and siblings in Berkeley, Calif., after packing up her Fresno apartment and uprooting her two inconvenienced kids, Amber (Whitman) and Drew (Miles Heizer), she is greeted by her opinionated father, Zeek (Nelson), and strong mother, Camille (Bedelia), who are privately dealing with their own marital issues. As Sarah is reunited with her siblings — sister, Julia (Christensen), and brothers Crosby (Shepard) and Adam (Krause) — all struggling with issues of their own, it’s clear that the Braverman reunion is just what they need to face the everyday challenges of modern family life.
Yep, that’s what Nikki Finke is saying over at Deadline Hollywood Daily. I haven’t done the math to figure out if her stats for accuracy are on par with Ausiello’s at Entertainment Weekly, but they’re solid enough that I’m hopeful. Looks like we’ll know for sure on Monday, though.
Have you noticed an intoxicating scent of fear and desperation in the air recently? When you catch that scent wafting in from the general direction Hollywood, you know we’ve reached the time when the networks have begun to look very, very seriously at their schedules in order to determine which of the shows that haven’t yet earned pick-up notices for their next season actually deserve those notices. This year, the stench is particularly strong, what with the combination of Jay Leno’s new M-F 10 PM show killing five perfectly good spots for hourlong drama on NBC, the general economic situation, and the American public still not really having much of an interest in watching anything original. Keeping in mind, of course, that when I say “the American public,” I’m not talking about you…
“No, Mum, they haven’t officially canceled ‘Eleventh Hour’ yet. I’ll keep you posted, though, shall I?”
Nellie Andreeva at the Hollywood Reporter has put together a piece where she gives a rundown of what shows are still waiting to find out if they’re going to get a pink slip or a terse note saying, “Yeah, yeah, you’ve got another season, now get your ass back to work,” while Hercules over at Ain’t It Cool News has taken the work out of it for you and simply offered up three succinct lists: Likely To Return, Unlikely to Return, and 50/50.
Taking the “Likely to Return” list – “Ghost Whisperer,” “How I Met Your Mother,” “Law & Order,” “Numb3rs,” “Southland,” and “Ugly Betty” – out of discussion for the moment, I don’t mind telling you that, between the other two lists, it’s highly depressing to see about half of my TiVo Season Passes get cited. (Not mentioned in the Hollywood Reporter piece is “Kings,” but I agree with Herc that it’s probably been left out because its permanent vacation at the end of its Saturday night death slot run is considered a given.) Regular Premium Hollywood readers will already know that our man John Paulsen has been covering the death knell of several of these shows and established his feelings on what he’d be bummed to see depart, but here are the five shows – one per network, so as not to be greedy – that I’d most like to see earn a reprieve from cancellation:
If the words “rub a dub dub” conjure images of a bearded man in chain mail rather than three men in a tub, then you’re probably one of the people who saw and laughed at “Role Models.” The film was directed by (and features a cameo from) David Wain, late of The State, but he’s not the only alumnus of that particular comedic organization to be found within its frames. There are actually a couple, if you’re counting, but only one managed to spend the duration of the film dressed in Medevial garb and spouting laughably earnest comments using mock Elizabethan phrasing…and – what luck! – we actually had the opportunity to speak to the gentleman in question.