Category: Movie Dramas (Page 148 of 188)

Harry Potter and the ginormous filmgoing hordes (updated)

We’ve got an early and rather light box office preview this week because only one new wide release is coming out. However, it’s already looking to be a doozy. Yes, it’s time for another highly profitable trip to Hogwarts with today’s (actually early as possible this morning’s) release of “Harry Potter and the Half-Blood Prince.”

Anyhow, word of highly boffo early ticket sales outpacing the midnight opening of “Transformers: Revenge of the Fallen” has proven out. Estimates of the Wednesday morning midnight take are roughly $20 million, says Variety and Nikki Finke. THR‘s Carl DiOrio wrote yesterday of roughly a $140 million five day gross and $100 million weekend. However, perhaps taking the fact that the $20 million figure beats both the Wednesday midnight opening of “The Dark Knight” by $2 million and “Transformers” by $4 million, the diviners reporting to Finke are telling her to expect $175-190 million, but with a $90-$100 million weekend a la DiOrio.

[UPDATE: The midnight gross turned out to be an even more whopping, more record breaking $22.2 million. Nikki Finke is now talking about the possibility of the fantasy flick breaking the $200 million mark in its first five days.]

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Blu Tuesday: Greedy Studio, Hidden Agenda

In lieu of my weekly Blu-ray column, I wanted to take the opportunity to take a closer look at one of this week’s higher profile releases. Fans of Ang Lee’s martial arts epic, “Crouching Tiger, Hidden Dragon,” have been waiting for an HD version of the film for quite some time now, but no one could have imagined it would happen like this. Instead of being given the update it deserves – complete with new bonus material and a silly subtitle like The Green Dynasty Edition – the film limps onto Blu-ray as part of a three-pack with two other movies it has nothing in common with other than falling under the wuxia subgenre. That’s not a slight against the included Zhang Yimou films (both “House of Flying Daggers” and “The Curse of the Golden Flower” are quite good in their own right), but rather the studio for thinking they could get away with such a heartless scam.

While most fans of “Crouching Tiger” will likely enjoy the other two movies (no doubt Sony’s big selling point), what the studio has failed to consider is that those same people probably bought them on Blu-ray the first time around. An unfortunate oversight or a crafty scheme to force consumers to pay for an added value they don’t want? I’m going to lean towards the latter, especially when the “Crouching Tiger” disc has been treated so poorly. True, the movie looks absolutely stunning in high definition, but there isn’t a single new thing about the release other than the upgraded video and audio. The same three special features have been imported from the DVD, while the addition of access to BD-Live means very little in terms of ever seeing new extras. If you don’t own any of the films, you could certainly spend your money on worse things, but just know that by doing so, you’re only encouraging Sony to do more of the same in the future.

Brüno earns his umlaut

On Friday I wrote the following:

There’s obviously general agreement about the numbers, but I wouldn’t be surprised if this one proved the prognosticators wrong either by making a lot less or a lot more money than expected.

Well, the only person proved wrongish was me. The only surprise was that that there appear to be absolutely no surprises as Sacha Baron Cohen and director Larry Charles’s “Brüno” is projected to have made $30.4 million to top the weekend — just slightly exceeding the pre-opening estimates. The slightly bad news for Universal is that the film had a rather large drop off in its second day at the box office. Variety calculates it at 39%, Nikki Finke says 37%. (I can’t check who is right because Variety isn’t giving a complete breakdown of the daily performance, and may be working with slightly different numbers than Ms. Finke. I also suck at math.) In any case, it does show an increase over the “Borat” numbers. Also, this kind of film is a bit cheaper to make than some others, possible lawsuits notwithstanding.

Christian Bale, Public EnemiesNo big surprises further down the rankings either, with “Ice Age: Dawn of the Dinosaurs” breaking the $100 million mark with $28.5 million in its second “frame.” That’s an ice-cool $120.6 million so far for the family flick. If I may copy the Variety house style, “Transformers: Revenge of the Fallen” made an automatic $24 million for a Gigantor-sized $339 domestic total, with THR/Reuters proclaiming it “easily the biggest movie of the year.” (Well, I’m still hoping for a surprise.) and “Public Enemies” knocked over the public to the tune of $14.1 million. Nikki Finke is reporting that competing studios are talking down the star-driven gangster movie’s chances of hitting the $100 million mark.

Critics and the public were, for a change, speaking with one voice and gave a box office D-grade to the week’s second wide release, the high school comedy, “I Love You, Beth Cooper.” The adaptation of a novel by original author Larry Doyle and director Chris Columbus matched its dismal critical performance with a seventh place showing, netting a paltry $5 million despite being in 1,858 theaters.

A little Sunday morning ultraviolence, with a side of religious imagery

Continuing on a theme from last night…Chow Yun Fat is a paid assassin with a heart of gold in John Woo’s 1989 “The Killer,” a classic badass variation on the twice-filmed weepy, “The Magnificent Obsession.”

When I described this movie to a friend of mine with more PC tastes than I, he asked “is it gratuitously violent?”

“I don’t know,” I responded. “Is ‘Singin’ in the Rain‘ gratuitously musical?”

“Manhattan Melodrama” – a Friday night movie moment

With “Public Enemies” entering its second weekend in theaters, and inspired by a brief but typically wonderful post on Myrna Loy by cinephile superstar Campaspe, a vintage trailer for the legendary last movie seen by John Dillinger just prior to his death seems fitting.

“Manhattan Melodrama” starred thirties A-listers Clark Gable and William Powell, in the first of his many films opposite Loy, but is not often seen these days in comparison to later films featuring any of the three. Nevertheless, it’s grand, ultra-corny Hollywood entertainment of the most egregious sort. (Glenn Erickson suggested the title should really be “Manhattan Fairy Tale,” and he’s not wrong.) MGM was always the studio of excess glamor and wholesome values, and they brought that even to a gangster picture. Abandon cynicism, maintain your irony, and check it out some time.

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