Category: News (Page 202 of 401)

Box Office Preview of the “Lost” Weekend

So, there I was, thinking about what I was going to post tomorrow when it suddenly occurred to me: it’s not Wednesday, it’s Thursday, which means you’re reading this on Friday morning and, damnit, you need your box office preview.

This weekend sees the release of passel of comedies and comedy dramas, and the smart money at both Variety and The Hollywood Reporter agrees that “Up,” which is just about ready to receive the first Nobel Prize for animation and become the basis for a new religion, will likely defeat both of the newcomers. It gets more intriguing become it’s not impossible that the film starring a bonafide comedy superstar could come in at the #3 spot.

I speak, of course, of “Land of the Lost” starring Will Ferrell, which our own Will Harris gave a mere 1.5 stars to on the grounds of being unfunny and raunchily disconnected from it’s own youngster appeal. Rotten Tomatoes has given the film a sad 20% “Fresh” rating (even if Roger Ebert wrote another of his very, very many utterly winning defenses of films I would never spend my own money to see). I’m sure the elaborate comedy will do a certain amount of business based on Ferrell’s appeal and its special effects, but unless audiences like this one vastly more than critics, there may be long faces at Universal on Monday. At least it’s gotten the original TV series reissued, much to the delight of my fellow PH-er, Ross Ruediger.

Ed Helms and a feathered friendOn the other hand, the megastar-free “The Hangover,” which sort of sounds like a retread of the premise of “Very Bad Things,” is apparently a vastly more upbeat affair. My film review overseer, Jason Zingale, gave it a solid 3.5 stars and in general it is being received as a very good thing by RT critics, and may well do very good things for the careers of its up-and-coming cast. An upset at the #2 spot is not impossible.

Other than that, we have a new romantic comedy vehicle from Nia Vardolos (“My Big Fat Greek Wedding”), “My Life in Ruins.” Despite being written by the very talented comedy writer, Mike Reiss, this film keeps alive director Donald Petrie’s career long record of never making a single well reviewed featured, receiving a truly dismal 7% at RT. I wouldn’t expect another sleeper from this one. Bullz-Eye’s Dave Medsker gave it 2.5 stars, definitely more in sorrow than in anger.

That’s pretty much it, but in very limited release is a new film from Sam Mendes (“American Beauty”, “Road to Perdition”) and literary power couple Dave Eggers and Vendela Vida, which we’ll talk about when it’s in more than four theaters. Also, speaking of director’s named “Sam,” please consider giving Mr. Raimi’s “Drag Me to Hell” a chance this weekend. It’s that or the only horror films the studios will be greenlighting will be “The Grudge 15” or such upcoming torture-porn classics as “I Digest Your Eyeballs” and “The Scrotum Stretchers.” Keep horror sane, see the darn thing. (Also check out Will Harris’s interview with the very cool actor, Dileep Rao.)

Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

BadAzz Mofo Geeky Quick Hits

Other than the very sad and disturbing passing of David Carradine, very well noted by Will Harris a bit earlier (I’ve got more at my own bloggy digs, Forward to Yesterday), it’s kind of a slow news day in the movie world…

* In a bit of very inside baseball, with his upcoming “Avatar” 3-D extravaganza already getting a lot of ink many months before its X-Mas release, James Cameron has broken with his past practice and has signed with an agency. And not just any agency, but the mighty CAA. I know, your life will never be the same. Variety has the scoop, such as it is.

* 79-year-old lifelong cinema enfant terrible Jean-Luc Godard (“Breathless,” “Contempt” — a great film you really ought to see) is looking to do a film inspired by a Holocaust memoir, says THR. I know, your life will really never be the same, but this is interesting. Godard, a truly radical leftist, criticized Israel implicitly in his 1967 comic masterpiece, “Weekend,” when the middle-east nation’s battles were still very much a liberal cause. I’m not at all one to equate anti-Zionism with anti-Semitism, but the film itself, and the worldwide response from Jewish groups, should be worth watching for those of us interested in this kind of thing.

* And finally, Nikki Finke devoted all of 24 words this morning to the passing of David Carradine (and turned off comments for some reason), but after adding that she doesn’t “do geek,” she did find time to devote some space to covering Total Sci-Fi‘s “25 Women Who Shook Sci-Fi” list, with a definite emphasis on bad-ass mofo type females. It was topped by Sigourney Weaver‘s Ripley from the “Alien” franchise (including “Aliens” from the aforementioned J. Cameron). The list also covered fantasy for whatever reason and #2 on the list was Buffy Summers (Sarah Michelle Geller) of “Buffy” fame. (My personal Buffsession, Willow Rosenberg, aka Alyson Hannigan, came in at #21.) With the possible exception of the first choice, which I really can’t argue with as long as you’re talking about actresses and not, say, writers, my list would be entirely different — if I didn’t tend to avoid lists. Since we really do “do geek” here at Premium Hollywood, allow me to link to fan site Whedonesque‘s comment thread on the topic, where the discussion eventually includes the terrific SF (not “sci-fi”!) writer, Roger Zelazny. Now that’s geek.

Kwai Chang Caine has gone to meet his Master

Sad news to report: actor David Carradine has died.

I’d be depressed about this news no matter what, given Carradine’s impressive body of work, which includes the classic TV series, “Kung Fu,” as well as such films as “Death Race 2000,” “Bound for Glory” (where he played Woody Guthrie), “Q: The Winged Serpent” (one of my favorite cult sci-fi/horror flicks), and, most recently, Quentin Tarantino’s “Kill Bill” films. But what really hits home is that I actually interviewed Carradine last year, when he was doing the promotional rounds for “Kung Fu Killer,” the miniseries which reunited him with his “Kill Bill” co-star, Daryl Hannah.

When I heard the news, I immediately thought back to these particular comments, which came about after I asked him how much longer he thought he could get away with playing a bad-ass:

Well, it’s almost a vanity of mine that I can still do this stuff when I’m 70. I think I can probably still do it when I’m in my 80s, but we’ll have to see. But I don’t really feel like I’m getting any older. I don’t know what that’s about…but I’m happy about it! I don’t hurt, I don’t much get tired, there doesn’t seem to be much that I can’t still do, and there are even some things that I didn’t used to be able to do that I can do now. I actually seem to be getting stronger, and I have more endurance and everything. I don’t know, I can’t explain it.

Wow, that makes me sad.

It also makes me very skeptical of the current reports that he may have taken his own life. (As of this writing, they’re still unconfirmed.) Suicide would go against not only the things he said during our conversation but, indeed, that he’s said in just about every interview I’ve ever read or seen with the guy. He always seemed to be as inherently spiritual as the character who brought him his greatest fame. I’m sure he’d be at peace with himself at the moment of his passing, but it just feels unlikely to me that he’d opt to be the one who chose that moment.

By the way, I think this is the first time someone I’ve interviewed for Bullz-Eye has died. Let’s hope that, despite our editor-in-chief’s comment when I mentioned this fact, it does not signify the beginning of “the Bullz-Eye curse.”

Rest in peace, grasshopper. At least we’ve got a lot of great work to remember you by…

And, of course, we’d be remiss if we didn’t offer up what’s arguably Carradine’s signature scene within the “Kill Bill” films:

A Time for Quick Hits….

Things have been a bit crazy at Casa Westal, what with this new regular blog gig and attendant mishegas and other projects, plus this afternoon the kind folks at AT&T let my household Internet go bye-bye. (I’m writing this at the Coffee Bean & Tea Leaf nearest me, because the other guys’ “free” Internet deal sucks beyond all words, even if they’re egg sandwiches are good and I actually like very darkly roasted coffee.)

Nevertheless, there is stuff to tell you.

* I’ve been remiss in failing to mention that Sunday’s Bruno/Slim Shady rectal contretemps has been confirmed as a staged event, via the wondrous and personally very cool Anne Thompson. However, Sacha Baron Cohen has at least on potential serious problem — a lawsuit that is a lot more serious than the “Borat made me look stupid and racist, possibly because I really am stupid and racist” actions that were brought against him before. This time a woman alleges that Baron Cohen’s crew attacked her to get a reaction for the film and that she is disabled as a result. If true, I have to wonder why criminal charges weren’t filed, and as Matthew Belloni comments, the timing (just prior to the release of the “Bruno” movie) is worth noting.

* THR and Variety both have reviews of “Land of the Lost.” Neither cares for it. As for the original series, Variety‘s Brian Lowry refers to it as “campy” and Kirk Honeycutt refers to the show as being “fondly remembered (in some quarters).” Those quarters would belong to our own Ross Ruediger. Read on….

* And one more item from Anne Thompson. Something calling itself the Ultimate Movie Site is in beta. At first blush, I’m not feeling it. It’s definitely ambitious, but also strikes me as a little confusing and unfocused in its lay-out and in precisely what it’s trying to do. And, if something calling itself that doesn’t work for this mega-movie geek, will it work for others? Besides, I thought this was the ultimate movie site….

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