Category: TV (Page 213 of 595)

Blu Tuesday: He’s Just Not That Into You, Revolutionary Road and Weeds

After what seemed like an avalanche of Blu-rays during the month of May, HD consumers can finally rest their pocketbooks. The lull isn’t nearly as bad as it sounds – after all, studios continue to release catalog reissues every week – but those looking strictly for new titles have fewer options. For instance, last Tuesday brought us only one new release (the Renée Zellweger comedy, “New in Town”) – which is also why there was no new column – but this week offers up a slightly better selection to choose from.

“He’s Just Not That Into You” (Warner Bros.)

Though not quite an instant classic like Richard Curtis’ “Love Actually,” the Ken Kwapis-directed romantic comedy has a lot in common with the 2003 film. Both movies juggle several interweaving storylines (including some that end well and some that don’t), and both feature an all-star cast of actors. “He’s Just Not That Into You” isn’t as memorable, but it’s definitely better than expected thanks to a smart script and some standout performances by Ginnifer Goodwin and Justin Long. While the movie doesn’t appeal to the opposite sex in the same way as Curtis’ rom-com, it’s still an easier sell than most films like it due to the variety of male characters represented in the story. The Blu-ray release is far from extraordinary, but for fans of the genre, you could do a lot worse.

“Revolutionary Road” (Paramount)

I’ll be the first to admit that I didn’t love “Revolutionary Road” quite as much as the other critics, but it’s still a solid period drama with fine performances from the hugely underrated Leonardo DiCaprio and the slightly overrated Kate Winslet. While the story is just as depressing as most of the award films Hollywood is producing these days, there are small moments of happiness sprinkled throughout that helps make what can easily be conveyed as an anti-marriage tale a little easier to swallow. There’s obviously more to story than that, which is why anyone who might have strayed from seeing the film in theaters (and judging by its box office receipts, that’s a pretty big percentage) should definitely give it a go on Blu-ray. The book by Richard Yates has been called one of the greatest novels in the history of American Literature, and while that’s certainly not true of the movie adaptation, it’s still worth seeing once.

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Land of the Lost – Season One: “It’s Not Just for Kids Anymore”

If there’s one thing the upcoming “Land of the Lost” movie can be counted on to do, it’s generate some long overdue interest in the classic Sid and Marty Krofft series upon which it’s based. Viewers of the new film, starring Will Ferrell, will largely be made up of two groups: those who watched the show back in the seventies, and those who have no idea the movie is even based on a TV show. With a sweet new “Complete Series” box set currently in stores, there’s no better time than now to look back at the show that began scarring many a young psyche when it was unveiled in 1974.

The Kroffts unleashed all manner of trippy live action television fare on Saturday morning viewers back in the ‘70s, but the majority of their output was campy and comical. “Land of the Lost” really stood apart from most of their other productions with its far more serious themes and dramatic approach. The first season of “Land of the Lost” is oftentimes seriously thought-provoking science fiction, wrapped around a fair amount of fatherly advice, sibling friction, and heaping helpings of action & adventure and thrills & chills. Rick Marshall (Spencer Milligan) and his teenage children Will (Wesley Eure) and Holly (Kathy Coleman) are, as the famous theme song goes, on a routine expedition when they go over a waterfall and end up in a strange place populated by dinosaurs, monkey people, and a slew of lizard men that gave a generation of kids nightmares that lasted for years.

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A Chat with “Harper’s Island” Victim #8

See, I told you this week’s victim interview would be posted in a timely fashion.

If you’ve been watching “Harper’s Island” all along, then this was probably the least surprising death of the series to date. It’s not that you necessarily saw it coming this week, per se; it’s simply that, due to an event in an earlier episode, you sensed that the character had been living on borrowed time, anyway. And while I don’t want to say that I’d actually been rooting for that time to run out, I have to admit that this was an interview I’d been looking forward to, due to the other credits found within this person’s IMDb listing…one of which will be returning to the airwaves next month.

Oh, but I’ve said too much. Let’s move onward before I give away anything else…

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The MTV Movie Awards…Bringing People Together

So, just to explain myself real briefly, for the time being you’re going to see the tiny little letters of my name a lot more often ’round these parts, as I’ll be blogging a couple of times a day, every day (or close to it), on movies and such. I’m going to try and keep things short and sweet but my record on those matters is a bit, er, mixed. It’s just very important to me that you know the whole story.

Anyhow, one interesting aspect of this gig is that I’ll be paying attention to things that before might have only gotten a cursory glance from me. Like the MTV Movie Awards.

Not surprisingly, as per Variety, Twilight” won the most awards and High School Musical 3: Senior Year” won stuff as well in the teeny-bopper friendly proceedings, while Andy Samberg and Will Ferrell performed a routine noting the ever increasing filmic phenomenon of movie tough guys who are so cool they refuse to look at explosions. (I haven’t seen the clip, which has already been pulled off YouTube, but that action film cliche goes back at least 13 years to “From Dusk ‘Till Dawn” and continues on into 2007’s “No Country for Old Men” and beyond I’m sure. Personally, I really would like to see Daniel Craig or Russell Crowe as a movie bomber pause to look at an explosion and go, “Wow…that’s so cool; I probably just incinerated a bunch of people, too. Sweet.”)

But none of that is the big news. That would be Sacha Baron Cohen, promoting his upcoming film starring his very, very gay character, Brüno, by doing what he always does — and his target was the rapper most frequently associated with the word “homophobia.” A video is worth a thousand words. (Via Nikki Finke.)

So, the big question is: Was the event staged and, if so, to what degree? Eminem looked genuinely surprised and angry to me and Nikki Finke’s commenters (those elusive “industry insiders” perhaps?) have theories on how some, but not all of it, might have been spontaneous. He might be an okay actor, but I don’t think his reaction, though somewhat understandable if all is as it appears, does anything for the extremely talented but seriously messed up Shady’s image, so why would he fake that? Also, if a hand-puppet could get him angry, a real Anglo-Israeli’s buttocks and barely covered private parts should really do the trick. Via MTV, Triumph, the Insult Comic Dog, has already weighed in. (“I sat on Eminem’s face long before Brüno ever did.”) Any other thoughts?

Somewhat more “real” movie news coming later today.

Really? This is how they’re going to end “Reaper”? Ugh.

** SPOILER ALERT **

“Reaper” fans have known for several weeks now that the show probably wasn’t going to return in the fall, but we kept watching in the hopes that the series would at least wrap up with some sense of closure.

“Reaper” has been pretty good this season though with the late premiere date it was obvious that it was on the cutting block. Let’s just hope that [Michele] Fazekas and [Tara] Butters can wrap up the series properly instead of letting “Reaper” simply go dark. No one wants that.

Denied.

For most of the season/series finale, “The Devil & Sam Oliver,” it looked like we might get some sort of a satisfying ending. Sam had discovered a way to get out of his deal with the Devil and had picked a contest — “Quarters” — that would give him a legitimate shot of succeeding. (No pun intended.) Even when Steve showed up and broke his right hand, I still held out hope that he’d manage to beat the Devil with his left hand.

Nope.

Instead, with the souls of both Sam and now Andi owned by the Devil, we are treated to a scene of Steve (sort of) explaining that his orders came from “up above.” He shows off his wings and joins a bunch of other angels in the night sky. Cut to Sam and Andi looking up in wonderment. Fade to black.

WTF?

This should be filed under “How Not to Handle a Finale.” The series was on the chopping block for the last couple of months, and even if producers Michele Fazekas and Tara Butters wrapped up production a while ago, they (or the network) should have had the foresight to shoot an alternate ending or two to give them the option of going in another direction if the show were canceled.

How hard would it have been to shoot a scene of Sam knocking a couple of quarters in with his left hand? Or what about cutting the scene where Steve breaks his hand and have the Devil figure out to cover his eyes after the first miss and force Sam to make all five shots with his right hand? Sam gets his soul back, Andi is safe and the series can end with some sense of closure.

Instead, the series is sent spinning off into another direction, and we’ll never really know how how the story of Sam, Andi, Sock, Ben and the Devil really ends. If we had some closure, I might recommend that my friends watch the show on DVD. But why would I subject them to this painful ending?

Shame on the CW for not insisting that multiple endings be shot. Shame on Butters and Fazekas for the same thing, and for jumping ship even before the fate of “Reaper” was sealed. This finale is a slap in the face of all the fans who stuck with the show for its entire run. Say what you will about ABC’s decision to cancel “Life On Mars,” at least the network and the producers were on the same page in that both sides wanted to give the series an appropriate ending.

More commentary on the “Reaper” finale:

Hitflix
The Star Ledger

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