Tag: Saturday Night Live (Page 5 of 6)

A Chat with Kevin Nealon

Kevin Nealon’s been a familiar face on television since his days as a cast member on “Saturday Night Live,” but in recent years, he’s become more known for his work on Showtime’s long-running series, “Weeds.” Those who can’t afford the premium stations, however, may also see him pop up as the host of TBS’s “World’s Funniest Commercials” specials. Won’t you please join us for…

Kevin Nealon: Hey, Will! How are you doing?

Bullz-Eye: Hey, Kevin, good to talk to you!

KN: Yeah, you, too!

BE: So this is not your first time around the block for TBS.

KN: No, it’s not! It’s starting to add up. (Laughs)

BE: So how did you come to hook up with them in the first place?

KN: Oh, gee, let me see if I can remember. It’s been about…oh, I’m guessing eight years now? Seven or eight years. I think they just kind of came to my agents with this offer to host this show, and I always loved funny commercials. You know, one of the reasons – like a lot of people – that I watch the Super Bowl is for the commercials during it, so I was into that. And, also, I went to school for marketing and learned a lot about commercials then, and I was going to be in advertising, but instead I went into comedy. So there’s a big interest there for me.

BE: Do you have a favorite commercial from this most recent special that really stands out?

KN: Well, there are a couple that I like. There’s one…I think it’s for Berlitz Language School, where a guy’s on the phone and he’s trying to find out how to spell “Def Leppard” because he’s doing a tattoo on somebody’s back. And it’s all in subtitles, but the woman goes, “Do you mean ‘deaf’ as in hearing, or ‘death’ as in dying?” He goes, “Um, I’m not sure.” Then he looks to the person’s back, where he’s just made the tattoo “deaf.” That’s a cool one, and there’s another one for Tabasco that’s from Belgium, where they show a streaker running across a soccer field, the cops are chasing him, and then they stop the action and say, “An hour earlier,” and they show him in a restaurant having Tabasco sauce. They kind of back up the whole thing, from the soccer field leading back up to when he used the Tabasco.

BE: So where did you film this special? I know you film them on location in various places.

KN: Oh, yeah, we’ve done them everywhere! Well, not everywhere, but we’ve done them in California, in Paris, New York. This one happens to be in Chicago, which is great, because I love Chicago.

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Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

“Lost” tops online streamed TV programs

“Lost” and “SNL” are also popular online.

Lost, Saturday Night Live and Grey’s Anatomy were December’s three most popular entertainment TV programs streamed from tagged network websites and embedded network video players, according to VideoCensus data from Nielsen Online (via MarketingCharts).

In its first public release of ratings for online individual TV programs, Nielsen reported that ABC.com’s Lost had 1.4 million unique viewers in December — the most among streamed online broadcast TV network entertainment programs. NBC.com’s Saturday Night Live was a close second, with 1.1 million unique viewers, followed by ABC.com’s Grey’s Anatomy with 879,000 unique viewers in December.

The network websites included were from broadcast networks that had tagged their online offerings: ABC.com, CBS Television, CWTV.com, FOX Broadcasting, and NBC.com. The rankings exclude Hulu, which currently does not report VideoCensus data at the program level.Rankings include unique viewers who viewed a full episode, part of an episode or a program clip during the month.

“As I see it, the broad diversity of top television network entertainment programs online suggests that there is more to online viewership than a simple extension of the TV audience,” said Jon Gibs, VP of media analytics, Nielsen Online. “While the online popularity of some shows, like Grey’s Anatomy suggests that some people are using the internet to catch up on programs they usually watch on TV, the online popularity of other programs like Saturday Night Live, indicates that there is a web audience that might otherwise not watch these programs at all. These viewers are driven by a morning-after water-cooler effect.”

Nielson’s reports are incomplete until they start including numbers from Hulu as well, and we also need information about how these numbers stack up against popular online video sites.

It would have been interesting to see numbers from Novemeber and October, as “SNL” surely led the way with its political coverage.

Memo to “Saturday Night Live”: Kristen Wiig must be stopped

Longtime readers of Premium Hollywood surely just said something along the lines of “Whaaaaaa?” when they read this blog’s title, given my 2005 mash note to Ms. Wiig when she made her mid-season debut on “Saturday Night Live.” But enough is enough: she’s become wildly unfunny, and must be stopped.

It doesn’t have to be this way, you know. Wiig is still a fabulous impressionist, as she displayed last week with her spot-on Bjork imitation during Weekend Update. The problem is that the majority of her skits involve her playing the most annoying characters imaginable, as if she’s a female George Costanza with Multiple Personality Disorder. It all started innocently enough, with Target Lady (that’s pronounced “Terruget,” thank you very much) running off every time someone brought something she liked to the counter. Those skits aren’t great but they’re harmless enough, and in one case was redeemed by Justin Timberlake, who’s funnier than half the “SNL” cast, but that’s a post for another day.

From there, we got Amy Poehler’s Aunt Linda, a rubber-faced crank whose reviews consisted of making funny faces. Again, relatively harmless, though less amusing than Target Lady. Wiig still had Poehler to compete with for stage time then, and our guess is that since Wiig knew that Poehler was always going to play the cute girl or the clever girl, Wiig carved out a niche for herself as the oddball, the nut job. Since Poehler’s departure, Wiig has become the alpha female of the cast, but instead of dialing things back a touch, she seems to be trying even harder to irritate people. That has to be the explanation for why they keep bringing back a skit that I can’t fast-forward through quickly enough: Penelope, the passive-aggressive nervous nelly that cannot be topped.

For years, we on the Bullz-Eye staff have thrown around the idea of doing a piece on the best and worst recurring skits in “SNL” history, and at this moment, Penelope would be in the top five, if not Number One. Is there anyone besides the “SNL” writing staff who thinks Penelope is funny? I bet even the cast members hate doing those skits. Ricky Gervais probably finds her funny, since he lives for the awkward pause, but there is style to Gervais’ uncomfortable humor. Penelope, meanwhile, has the grace of a sledgehammer. Hot on Penelope’s heels for the prize of Most Annoying Recurring Skit are the Today Show skits, where Wiig, as Kathie Lee Gifford, spends the entire skit humiliating Hoda Kotb (a very patient Michaela Watkins, my favorite newbie) and making more funny faces. We get it, guys; Kathie Lee’s obnoxious. Can we move on?

Meanwhile, the one recurring skit of Wiig’s that I liked, the Two A-Holes, has mysteriously been shelved. What’s the matter, guys, they’re not annoying enough anymore? And what about those dead-perfect impressions of Judy Garland and Megan Mullally she used to do? I’m not saying that Wiig should completely abandon her gonzo tendencies – though if I’m being honest, I would be perfectly happy to never see any of the above recurring skits again – but would it kill her to take it down a notch? If she doesn’t watch it, she’s going to turn into Melanie Hutsell. Man, if that doesn’t put the fear of God in you, nothing will.

Post Script: My wife added the following comment: “Don’t forget that ‘Just Kidding’ woman and the woman who can’t keep a secret.” Man, this is worse than I thought.

UPDATE: It appears that, 21 months later, my prayers have been answered. Click here to read the follow-up piece, “Kristen Wiig update: SNL got the memo.”

TCA Tour, Jan. 2009: “Will Ferrell: You’re Welcome, America. A Final Night with George W. Bush”

No-one goes into a panel with Will Ferrell…not even one being done via satellite…with an expectation that it’s going to be a serious affair. But when he turns up wearing a woolen winter hat and a pair of New Year’s Eve glasses shaped like the number 2009, it’s fair to say that you can throw seriousness completely out the window.

“First of all, these are actually prescription glasses,” Ferrell assured us. “I’m not trying to be funny. It happens to be 2009, so that’s great. I also had head surgery, so that’s why I have this hat on, too.”

Sure, Will. Sure.

Ferrell and his longtime collaborator, Adam McKay, had turned up to discuss Ferrell’s new one-man show, “You’re Welcome, America: A Final Night with George W. Bush,” which will be getting a live airing on HBO on March 14th. Ferrell hadn’t really been called upon to do his Bush impression very much since departing from “Saturday Night Live,” but he thought the show would be a fun way to send off George W.

Ferrell and McKay reminisced about the origins and evolution of Ferrell’s impression, which began as a mere walk-on in a Clinton sketch. “It was before we kind of even knew who he was,” said McKay, “and Will basically just played him as a frat guy drinking beer, high-fiving.”

“Darrell Hammond was always going to play Gore,” said Ferrell, “and then Lorne Michaels had asked me if I wanted to play Bush. I thought, ‘Yeah, this will be fun. I’ll play him for a couple of months. He probably won’t win.’ And then he eventually won. He just kept kind of gaining momentum in terms of his comedic persona. He went from the 90 percent popularity to…it’s the longest sustained drop in popularity in Presidential history. Obviously, there’s been an incredible combination of some insane news events that he’s had to deal with and, obviously, some poor decisions on his part, along with his type of personality and the fact that he kind of can’t speak properly. That makes for a wonderful kind of comedic stew…and I like to use the word ‘stew’ whenever I can.”

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