Category: Movies (Page 198 of 498)

Blu Tuesday: The Lord of the Rings

Okay, so this doesn’t technically come out until April 6th, but seeing as how I’m already planning to cover a much bigger release that week (hint: it shares the same title), it’s probably as good a time as any to discuss the Blu-ray release of Ralph Bakshi’s 1978 film, “The Lord of the Rings.” Although it once held the honor of being the only cinematic adaptation of J.R.R. Tolkien’s famous text (and hence the reason why it still has its share of supporters), Bakshi’s animated version isn’t even remotely deserving of having the word “classic” appear on the cover.

In fact, there are so many things wrong with this movie that it’s hard to believe anyone actually likes it. The biggest problem is with Bakshi’s decision to incorporate rotoscoped live action footage alongside the traditional cel-shaded animation, because while it might have seemed ambitiously artistic at the time, it comes off looking incredibly hokey. It’s also quite distracting, often making the animation look worse than it really is. Then again, I’ve never really been a fan of Bakshi’s work, so his reputation as an artist is completely lost on me.

Of course, even if you can get past the shoddy animation, Bakshi’s version only encompasses the first two books in the trilogy, abruptly ending after Gandalf saves the day at Isengard with no real concern for the fact that there’s still more story left to tell. Fans eventually did get to see the finale to the animated tale in 1983’s equally disappointing “The Return of the King” (albeit without Bakshi’s involvement), but it doesn’t make its absence in “The Lord of the Rings” any less bewildering. Obviously, it’s easy to criticize the film when the only thing you can compare it to is Peter Jackson’s award-winning trilogy, but how can you not? After all, the only reason people put up with Bakshi’s film in the first place is because it was the only one available. And now that Jackson’s movies are being released on Blu-ray as well, you’d probably be better off just forgetting this edition ever existed. Heck, I just watched it a few hours ago and I already have.

Beyond “Battlefield Earth”

How would it feel to be the credited writer of the worst movie of the decade? J.D. Shapiro, whose name is on the screenplay for “Battlefield Earth” knows exactly how it feels and he’s written a funny and revealing explanation of just how he came to work on the Razzie winner for the worst movie of the oughts. Let’s just say that this less than ideal career move, like so many bad career moves, began below the belt. You definitely want to read this.

Now, whenever I catch a few minutes of “Battlefield Earth” on cable, it’s not the inane dialogue or the insane visual approach I notice so much as the acting. And it’s not the acting in general so much as one particular performance…

You know, I think we need an instant replay of the key moment from that scene…

Sweet Beyoncé

Okay, so I’m not really a guy whose on top of all the latest pop music trends. So, I was a little surprised to see that the Beyoncé video below, “Get Me Bodied” (when did “body” become a verb?),  bears a very direct resemblance to one of my favorite sequences from one of my favorite movies by one of my favorite directors.

I’m not in the mood for a long-winded commentary, so I’ll simply present the video, which I gather was co-directed by Beyoncé and Anthony Mandler, and then the original scene and you can draw your own conclusions about this acknowledged homage.

And here’s the original.

If you want to read more, a lot more, about 1969’s “Sweet Charity” and director-choreographer Bob Fosse, you might want to take a look at my lengthy essay from the “Fossethon” I had at my personal blog back in ’07.

What’s my name, bitch? Twenty great movie titles

The press release came in early November. In it were four words that came together for the first time like a cinematic Reese’s peanut butter cup of awesomeness. We were powerless to resist, not that we would have tried. The four words:

“Hot Tub Time Machine.”

Bar none the best movie title to come down the pike in years (and hot on its heels is the equally awesomely named “Kick-Ass”), and it had us thinking about what we consider to be the all-time best movie titles. But first, we had to set some ground rules. Porno titles were obviously out (too easy), as were movies named after plays, songs, books or lines of poetry (borrowed material). Bonus points were given to titles that were either startlingly direct or looked like unfinished Mad Libs, thus provoking a reaction along the lines of Lisa Simpson when she saw “Yahoo Serious Film Festival” on a marquee (“I know those words, but that sign makes no sense.”) Horror movie titles were so plentiful that they received their own list, though a few choice selections made the regular list. Lastly, we feel compelled to remind everyone that this list was made purely for fun, so legitimately good titles – “Alien,” “Fight Club,” “The Texas Chainsaw Massacre,” “Drag Me to Hell,” “Kill Bill” – were disqualified. Because really, how boring would that list be? Answer: very.

And so, without further delay, here’s our list. Discuss, debate and dissect amongst yourselves.

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20. Mega Shark Versus Giant Octopus (2009)
Because, you know, a simple battle between a shark and an octopus is on Discovery Channel twice a week. But a mega-shark and a giant octopus, that would be…well, craptacular, actually. And that is why we love the title; It’s eye-catching, but for all the wrong reasons. You want to give it credit for self-awareness – this is, after all, a movie that features a shark taking a plane out of the sky, thousands of feet off the ground – but perhaps that is giving the movie a bit too much credit. Still, there was a point where it was the most viewed trailer on the web, so the filmmakers clearly knew what they were doing when they came up with the title. Or maybe it was the irresistible allure of one Miss Deborah Gibson, one of the two.

19. The Brother From Another Planet (1984)
Using “brother” in this context was relegated solely to the exploitation genre until John Sayles wrote and directed this movie about a mute alien being chased by alien bounty hunters. It may seem harmless now, but it was downright ballsy at the time, even for an independent movie. And we totally have to learn the card trick done by the guy on the subway.

18. The Midnight Meat Train (2008)
Come on, who doesn’t want to ride that? Oh, right: everyone.

The thing is, this tale of a photographer who uncovers a subway serial killer is a pretty damn good movie. (And look at that cast: Bradley Cooper, Leslie Bibb, Roger Bart and Vinnie Jones, to name a few.) But that title was apparently too much for some to handle, to the point where after several release date changes, the movie finally surfaces in the dog days of August, making its first run…in second-run movie theaters. It goes down as another box office miss for Clive Barker, but this is easily the best Barker-related movie since “Candyman.” And you’d be hard pressed to come up with a more descriptive yet grossly unappealing title than that one.

17. Shoot ’em Up (2007)
Sounds like an unholy straight-to-DVD Steven Seagal schlockfest, yes? (Though the preposition is in the wrong place, since Seagal’s movies usually begin with one.) Yes, and then you see Clive Owen and Paul Giamatti are the leads, and Nigel Tufnel’s line about the fine line between clever and stupid comes to mind. “Shoot ’em Up” perfectly encapsulates what the movie is all about, while underselling it at the same time. “Leave your expectations at the door,” it says, so we did, and walked out grinning from ear to ear. And did we mention the lactating hooker?

16. Spanking the Monkey (1994)
Sexual Euphamism Movie Title #1. Hey, we’re dudes. Even though we like high-brow humor, we’re dudes.

Still, don’t let that title fool you. Yes, there is masturbation going on here, but this isn’t some “American Pie”-type sex comedy. It’s a disturbing black comedy where Jeremy Davies ends up having sex with his mother. Oh, that nutty David O. Russell. Only he could find the humor in incest.

For more great movie titles, click here.

“How to Train Your Dragon” wins the box office race; “Hot Tub Time Machine” is all wet compared to “Alice”

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Yes, no gigantic surprises as the combination of family appeal, outstanding reviews, good word of mouth, the 3-D inflationary spiral, and a sufficient number of theaters in which to milk it, made for a solid opening for the weekend’s most high profile new release. To be specific, as per Box Office Mojo‘s handy dandy weekend chart, the 3-D animated “How to Train Your Dragon,” netted an estimate of $43.3 million for Dreamworks/Paramount and enjoyed the highest per-screen average of any film released this week on more than one screen, and it was on 4,055 of them. It’s a result not far from what was expected earlier.

Some may find this a slightly below-par opening. True to form in the ever-spinning world of Hollywood PR, some executive for a rival studio complimented the film but told Nikki Finke it tracked badly — and some day I’m going to learn exactly what that means — because it “lacked comedy,” which confuses me deeply. I mean, the trailer made me laugh. I guess he means it lacked a poop-eating joke or something. Anyhow, Ms. Finke is quite correct that, given the good word of mouth and the coming school holidays it should enjoy “good multiples.”

Meanwhile, Anthony D’Alessandro, Anne Thompson’s resident box office guru, has this to add:

While some box office analysts are crying foul that this figure reps a paltry opening weekend, particularly for a 3D film saddled with an estimated $165-million budget, these claims overlook the fact that animation films are a different breed at the box office than run-of-the-mill features.  Toons have longer legs, making anywhere from 30-35% of their total domestic haul in their opening weekend, whereas the average bow reps 50%.

In other words, do not cry for the filmmakers or Dreamworks. They’re going to do fine.

And, though their film is out of the top spot, neither should you shed a tear for Disney or Tim Burton even if “Alice in Wonderland” is out of the #1 spot. They had a terrific three week run at the top spot and this week’s second place estimate of $17.3 million is not too shabby either.

John Cusack, Rob Corddry, Craig Robinson, Lizzy Caplan, and Clarke Duke suffer past shock in On the other hand, the melancholy clowns of “Hot Tub Time Machine” led by John Cusack, Rob Cordry, the always hilarious Craig Robinson, and Clarke Duke, could perhaps benefit from a bit of sympathy. The comedy from MGM, currently on the auctioneer’s block, earned an estimated $13.65 million.

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