Category: TV (Page 212 of 595)

Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Land of the Lost – Season Two: “Mysterious Forces”

Before jumping into Season Two, allow me to discuss the “Land of the Lost” movie for a bit. As you might glean, I’m a pretty hardcore fan of this show. Yes, believe it or not, we do exist; “Land of the Lost” has a small, but fervent cult following. The last thing fans of this series ever wanted to see was a comedy send-up of the premise. No, most fans had minor dreams of someday seeing a big-budget, sci-fi movie created by people that took the concept as seriously as David Gerrold did back in the day. But, alas, that did not happen, and instead we’re getting a movie that’s likely closer in tone to some of the other Krofft properties, rather than the one it’s actually based on.

All that said, any amount of money that can be made by this movie must be positive for “Land of the Lost” as a brand name, and if the movie does well, you never know what the future might hold. Personally, I’d like to see the movie do so well that somebody decides to greenlight a new version of the series for Sci Fi, which would be the obvious network for it to end up on (indeed, Sci Fi has even been running “Land of the Lost” marathons as of late). I mean, really, how many steps away from “Primeval” – an enormous success for ITV in England, as well as here in the States on BBC America – is a serious version of this concept? So if you’re a fan of the series, don’t be so quick to skip the movie, simply because it isn’t what you envisioned. Grab some friends and a few beers and head out to the movie theatre this weekend, because the future of “Land of the Lost” probably rests in the obnoxious antics of Will Ferrell. (That is, admittedly, a sentence I never in my life thought I’d have to type.)

Now back to your regularly scheduled breakdown of Season Two of “Land of the Lost…”

David Gerrold left the series after the first season, and so a new story editor was hired in the form of Dick Morgan, who’d written such Season One offerings as “Album” and “Follow That Dinosaur.” Clearly Morgan had a lot of respect for what Gerrold had laid down, but it seems that he perhaps didn’t have a big vision of his own. (In all fairness, this is an unfair supposition on my part; as with any TV show there are many fingers in the pie, and who’s to say who’s to blame?) Part of the problem with Season Two is that it frequently tries to expand on ideas from the first season, often without success. This isn’t to say that the season isn’t any good; in fact, you’ve got to be a bit obsessive about the show in order to notice a big difference from the first season…but, then again, that’s why I’m here sharing my insights with anyone who cares to listen.

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…but, on the other hand, IFC’s “The Wrong Door” is all right

Proof positive of the “you win some, you lose some” scenario, IFC has added “The Wrong Door” to its lineup, and unlike “Food Party,” it actually is pretty damned funny. You can possibly chalk a certain amount of that up to the fact that the sketch comedy series originally aired on BBC Three (everyone knows that comedy is 64% funnier when delivered in a British accent), but come June 9th at 11:30 PM EST, you’ll be able to determine for yourself if it’s just my Anglophile tendencies that are making me laugh. Or, of course, you could just check out a couple of clips:

And while this last one is sanctioned neither by BCC Three nor IFC, allow me to nontheless steer you toward this sketch about the inherent dangers of buying a star in someone’s name, which someone has kindly posted for your viewing enjoyment:

Sci-fi aficionados will hear that the producers have borrowed the theme from “Star Trek: Deep Space Nine,” but most of you will just be thinking, “Holy crap, whoever heard of a sketch comedy series with these kinds of production values?” Yep, “The Wrong Door” looks great…and, even better, it’s actually quite funny. Sadly, there are only a half-dozen episodes, but the two I’ve screened left me chomping at the bit to see the other four.

IFC’s “Food Party” is less than appetizing…

I’m all for off-kilter comedy, but getting through three episodes of IFC’s “Food Party” was damned near painful. The series, which appears as part of the network’s Automat line-up (which is loosely translated as the IFC equivalent of Adult Swim), is the brainchild of one Thu Tran, a Cleveland-based artist.

Here’s how the network describes the show:

“Food Party” is a mind-bending, non-reality cooking show with Thu Tran as your hostess, a cast of unruly puppets as culinary aides, and a cavalcade of fictitious celebrities as surprise dinner guests. Shot on location in a Technicolor cardboard kitchen as well as other foreign and exotic cardboard locations, each episode will or will not instruct you on how to prepare wild gourmet multi-course meals with ingredients you probably have on hand in your kitchen already, such as pretzel rods, eggs, narwhal lungs, bizarre plot twists, secret ingredients, and pizza. After all, you never know who might show up for dinner.

Each episode lasts about 12 minutes, and although I endured all three episodes provided by the network (“Thu Become One,” “Cave Duck,” and “Horrorsode”) in the name of TV criticism, it was such an excruciating experience that I feel obliged to warn off any who might consider watching it for themselves. While there’s certainly something to be said for the “Pee-Wee’s Playhouse”-inspired look of the show, all I kept thinking while I was watching it was, “I don’t know a single person who would be able to sit through this without saying either ‘this isn’t funny’ or ‘this is gross.'” (The latter would almost certainly be uttered during “Horrorsode,” in which we see Thu’s water break, bear witness to all manner of disgusting liquids flowing forth from her nether regions, and eventually give birth to a pie filled with kittens.)

If you’ve ever watched “Tim and Eric’s Awesome Show, Great Job!” and thought, “You know, this would be great if it was just a little bit more out there,” then maybe you’ll enjoy “Food Party.” Personally, I found it ranging from terribly unfunny to legitimately disconcerting, but that’s me.

Feel free to make up your own mind by watching this clip from the show’s first episode:

The Next Food Network Star new season debuts Sunday June 7

Yes, it’s really been a year since Aaron McCargo, Jr. won Season 4 of “The Next Food Network Star,” one of the network’s most popular and talked about shows. Since then, McCargo has his own show, and Season 2 champ Guy Fieri is about as ubiquitous on TV as Peyton Manning or Oprah. So, you see, The Food Network takes this show very seriously, and well they should. Not only is it vital for them to keep finding new talent, but we are able to enjoy the process as ten finalists battle it out with tough challenges and nerve wracking on-camera experiences.

Season 5, which kicks off this Sunday June 7 at 9:00 pm ET/PT and 8:00 pm CST, features finalists Brett August (Washington Heights, N.Y.), Katie Cavuto (Philadelphia, Pa.), Melissa d’Arabian (Keller, Texas), Teddy Folkman (Alexandria, Va.), Eddie Gilbert (Manhattan Beach, Calif.), Jen Isham (Orlando, Fla.), Debbie Lee (West Hollywood, Calif.), Jamika Pessoa (Atlanta, Ga.), Michael Proietti (New York, N.Y.) and Jeffrey Saad (Los Angeles, Calif.).

The challenges promise to be even tougher this time around according to a press release, and we had the chance to ask judge and long-time network personality, restauranteur and Iron Chef Bobby Flay how he felt about the challenges.

“I do think sometimes the challenges are hard, but that’s what this is about,” he said. “If everyone was perfect in every challenge, there would be nothing to watch. You want to see how they do under pressure and how they handle it.”

In addition, since Flay is the lone chef on the judging panel along with Food Network execs Bob Tuschman (Senior Vice President, Programming and Production) and Susie Fogelson (Vice President, Marketing and Brand Strategy); he admits that he is looking more for that special culinary talent first and foremost, while the other two may have different priorities.

“Since I’m the chef on the panel, I’m always protecting the food,” he said. “It’s three things–they need to be able to cook with authority, they need to be able to be a good teacher and inspire, and then if they have those two things they need to be entertaining. All three of those things are the recipe for success.”

In addition to Flay, there are several network personalities that will help with the challenges and with guidance to the ten finalists. Those include Rachael Ray, Giada De Laurentiis, Alton Brown, Guy Fieri, Ina Garten, Emeril Lagasse, Gina and Pat Neely, Masaharu Morimoto, Ted Allen, Tyler Florence, Michael Symon McCargo, Jr.

We’ll be blogging the entire season right here starting this Monday, so tune in and then read us right here and let us know what you think!

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