Tag: January Jones (Page 3 of 4)

Mad Men: Season 4 – A Preview

God love you, Matthew Weiner.

Everyone in the free world is chomping at the bit to find out what’s going to happen when your show, “Mad Men,” returns to AMC on July 25th to kick off its 4th season, and all you’re willing to leak to the press is this nine-word description:

Don makes a mistake that jeopardizes the new agency.

Give the man credit: he’s dedicated to keeping as many surprises under wraps as he possibly can…and, as regular readers of Premium Hollywood know by now, I’m not going to be the one who breaks his trust by giving you the scoop on what happens during the season premiere. I will, however, say this: yes, I’ve seen it, and, yes, you will very much feel that it’s been worth waiting for.

If you weren’t watching “Mad Men” during its third season…well, the statute of limitations has probably expired on us giving you crap for that, but since Season 3 has been out on DVD since March 23rd, you really have no excuse for not having played catch-up by now. Still, for those of you who’ve been busy and feel as though you could do with a refresher course, I suppose we could help you out on that front.

Continue reading »

The 2010 Primetime Emmy nominations are in!

Bright and early this morning…by which we mean 8:40 AM EST / 5:40 AM PST…the nominees for the 62nd Primetime Emmy Awards were announced by Joel McHale (“Community,” “The Soup”) and Sofia Vergara (“Modern Family”). It ended up being a worthwhile gig for one of them, at least, with Vergara pulling in a Supporting Actress nod for “Modern Family.” Maybe that’s why McHale seemed so stone-faced. (Seriously, did someone tell McHale that he wasn’t getting paid if he didn’t keep his smart-assery in line ’til after the nominees were read? The only time he cracked anything approaching a joke was when he preempted Vergara’s mangling of Mariska Hargitay’s last name.) Anyway, here’s a list of who got the glory…and, in the case of Best Actress in a Drama, who got the shaft.

Outstanding Comedy Series:

* Curb Your Enthusiasm (HBO)
* Glee (Fox)
* Modern Family (ABC)
* Nurse Jackie (Showtime)
* The Office (NBC)
* 30 Rock (NBC)

My Pick: “Modern Family.” There’s no question that “Glee” is award-worthy, but not necessarily as a comedy, which is also where “Nurse Jackie” falters in this category. I feel like “The Office” and “30 Rock” coasted in on their past merits this year, but “Curb” got a huge boost from the “Seinfeld” storyline, so it’s the only real competition here. Still, the buzz on “Modern Family” is all over the place. I can’t imagine it won’t bring home the glory.

Continue reading »

A Look at “Mad Men: Season 4”

And we mean that literally: we just received a collection of photos which AMC released in conjunction with the screener of the first episode of Season 4.

I’m not going to have my ass handed to me for spilling any secrets of about Season 4, so don’t go looking for any spoilers, but here’s a bit of text from AMC’s press release to keep you going ’til July 25th:

“Mad Men” riveted audiences with a cliffhanger finale in season three, as Don Draper’s professional and personal lives unexpectedly imploded. This season, the series’ breakout ensemble cast continues to captivate as they grapple with an uncertain new reality.

In season three, “Mad Men’s” unflinching look at the human condition continued as characters faced the realities of dramatic change in the country – from the birth of civil rights to the assassination of a president – and in their personal lives. Whether it was corporate politics, homophobia in the workplace or the frustration of betrayal, they dealt with an unsettling loss of the familiar. Audiences were stunned by the self-destruction of protagonist Don Draper, including a confrontation with wife Betty that forced him to reveal the truth about his past and identity, and the resale of Sterling Cooper by British parent company Putnam, Powell and Lowe (PPL), which left its partners on the brink of a new beginning.

The consequences of the shattering secrets exposed in season three will continue to reverberate in “Mad Men’s” fourth season, as the lives of the men and women of Sterling Cooper Draper Pryce continue to evolve. As relationships are redefined and people are forced to face themselves and the world around them in new ways, the series will continue to question the traditional norms and the simmering societal frustrations between women and men with compelling storylines and resonant moments that are sure to enthrall as the new season unfolds.

Check out the photos after the jump!

Continue reading »

Mad Men 3.11 – And Who Are YOU Supposed To Be?

First things first: my thanks to Bob Westal for ably filling my shoes last week while I was in the UK. Alas, I was so busy covering the press junket for “Pirate Radio” that I wasn’t able to hunt down the home office of Putnam, Powell, and Lowe. Oh, well, maybe next time…

Betty is packing her bags when the episode begins. Will it prove to be prophetic…? We’ll see, but it certainly doesn’t seem to bode well that A) she and the kids are heading off for a week at her dad’s old place, and B) her last moments with Don involve him…well, not so much lying to her face about his stash o’ cash as unabashedly avoiding giving an answer when she asks if he has any money lying around. But, even so, you can tell she’s still damned well pissed at him, and given all of the confusing information that she’s found out about him through the contents of the drawer, you can’t blame her.

We meet Annabelle Mathis, heiress to a fortune in dog food as a result of her husband’s unfortunately demise at the age of 51…and, boy, the look Roger cut to Don when he was lighting up just as Annabelle was revealing that her husband had died of lung cancer was priceless. Don’s given the opportunity to take a shot at the campaign (apparently, Sterling-Cooper used to have their business, but, per Bert Cooper, “Her father was a son of a bitch”), just so long as he follows two cardinal rules: don’t change the recipe and don’t change the name. What’s the connection between Roger and Annabelle? Well, there was clearly a relationship of some sort back in the day. At first, it sounded like an extra-martial affair, since she asked him if he’s still married, but it’s later revealed that their coupling was quite some time in the past…not that either one of them has forgotten it. It’s to Roger’s credit that, despite the amount of alcohol in his system, he still doesn’t take advantage of the opportunity for post-dinner entertainment that Annabelle offers him.

Speaking of Roger’s extra-marital affairs, Joan is trying to help her husband prepare for job interviews, and in the process, she learns that his father had a nervous breakdown. Somehow, that stands to reason. The next day, she decides to call Roger and, although she won’t ask him for her old job back, she’s not above asking him for assistance in finding a new gig. The two of them have a nice, flirtatious conversation that harks back to earlier seasons, making for one of the most pleasant scenes of the episode, and although it doesn’t entirely pay off for Joan yet, Roger does indeed start making calls on her behalf. Things don’t go nearly as well for Dr. Greg, however, who promptly does an emotional bellyflop during his interview, then comes home and takes his annoyance out on his wife. She, however, responds in turn, clocking him over the head with a vase and leaving him to pick up the resulting broken glass by his damned self. “Oh, shit,” indeed. You go, Joan. But by episode’s end, we’re left wondering if maybe she gave him a concussion, as he returns home to tell her that he’s joined the Army. Just the mention of Vietnam and the throwaway line when he references it, saying, “If that’s still going on…” is a sure sign that he’ll be going over there and probably never coming back.

The dog food test for Calcott Farms goes so horribly bad, with the participants immediately recognizing the name, that Don orders Peggy to turn it off, leading to one of the funniest lines in the episode: “I can’t turn it off. It’s actually happening!” And then…

Oh, but you don’t want to hear any more about this stuff, do you? Let’s get to the real meat and potatoes of the episode: Don and Betty.

Continue reading »

The Film Formerly Known As “The Boat That Rocked”…

…has been given a new name for its U.S. release: “Pirate Radio.”

If you’re unfamiliar with the motion picture in question (which lets out most of our UK readership, as the film was released across the pond back in April), here’s the official synopsis from Focus Features:

“Pirate Radio” is the high-spirited story of how 8 DJs’ love affair with Rock ‘n’ Roll changed the world forever. In the 1960s, this group of rogue DJs, on a boat in the middle of the Northern Atlantic, played rock records and broke the law, all for the love of music. The songs they played united and defined an entire generation and drove the British government crazy. By playing Rock ‘n’ Roll, they were standing up against the British government who did everything in their power to shut them down. The band of rebels is led by The Count, played by the Academy Award-winning Philip Seymour Hoffman, Quentin (Bill Nighy), the boss of Radio Rock, Gavin (Rhys Ifans), the greatest DJ in Britain, Midnight Mark (Tom Wisdom), Doctor Dave (Nick Frost), and Young Carl (Tom Sturridge), who comes of age amidst the chaos of sex, drugs and rock n roll. The film features an unbelievable selection of music including The Beatles, The Stones, Beach Boys, Dusty Springfield, The Who, Jimi Hendrix, Smokey Robinson, David Bowie, Otis Redding, Cat Stevens just to name a few. The film is laugh out loud funny and speaks to the rock n roll rebel in all of us.

A few other bits which might interest you: it also stars Kenneth Branagh, Rhys Darby (“Flight of the Conchords”), Chris O’Dowd (“The I.T. Crowd”), Ralph Brown (“Meadowlands”), January Jones (“Mad Men”), and Jack Davenport (“Coupling,” “Swingtown”), and it was written and directed by the always-enjoyable Richard Curtis, the man behind “Four Weddings and a Funeral,” “Notting Hill,” “Love, Actually,” and the “Bridget Jones” films.

Here’s the trailer for your viewing enjoyment:

In a turn of events which obviously leaves me pleased as punch, I have been invited to participate in the press junket for the U.S. release of the film, so stay tuned to Bullz-Eye and Premium Hollywood for further coverage, including discussions with Mr. Curtis and some of the stars of “Pirate Radio.” Rest assured, my first question will be, “Who decided that Americans couldn’t appreciate a title like ‘The Boat That Rocked’?” (I’m guessing I’ll learn that some higher-up decided, “Hey, the kids love the pirates, so maybe we can trick ’em into thinking this is actually about pirates!”)

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑