Category: Movie Dramas (Page 76 of 188)

I’ve got those midweek movie news blues

Leonardo DiCaprio* It’s not really new news and I even posted about it before, but Mike Fleming has returned to the possibility that Leonardo DiCaprio may eventually be undertaking the role of John D. MacDonald’s great gumshoe, Travis McGee. However, there’s more this time around. If DiCaprio strikes a lot of us as a counter-intuitive pick for the laid-back, heroic tough guy, the choice of possible director seems even stranger: Oliver Stone. Stone’s often hyperactive style simply strikes me as wrong, unless he can turn himself into Howard Hawks or Clint Eastwood or someone more in that vein.

Still, my discomfort is nothing compared to Drew McWeeney, who is obviously a huge, huge fan of the books and who read a script that he was none too fond of — though it’s been so long since I’ve read the books that I’m so sure why introducing McGee on a surfboard is all that terrible. However, I do remember McGee as being more a fishing-with-his-buddy-Meyer-while sipping-whiskey kind of a guy. By the way, if they don’t cast Paul Giamatti as Meyer, the world just doesn’t really make any sense.

* If some people are made nauseous by the camera work in the Bourne movies, how many more will be made ill if the approach is set in some guy’s bloodstream and in James Cameron-style immersive 3-D? It appears we may be finding out because director Paul Greengrass, whose high-budgetted “Green Zone” has been a commercial and critical disappointment, is “in talks” to be the director on the Cameron-produced 3-D remake of “Fantastic Voyage.” I’m thinking about buying shares in whoever manufactures Dramamine.

* Screenwriters, playwrights, aspiring TV scribes — are you ready for Script Frenzy? I just found out about it. Remember, there are only thirty days in April and the goal is 100 pages.

* Big news for this movie mad, West L.A. bred Bruin boy. Regency chain has purchased the endangered, historic twin single-screen movie theaters that anchor UCLA-adjacent Westwood Village, the appropriately named Fox Village and Bruin theaters. The chain recently let go of an important neighborhood theater a couple of miles east which was turned into a triplex back in the eighties or early nineties, the Fairfax, which anchors the traditionally Jewish neighborhood that is home to Canter’s Deli. Win a few, lose a few, I guess.

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http://www.gq.com/entertainment/celebrities/201001/william-shatner-captain-kirk-interview?printable=true

* GQ’s Andrew Corsello has a very cool piece up about William Shatner and his battles with irony. But if anyone out there has seen him in Roger Corman’s sole non-genre film, “The Intruder,” they know there was a time when he was a very good actor who could it keep it fairly simple, even playing a villainous antihero, back in 1962.

* I’m a little late on this, but Steven Spielberg absolutely does not, repeat, does not, have Asperger’s Syndrome. In other news, I can now announce that I am 100% free of ovarian cancer.

* Bryan Cranston, star of AMC’s “Breaking Bad” and also the upcoming “John Carter of Mars” is a popular guy around these parts. He’s currently “eying” a part in “Larry Crowne,” the upcoming Tom Hanks starring/directed by dramedy co-starring Julia Roberts and written with Nia Vardalos of “My Big Fat Greek Wedding.” The character in question is  Roberts’ husband, whose a blogger who spends way too much time “looking at” porn. I wouldn’t know anything about that.

Good yontif, from Hollywood

A lot of the offices around movietown are going to be minus a number of employees a bit early this evening. Tonight is the first night of the most widely celebrated of all Jewish holidays, Passover. (Jewish holidays all start at sundown, just fyi.)

Here’s the thing, we Jews have an issue with holidays. The serious holidays are deliberately intended to be no fun at all, and the fun ones are really minor — even Hanukkah is actually not such a big deal, religiously speaking, and, though latkes are delicious, it’s really not that much of a fun holiday either. Passover is the only that’s both major on the Jewish calendar and also kind of enjoyable and interesting. Still, we’ve sometimes tried to think of ways to make the holiday based on the Book of Exodus even more popular.

They really should have acknowledged Anne Baxter and Yvonne de Carlo. Oh well, happy Pesach. This year, try matzoh with peanut butter and honey if you’ve never. It’s goood.

What’s my name, bitch? Twenty great movie titles

The press release came in early November. In it were four words that came together for the first time like a cinematic Reese’s peanut butter cup of awesomeness. We were powerless to resist, not that we would have tried. The four words:

“Hot Tub Time Machine.”

Bar none the best movie title to come down the pike in years (and hot on its heels is the equally awesomely named “Kick-Ass”), and it had us thinking about what we consider to be the all-time best movie titles. But first, we had to set some ground rules. Porno titles were obviously out (too easy), as were movies named after plays, songs, books or lines of poetry (borrowed material). Bonus points were given to titles that were either startlingly direct or looked like unfinished Mad Libs, thus provoking a reaction along the lines of Lisa Simpson when she saw “Yahoo Serious Film Festival” on a marquee (“I know those words, but that sign makes no sense.”) Horror movie titles were so plentiful that they received their own list, though a few choice selections made the regular list. Lastly, we feel compelled to remind everyone that this list was made purely for fun, so legitimately good titles – “Alien,” “Fight Club,” “The Texas Chainsaw Massacre,” “Drag Me to Hell,” “Kill Bill” – were disqualified. Because really, how boring would that list be? Answer: very.

And so, without further delay, here’s our list. Discuss, debate and dissect amongst yourselves.

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20. Mega Shark Versus Giant Octopus (2009)
Because, you know, a simple battle between a shark and an octopus is on Discovery Channel twice a week. But a mega-shark and a giant octopus, that would be…well, craptacular, actually. And that is why we love the title; It’s eye-catching, but for all the wrong reasons. You want to give it credit for self-awareness – this is, after all, a movie that features a shark taking a plane out of the sky, thousands of feet off the ground – but perhaps that is giving the movie a bit too much credit. Still, there was a point where it was the most viewed trailer on the web, so the filmmakers clearly knew what they were doing when they came up with the title. Or maybe it was the irresistible allure of one Miss Deborah Gibson, one of the two.

19. The Brother From Another Planet (1984)
Using “brother” in this context was relegated solely to the exploitation genre until John Sayles wrote and directed this movie about a mute alien being chased by alien bounty hunters. It may seem harmless now, but it was downright ballsy at the time, even for an independent movie. And we totally have to learn the card trick done by the guy on the subway.

18. The Midnight Meat Train (2008)
Come on, who doesn’t want to ride that? Oh, right: everyone.

The thing is, this tale of a photographer who uncovers a subway serial killer is a pretty damn good movie. (And look at that cast: Bradley Cooper, Leslie Bibb, Roger Bart and Vinnie Jones, to name a few.) But that title was apparently too much for some to handle, to the point where after several release date changes, the movie finally surfaces in the dog days of August, making its first run…in second-run movie theaters. It goes down as another box office miss for Clive Barker, but this is easily the best Barker-related movie since “Candyman.” And you’d be hard pressed to come up with a more descriptive yet grossly unappealing title than that one.

17. Shoot ’em Up (2007)
Sounds like an unholy straight-to-DVD Steven Seagal schlockfest, yes? (Though the preposition is in the wrong place, since Seagal’s movies usually begin with one.) Yes, and then you see Clive Owen and Paul Giamatti are the leads, and Nigel Tufnel’s line about the fine line between clever and stupid comes to mind. “Shoot ’em Up” perfectly encapsulates what the movie is all about, while underselling it at the same time. “Leave your expectations at the door,” it says, so we did, and walked out grinning from ear to ear. And did we mention the lactating hooker?

16. Spanking the Monkey (1994)
Sexual Euphamism Movie Title #1. Hey, we’re dudes. Even though we like high-brow humor, we’re dudes.

Still, don’t let that title fool you. Yes, there is masturbation going on here, but this isn’t some “American Pie”-type sex comedy. It’s a disturbing black comedy where Jeremy Davies ends up having sex with his mother. Oh, that nutty David O. Russell. Only he could find the humor in incest.

For more great movie titles, click here.

“How to Train Your Dragon” wins the box office race; “Hot Tub Time Machine” is all wet compared to “Alice”

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Yes, no gigantic surprises as the combination of family appeal, outstanding reviews, good word of mouth, the 3-D inflationary spiral, and a sufficient number of theaters in which to milk it, made for a solid opening for the weekend’s most high profile new release. To be specific, as per Box Office Mojo‘s handy dandy weekend chart, the 3-D animated “How to Train Your Dragon,” netted an estimate of $43.3 million for Dreamworks/Paramount and enjoyed the highest per-screen average of any film released this week on more than one screen, and it was on 4,055 of them. It’s a result not far from what was expected earlier.

Some may find this a slightly below-par opening. True to form in the ever-spinning world of Hollywood PR, some executive for a rival studio complimented the film but told Nikki Finke it tracked badly — and some day I’m going to learn exactly what that means — because it “lacked comedy,” which confuses me deeply. I mean, the trailer made me laugh. I guess he means it lacked a poop-eating joke or something. Anyhow, Ms. Finke is quite correct that, given the good word of mouth and the coming school holidays it should enjoy “good multiples.”

Meanwhile, Anthony D’Alessandro, Anne Thompson’s resident box office guru, has this to add:

While some box office analysts are crying foul that this figure reps a paltry opening weekend, particularly for a 3D film saddled with an estimated $165-million budget, these claims overlook the fact that animation films are a different breed at the box office than run-of-the-mill features.  Toons have longer legs, making anywhere from 30-35% of their total domestic haul in their opening weekend, whereas the average bow reps 50%.

In other words, do not cry for the filmmakers or Dreamworks. They’re going to do fine.

And, though their film is out of the top spot, neither should you shed a tear for Disney or Tim Burton even if “Alice in Wonderland” is out of the #1 spot. They had a terrific three week run at the top spot and this week’s second place estimate of $17.3 million is not too shabby either.

John Cusack, Rob Corddry, Craig Robinson, Lizzy Caplan, and Clarke Duke suffer past shock in On the other hand, the melancholy clowns of “Hot Tub Time Machine” led by John Cusack, Rob Cordry, the always hilarious Craig Robinson, and Clarke Duke, could perhaps benefit from a bit of sympathy. The comedy from MGM, currently on the auctioneer’s block, earned an estimated $13.65 million.

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Movie moments for Mr. Kimura #2

To learn who Takeo Kimura was and I why I’m saluting him, see my prior post. Now, let’s rock and roll with “Tokyo Drifter.”

And now a red band trailer from long before the invention of red band trailers for “Branded to Kill” — you’ve got your violence, you’ve got your sex, you’ve got your art.

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