Category: Movie Dramas (Page 147 of 188)

Blu Tuesday: Watchmen, Coraline and 300

Due to the lack of options that Blu-ray enthusiasts were presented with over the last few weeks, it’s been a while since I’ve written a proper column. Though I had originally planned to combine two weeks’ worth of HD titles into one write-up, I ultimately decided against it because, well, even that selection wasn’t very inspiring. It’s a different story today, however, with three must-buy titles and several more worth checking out.

“Watchmen” (Warner Bros.)

The Blu-ray release of “Watchmen” has been the subject of attention since before the movie even arrived in theaters, but that’s what happens when you adapt something as popular as Alan Moore and Dave Gibbons’ groundbreaking graphic novel. The good news is that after all the legal issues with 20th Century Fox and the film’s less-than-stellar box office performance, Warner Bros. has still come through with one of the coolest Blu-rays of the year. Not only does it feature a director’s cut with over 20 minutes of additional footage, but the three-disc set also introduces the much-publicized Maximum Movie Mode, which is kind of like Universal’s U-Control feature on steroids. Quite simply, this is the future of Blu-ray, with Zack Snyder hosting an in-depth look at key sequences (often pausing the movie to discuss certain details), while other extras — like a timeline comparing historical events from Our World to Their World, picture-in-picture interviews with the cast and crew, and storyboards and comic book comparisons — supplement the experience. Also included are a series of video diaries that you can hop over to while watching the film, as well as a second disc packed with featurettes on the graphic novel, the psychology of vigilantes, and the science of “Watchmen.” If there’s one release that should help convince consumers why Blu-ray is better than DVD, this is it.

“Coraline” (Universal)

“The Nightmare Before Christmas” might have the bigger fanbase, but Henry Selick’s latest stop-motion adventure, “Coraline,” is by far the better of the two films. Then again, when you consider that the source material was written by Neil Gaiman, it isn’t at all surprising that the movie would turn out as good as it did. Though it’s debatable whether or not “Coraline” will scare the younger crowds, the film is unequivocally a must-see for any fan of Selick’s past work. The Blu-ray release makes the experience even better, too, with the option to watch the film in 2-D or 3-D (glasses included), as well as a host of awesome extras ranging from a director commentary to an in-depth making-of featurette that might as well have been called Stop-Motion 101. The two-disc set also includes Universal’s standard U-Control feature with a picture-in-picture video track filled with behind-the-scenes footage, interviews, and the ability to watch the full-length animatic alongside the movie. Were it not for the fact that Warner Bros. was releasing “Watchmen” on the same day, this easily would have been the best release of the week, and possibly the month.

Continue reading »

The geek overload continues! (updated)

With the completely and utterly sold-out Comic-Con starting mid-week, Hollywood publicists seem to be working overtime to fulfill your no doubt insatiable need for geek news. I could probably write seven or eight posts catering to nerd proclivities. But you’re getting just one today, (and, with the help of few snafus, this one took much longer than it should have). A few highlights

* Leonardo DiCaprio’s company has signed writer Rand Ravich (“The Astronaut’s Wife,” the TV series “Life”) to do a new film somehow tied to Rod Serling’s classic anthology science-fiction/fantasy TV series, “The Twilight Zone.” Many of you will remember the 1983 film, which utilized multiple writers and directors and consisted of three adaptations of well known episodes from the original series, one tale loosely drawn from a pair of episodes (sadly infamous due to the accident which killed actor Vic Morrow and two illegally hired children, very nearly ending the career of director John Landis), and a framing story featuring Albert Brooks and Dan Aykroyd. No word on what form this new film would take — a single tale would be missing the entire point of “The Twilight Zone,” IMO — and I’m unfamiliar with Ravich’s work. So, it’ll be interesting to watch this one move further along the pipeline.

[Update: Apparently, one year ago at least, the idea was to make a single film drawn from an episode of the series. Why, I have no idea. I learned this via Monika Bartyzel, you can read her post and my messed up comments here.

* The word on the overseas grosses for “Harry Potter and the Half-Blood Prince” are in and they’re a new worldwide five day record of $297 million. Blimey.

Continue reading »

Harry takes $159.7 million to Gringott’s; Sacha Baron Cohen’s fans disapparate

The “box office gurus” who spoke to Nikki Finke of a $200 million five-day take for “Harry Potter and the Half-Blood Prince” were, to employ a bit of British understatement, just a bit off. According to all the estimates, the David Yates-helmed picture netted a relatively earthbound but still terrific series-best $159.7 million since its release last Wednesday, with $79.5 million of it earned over the weekend. The film’s international take is said to be extremely good, but no numbers are available as of this writing.

Nikki Finke, however, has people whispering in her ear that it won’t get close to “Transformers: Revenge of the Fallen” take, and, realizing that the non-humanity driven franchise did break the $200 million mark on its opening five day take (albeit on a long holiday weekend), that seems reasonable enough to me. Let us do as Harry would and mutter a charming British curse under our breath. Still, it’s not a bad time for Warners, owner of DC Comics as well as Bugs and Daffy, et al, once again showing that it knows its way around a character-driven franchise. On the other hand, the semi-serial nature of the Potter films might be largely responsible here for the non-ultra-stratospheric take. Adults and others who’ve never gotten on the Potter bandwagon might be slower than ever to jump on it at this point.

Sacha Baron Cohen WAS BrunoAnd now for something completely differerent:  Based on the news of bad electronic word of mouth and the like — and knowing that the audience for comic male genitalia in a gay context might be limited, to say the least — I certainly expected a dip in the fortunes of “Brüno,” but not the humongous 81% drop that The Hollywood Reporter reports. Sacha Baron Cohen’s semi-reality comedy earned a sad estimated fifth place $2.8 million over the weekend, meaning that it likely won’t beat “Borat” and that Mr. Cohen’s future in more conventionally-made pure-fiction comedies might be somewhat assured — though it would be foolish in the extreme to count the comedian out (though some will, because some enjoy doing that).  Also, once again, my modest prognosticatory powers were proven even more more modest.

Just in case you were wondering, the #2 spot this week was taken by “Ice Age: Dawn of the Dinosaurs” with $17.7 million and “Transformers 2” hanging in at #3 with $13.8 million, while I still wonder just what the attraction is. But, to paraphrase something someone brilliant once said, both in art and in movies, we are stunned by the choices of others.

A Chat with Cassandra Sawtell (“Harper’s Island”)

You asked for it, you got it: another “Harper’s Island” interview, this time with the young lady who played Madison, the creepiest little girl on the island. Rest assured, however, that it’s a testament to Cassandra Sawtell’s acting abilities that she was able to pull off her role on the series. I spoke with her this afternoon, and she couldn’t have been more pleasant, and she even managed to surprise me with an upcoming film appearance of hers that isn’t mentioned within her IMDb listing…and, wow, what a high-profile film it is!

Stay tuned for…

Continue reading »

Nickelodeon/The Last Picture Show

This two-disc set is basically the agony and the ecstasy from the collected works of film critic/scholar turned boy wonder writer-director-actor Peter Bogdanovich. Placed in reverse chronological and quality order, Disc One is 1975’s agonizing “Nickelodeon,” one of a series of box office and/or critical failures that ended the young director’s early career hot streak. A forced slapstick comedy drawn very loosely from the silent era reminiscences of Hollywood greats Leo McCarey, Raoul Walsh and Allan Dwan, it’s a good-natured but entirely unfocused bore despite the strong efforts of an all-star cast led by Burt Reynolds and Ryan O’Neal, and featuring Tatum O’Neal (“Paper Moon”) and John Ritter (“Three’s Company”), among many others. The disc includes both a brand new black and white director’s cut alongside the original color theatrical version, but it will take more than the majesty of monochrome to save this one. Bogdanovich’s DVD commentary provides better movie history and better entertainment.

“The Last Picture Show” is, of course, something completely different. On his second feature, Bogdanovich blew the 1971’s cinema world’s collective mind and drew comparisons to his friend and mentor, Orson Welles, with this crisply wrought black and white adaptation of an early Larry McMurtry novel. Nominated for eight Academy Awards, it details the late teen years of two high school football players (Timothy Bottoms and Jeff Bridges) and a manipulative beauty (Cybill Shepherd) following in the footsteps of her unfaithful mother (Ellen Burstyn) in a rapidly dying Texas town. A minor cause celebre at the time because of its nudity and blunt sexuality, its glory is its acute visual storytelling and Robert Surtees’ masterful photography, a biting and heartbreaking script, and a large number of genuinely tremendous supporting performances. In particular, Cloris Leachman as a deeply lonely housewife who falls for a high school boy and Western mainstay Ben Johnson (“The Wild Bunch,” “Wagon Master”) as the charismatic walking embodiment of the town, Sam the Lion, won entirely deserved supporting acting awards. A sardonic yet humanistic exploration of fractured relationships and poor choices, it remains a riveting and moving work of cutting edge movie-making from a true cinematic reactionary.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑