Category: External TV (Page 76 of 419)

24 8.17: Bury my lovely…again

FUUUUUUUUUUUUUUUUUUUUCK!

Someone damaged Renee Walker’s perfect breasts.

Two weeks ago, I said:

I was sure that Jackie was going to get picked off though, but it’s too soon for a dramatic death scene like that. That one comes in Hour 23. Book it, Dan-O.

This week, I get punched in the face. Actually, this was worse than a punch to the face – it was a full-scale mugging. My beloved Crazy Jackie, picked off by some douchenozzle Russian hit man. These guys haven’t meant shit to the plot for half the season, and now the Russians are suddenly the phantom menace. Fuck that.

Can you tell I’m unhappy about the latest development?

24_7AM8AM-Sc1631_0051

“I’ve lived a full life, and these are the eyes/breasts that I want you to remember.”

Look, I knew that Jackie would die shortly after a moment of bliss with Jack (did anyone else notice that her hollow, raccoon eyes suddenly looked perfect for their big kiss?), and it stands to reason that the Russian mob would be the ones pulling the trigger. But now? You kill my favorite character on the show with six hours left and leave me with President Buck Buck Brawwwwwwk as a replacement? I’m sorry, but those terms are unacceptable to me. Maybe they knew that killing her in the final hours would be too predictable, so they offed her now. That’s a logical play but also a shortsighted one, because now they’ve only pissed people off by killing her now; I think noted philosopher Eddie Murphy said it best when he said, “Ha ha, very funny, muthafucka.” Thank God they didn’t subject Agent Aaron “Old Yeller” Pierce to a similar fate, that’s all I’m saying.

So yes, the Russians are in deep with this whole thing in ways we couldn’t anticipate. In the early hours, it was merely some criminal kingpins profiting off the IRK’s instability, but now it looks as though Mother Russia has a vested interest in it as well. And the only hope of getting the Russians to sign the peace treaty is…Charles Logan? Hell, he was as dead as Tony Almeida last we saw him. He conspired with the Russians to have David Palmer killed, for God’s sake. He’s your Hail Mary? Madame President finished their chat by saying something along the lines of “I better not be wrong about you,” but has Logan ever been sleazier than he was in those few minutes? There are six hours left, which means no good can come from this, except possibly killing Logan once and for all.

While we’re discussing outrageous predictions, though, I did get this one right:

… [it] makes me wonder if Chloe is next in line to run CTU. She may still have that personality disorder, as Big Balls Bill Buchanan (RIP) once said, but she also has a good sense of right and wrong…”

Wow. I thought they were saving that one for the movie. And as soon as she inherited the crown, Chloe proved her worth by moving up the toxicology report of former terrorist mastermind Samir – did anyone else know that he was one of the guys that Jack shot when trying to save Slumdog President? Why on earth would he stay behind? – and confirming her suspicion that he was poisoned. Better call Jack and let him know what happened. “Oh hey, Renee…”

Fuck. Still not over her death yet.

An amusing Fox crossover moment came during Madame President’s scene with Logan, as his executive assistant is played by Reed Diamond, a.k.a. Dominic from “Dollhouse.” He was sent to the Attic on that show for betraying the director of the dollhouse, and he’s serving President Buck Buck Brawwwwwk here. Just throwing that out there.

So Crazy Jackie’s dead, and Chloe’s in charge of CTU. Logan’s in play, and Starbuck still hasn’t given them a lead. (Apparently my death-by-hate-fucking idea from last week was rejected.) I may not agree with the decisions the show is making, but give them this: they’re making things a lot more interesting now that they know they can play dirty. Still, damn, man. Not Jackie. Not now. This is the most heartbreaking death in the show’s history for me. Jackie is also the second character to receive two ceremonial silent clock ticks, one for her faked death in Hour 5 last year, and another for her much more real death tonight. You will be sorely missed, Renee/Crazy Jackie. And because you’re so special, your death merits two songs: the one that I referenced in the title, and one using your Christian name. (*wipes tear*)

Conan lands on…TBS?

Can’t say as I saw that one coming, but, hey, fair enough: I always knew I’d watch him wherever he turned up, and it’s not like there’s anything inherently wrong with TBS…well, not anything that a purge of any and all series containing the words “Tyler Perry’s” in its title couldn’t fix, anyway.

Here’s the story, straight from TBS:

Comedy icon Conan O’Brien is joining TBS to host a late-night talk show that is expected to debut in November. The Emmy-winning comedian’s new program will be followed by “Lopez Tonight,” which will shift to a midnight time slot.

O’Brien began talks in earnest with TBS just last week, after George Lopez personally called him to ask that he consider joining the network’s late-night line-up.

“I can’t think of anything better than doing my show with Conan as my lead-in,” Lopez said. “It’s the beginning of a new era in late-night comedy.”

Said O’Brien: “In three months I’ve gone from network television to Twitter to performing live in theaters, and now I’m headed to basic cable. My plan is working perfectly.”

O’Brien and Lopez will give TBS a dynamic lineup in late-night television. TBS – which has built a programming slate that appeals to a young, diverse audience – expects O’Brien to be a long-term addition to the network’s late-night landscape. O’Brien will host his hour-long, yet-to-be-titled show Mondays through Thursdays at 11 p.m. (ET/PT).

“Conan has been the comedic voice for a generation. TBS already has a huge audience of young comedy lovers, and Conan’s show will give these fans even more reasons to watch our network,” said Steve Koonin, president of Turner Entertainment Networks.

With the addition of O’Brien’s show, TBS will establish two hours of late-night talk. “Lopez Tonight,” while just a few months old, has already become a destination show for a diverse audience. The “Lopez Tonight” audience is young as well, with a median age of just 34.

“For decades, late-night TV has been dominated by broadcast television,” Koonin said. “Now, with a young audience and a growing late-night lineup, TBS is set to be the choice of comedy fans for years to come.”

So what are your thoughts on Conan’s move to TBS? From my perspective, it was becoming increasingly clear that Fox was never going to successfully clear the hurdles set by their affiliates, and even if they had, they probably wouldn’t have been nearly as tolerant of fluctuating ratings – huge numbers upon his return, a probable big drop immediately thereafter, then middling out as people figure out which host they want to watch regularly – as TBS almost certainly will be. TBS can afford to let Conan build a presence on their network, whereas Fox…well, I think we all know how forgiving Fox is with their low-rated series.

Breaking Bad 3.4 – Dirty, Damp, and Deep in the Valley of the Sun

I begin this week’s “Breaking Bad” blog with a confession: it’s the first episode this season where I didn’t have an advance screener, which meant that I was watching it along with the rest of you. The reason I confess this is because it also means that, in order to get my blog knocked out as quickly as possible, I had to watch it live on the TV set in my office, which is TiVo-less. It’s the set in the living room that has the TiVo, and…well, that’s recording “The Celebrity Apprentice” for me. Hmmm…suddenly, what was intended to be an attempt to earn your sympathy has abruptly become fodder for insult. This has gone terribly wrong. Perhaps I’d better go ahead and get to talking about “Breaking Bad” in order to try and save face. (Yes, I know: it’s far too late for that.)

Well, Jesse might be clean, but he’s clearly no smarter now than he was when he was still using. Kids, here’s your lesson for this week: if you’re ever driving a bullet-riddled RV and find yourself in desperate need of fuel, do not…repeat, do not…try to use methamphetamine as currency. While I can appreciate the need to take Old Faithful for a spin for “work” purposes, when it comes to potential witnesses trying to pick it out of a line-up, it’s hard to conceive of a more memorable vehicle. It kinds of stands out in a crowd, you know? I’ll give it to Jesse, though: ever since admitting to himself -whether rightly or wrongly – that he’s the bad guy, he’s developed balls of steel. Trading gas for meth with a state trooper right there in the store…? That’s pretty fucking ballsy, you’ve got to admit. The best line of the scene, though, had to be when Cashier Cara offered her concerns about the addictiveness of meth and Jesse assured her that it had been blown way out of proportion. (“It’s a media thing.”)

We had some great scenes from Saul Goodman this week. Of course Saul’s got a class action lawsuit working against the airline. He’s just that kind of guy. I loved both the guy we saw in his office (“You’ve been the victim of a terrible accident, some discomfort is to be expected”), as well as the phone call later in the episode, where he assures someone that they needn’t have had a wing fall on their house and that even a bag of peanuts is enough to get them into the lawsuit. Awesome. Mike’s mikes turned up a fierce war of words between Walt and Skyler over her revelation that she’d fucked Ted, a conversation which led Walt to offer one of his typically nonsensical declarations (“I’ll suit myself to his face!”) and found him heading over to the office to confront Ted in person and give a predictably ineffective performance.

Damned shame about the potted plant, though. Poor bastard only had a week left ’til retirement…

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“Bones” hits the 100-episode mark

Tonight marks the 100th episode of Fox’s “Bones,” which may amaze those who originally only saw the series as something for David Boreanaz to do until Joss Whedon finally got around to making an “Angel” movie. Instead, the show has gradually found a sizable fan base who love the patter between Boreanaz and his co-star, Emily Deschanel, as FBI Agent Seely Booth and forensic anthropologist Dr. Temperance “Bones” Brennan.

Sorry, did I say “patter”? Obviously, I meant “sexual tension.”

This evening’s episode is a flashback to the very first case worked together by Booth and Brennan, one which took place a year prior to the events seen in the show’s pilot. In addition to the fact that it provides an opportunity for the actors to revisit the way they played their characters five years ago (or, in the case of Eric Millegan, an opportunity to play Dr. Zach Addy again period), there’s a concluding moment which has the potential to completely change one of the fans’ favorite parts of the show…or, at the very least, shake it up a bit. My wife, who has seen every episode of the series since its premiere, got a bit emotional at the concluding scene. I’ll be interested to find out if you react the same way.

I was fortunate enough to attend a “Bones” breakfast during Fox’s day of the Winter 2010 TCA Press Tour, and both David Boreanaz and Emily Deschanel were in attendance. Unfortunately, however, my conversation with David was precisely two questions long, thanks to a strange moment where I asked him about working with Diedrich Bader – he plays FBI Agent Andrew Hacker – and got a blank stare and an assurance that he had absolutely no idea who that was.

At the time, I was concerned that I’d gotten bad information, but, no, he definitely had worked with Bader. Weird. Fortunately, before that confusion caused the chat to come to a complete and total standstill, leading someone else to pick up the reigns of the conversation and run with them, I’d asked him how he felt about his series making it to the vaunted 100-episode mark.

“It’s kind of hard to believe that you’re there,” Boreanaz admitted, “especially when it’s hard enough to get a pilot made, let alone picked up. I’ve always maintained that whatever you’re working on, you should work just really in the moment and not think about the next episode. You should just maintain a real strong sense of your work and your ethics and being honest with yourself and just continue to work hard and see where that takes you, whether you do 12 episodes, 20 episodes, or whether you just do a pilot. You’re just fortunate to be working.”

Thankfully, I made no such faux pas while talking to Emily, who was glad to answer my question about how she thinks the character of Brennan has changed over the course of 100 episodes.

“You know, I recently just watched the pilot again, because I’ve been thinking about doing this 100th episode and doing a flashback, so I’ve been thinking about that a lot,” she said. “I think she’s become less guarded, more open…she’s trying to learn socially how to interact with people. Watching the pilot, I was, like, ‘She’s very wild, in a way.’ She’s just determined to do her thing and just does it and doesn’t care what anybody else thinks…and I just love that about her! That’s definitely still true. In one sense, she’s become more polished…and I say that in a lot of ways! But she’s just growing up and kind of thinking about something before she does it. And she’s also trying to understand social interaction and people’s emotions and feelings…and her own! Trying to understand other people’s through exploration of her own. She’s not as quick to just kick someone’s ass! She’s kind of learning to take a breather before she…it’s, like, Fox had this whole campaign of ‘Take a Moment,’ and Brennan had to take a moment before she acted on things. Before, she just acted. That’s not to say that she doesn’t still just act sometimes, but I think that’s a way she’s changed over the years.”

At the time we chatted, they hadn’t yet begun filming the 100th episodes, but they had been having meetings about what it was going to look like.

“Visually, with the hair and make-up and wardrobe, it was fun trying on the wardrobe that was Brennan back in the day,” said Deschanel. “Cynthia Somers, the costume designer, did a great job. She was not there at the beginning, but she did a great job of pulling these things that were very Brennan-esque from the beginning. It’s been great to go and to start thinking about Brennan in that time and what she was. It’s been fun.”

American Idol: no shocker here


I’m not going to hide the fact that I like “American Idol” or that I watch it religiously–of course, enough to blog about it. But I’m getting tired of how predictable it is sometimes. Last night’s results show was proof of that. As the show began, and Ryan Seacrest mentioned the “judge’s save” again, I turned to Mrs. Mike and said that tonight was the night they were going to save someone. When Seacrest announced that the producers had told him the results were “shocking”…well then, we all knew for sure the judges would use their save, without even knowing who had the lowest number of votes.

After all that, Seacrest introduced the Top 9 and they sang a Beatles medley, pre-recorded and auto-tuned for our listening pleasure.

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