Category: Movies (Page 197 of 498)

I’ve got those midweek movie news blues

Leonardo DiCaprio* It’s not really new news and I even posted about it before, but Mike Fleming has returned to the possibility that Leonardo DiCaprio may eventually be undertaking the role of John D. MacDonald’s great gumshoe, Travis McGee. However, there’s more this time around. If DiCaprio strikes a lot of us as a counter-intuitive pick for the laid-back, heroic tough guy, the choice of possible director seems even stranger: Oliver Stone. Stone’s often hyperactive style simply strikes me as wrong, unless he can turn himself into Howard Hawks or Clint Eastwood or someone more in that vein.

Still, my discomfort is nothing compared to Drew McWeeney, who is obviously a huge, huge fan of the books and who read a script that he was none too fond of — though it’s been so long since I’ve read the books that I’m so sure why introducing McGee on a surfboard is all that terrible. However, I do remember McGee as being more a fishing-with-his-buddy-Meyer-while sipping-whiskey kind of a guy. By the way, if they don’t cast Paul Giamatti as Meyer, the world just doesn’t really make any sense.

* If some people are made nauseous by the camera work in the Bourne movies, how many more will be made ill if the approach is set in some guy’s bloodstream and in James Cameron-style immersive 3-D? It appears we may be finding out because director Paul Greengrass, whose high-budgetted “Green Zone” has been a commercial and critical disappointment, is “in talks” to be the director on the Cameron-produced 3-D remake of “Fantastic Voyage.” I’m thinking about buying shares in whoever manufactures Dramamine.

* Screenwriters, playwrights, aspiring TV scribes — are you ready for Script Frenzy? I just found out about it. Remember, there are only thirty days in April and the goal is 100 pages.

* Big news for this movie mad, West L.A. bred Bruin boy. Regency chain has purchased the endangered, historic twin single-screen movie theaters that anchor UCLA-adjacent Westwood Village, the appropriately named Fox Village and Bruin theaters. The chain recently let go of an important neighborhood theater a couple of miles east which was turned into a triplex back in the eighties or early nineties, the Fairfax, which anchors the traditionally Jewish neighborhood that is home to Canter’s Deli. Win a few, lose a few, I guess.

Bruin_Theatre,_Westwood,_Los_Angeles,_CA_,_at_night

http://www.gq.com/entertainment/celebrities/201001/william-shatner-captain-kirk-interview?printable=true

* GQ’s Andrew Corsello has a very cool piece up about William Shatner and his battles with irony. But if anyone out there has seen him in Roger Corman’s sole non-genre film, “The Intruder,” they know there was a time when he was a very good actor who could it keep it fairly simple, even playing a villainous antihero, back in 1962.

* I’m a little late on this, but Steven Spielberg absolutely does not, repeat, does not, have Asperger’s Syndrome. In other news, I can now announce that I am 100% free of ovarian cancer.

* Bryan Cranston, star of AMC’s “Breaking Bad” and also the upcoming “John Carter of Mars” is a popular guy around these parts. He’s currently “eying” a part in “Larry Crowne,” the upcoming Tom Hanks starring/directed by dramedy co-starring Julia Roberts and written with Nia Vardalos of “My Big Fat Greek Wedding.” The character in question is  Roberts’ husband, whose a blogger who spends way too much time “looking at” porn. I wouldn’t know anything about that.

A movie for manly men who are male: “The Expendables”

Rob Bricken of Topless Robot (over)shares that this gave him an “action movie boner.” Not one to be outdone, AICN’s Merrick promises a “Mangasm.”

Whats making geek bloggers make with the Freudian/homoerotic badinage?

Well, apparently working on the logic that big male stars, including action stars, aren’t necessarily driving huge numbers into the movie theaters, Lionsgate is taking a safety-in-numbers approach. Which established and once-established super macho-stars, both super- and not-so-super, appear in “The Expendables”? It might be easier to list who doesn’t — though the bald guy and the wildly unpopular governor are cameos, I think. What weapons and forms of fighting, do they use and how many people will they kill? I didn’t see any boomerangs or gymkata in the trailer, and I’m still alive, but other than that, it’s hard to be sure. Just take a look.

I’m thinking Detective Batista from “Dexter” is going to learn he chose the wrong day to go into the power-mad Latin American dictator business.

What Else Ya Got? “Toy Story” & “Toy Story 2”

Conveniently timed Blu-ray reissues bring out the cynic in us, especially when it comes to a title that has already received the Special Edition treatment in the previous format of choice. But we must give credit where credit is due: the Blu-ray releases of “Toy Story” and “Toy Story 2” are so well worth the upgrade that we kind of hate them for it. Fine, damn it, take our money. Again.

The best thing about these Blu-ray/DVD combo sets is a small thing, but an important one: All of the new bonus features appear on both types of media. Some studios only give the goods to the Blu-ray converts, but Disney clearly realizes that for many families, buying the latest technology is not their top priority, so good for them for making all of the new extras available on both formats.

And man, are those extras fun. There are two new features created for these sets. “Paths to Pixar” highlights the efforts of people on the technical side and what it was that led them to doing what they do for a living, but the “Studio Stories” bits are the crown jewels. Various Pixar staffers tell stories about the studio’s early days (our favorite is the one involving the scooter races), put to simple but highly amusing black & white animation. Each movie also has its own sneak peek into the upcoming “Toy Story 3,” though the feature on the “Toy Story 2” set which highlights the new characters is the superior of the two.

Both sets feature newly recorded audio commentaries. The commentary for “Toy Story” features the Pixar All-Stars, namely John Lasseter, Andrew Stanton, and Pete Docter (Oscar winners all). The commentary for “Toy Story 2” includes Lasseter, Stanton and Lee Unkrich, who makes his directorial debut with “Toy Story 3.” There is a heartbreaking piece dedicated to Joe Ranft, who passed away during the production of “Cars” in 2005, but the one extra that will have people buzzing is the Black Friday piece, where Lasseter introduces the rough version of “Toy Story” that nearly killed Pixar. It’s fascinating to watch because, well, there’s no other way of saying it: it’s mean.

Lastly, the Blu-ray editions include all of the DVD extras from the 2005 reissue of the “Toy Story” movies, so anyone who bought those versions does not need to keep them. These sets were thoughtfully considered and well done, but that’s what one would expect from the best movie studio in Hollywood.

Here, have some movie news with your left over brisket

If you’re noticing that film bloggers and journos seem to grasping at news straws, blame the Passover/Easter spring break slow down. Anyhow, as folks work off all that schmaltz and matzoh at the gym, let’s nevertheless briefly consider a few items of some interest.

* For starters we have the kind of “breaking news” that isn’t really news at all. It’s looking like “The Hangover 2” is going to be a lot more expensive than the first because, you know, the cast would like to be paid a lot more this time and there was a lot of haggling. Can’t blame them . However, as much as I liked the first movie, it did not in any way cry out for a sequel. As the first commenter at Deadline|New York says, lightning doesn’t strike twice — except, of course, when it does. We’ll see.

* More sequel news  — well, rumor reported as news — Will Smith is supposedly “locked in” for “Independence Day” sequels. (H/t Anne Thompson.) Momentum may be building here and the story could be true. Director Roland Emmerich dropped a hint or two about it in a recent interview with our own David Medsker recently. We’ll see.

* And, you know how I always make a big deal about not prejudging movies. The E*Trade talking baby movie is sorely tempting me to make an exception. No. We won’t see.

etrade-baby-golf

* Three brief items from THR. First, pretty Kaley Cuoco of “The Big Bang Theory” will be going cinematic in a partially animated flick comedy that involves Russell Brand voicing the Easter Bunny; it’s called “I Hop.” Also, LeBron James‘ next coach might be director Malcolm D. Lee. And, finally, two comedy writers who apparently enjoy bowling have been hired to work on the “Baywatch” movie, Brian Gatewood and Alessandro Tanaka. Tanaka has the kind of cross-ethnic name that, I think, could influence a guy to go into comedy, though I’m thinking “Kazuhiro Saperstein” would have been even better.

* I’m late to the viral video party, but the “Scarface school play” vid isn’t nearly as funny as it sounds. I guess thinking it was “real” could help, but how could anyone think it was real?

* The new film from master documentarian Errol Morris (“The Fog of War,” “Standard Operating Procedure“) sounds really interesting and potentially even more controversial than any film he’s made because it’s apparently lighthearted. Some might not agree that’s appropriate given the main character’s crime. Read the Playlist’s description and see if you agree.

http://theinspirationroom.com/daily/2009/etrade-babies-in-2009/etrade-baby-golf

Great moments with Mr. Godzilla

Anne Thompson writes today of a new film based around Toho studios’ director Inoshiro Honda’s most famous creation, Godzilla. Though the series was rebooted very unsuccessfully back in 1998 by Roland Emmerich, Drew McWeeney reassured an understandably skeptical Ms. Thompson via Twitter that this is more of a passion product.

Now, there are those who hearken back to the serious — actually rather grim and laborious — tone of Honda’s first “Godzilla.” Personally, though, the nine year-old in me has never really stopped loving the more playful and genuinely silly later films as exemplified below.

Godzilla engages in a productive dialogue with a fellow monster.

Godzilla expresses himself.



Finally, Godzilla channels his inner Jet Li.

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