Tag: American Idol producers

American Idol: no shocker here


I’m not going to hide the fact that I like “American Idol” or that I watch it religiously–of course, enough to blog about it. But I’m getting tired of how predictable it is sometimes. Last night’s results show was proof of that. As the show began, and Ryan Seacrest mentioned the “judge’s save” again, I turned to Mrs. Mike and said that tonight was the night they were going to save someone. When Seacrest announced that the producers had told him the results were “shocking”…well then, we all knew for sure the judges would use their save, without even knowing who had the lowest number of votes.

After all that, Seacrest introduced the Top 9 and they sang a Beatles medley, pre-recorded and auto-tuned for our listening pleasure.

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American Idol: competing with the Olympics

As Fox tries desperately to compete with NBC’s Winter Olympic coverage, they keep unveiling “first time in American Idol history” type stuff, which really is just a small break in format during Hollywood week.
But I’ll give them this…they are getting down to the final 24 quickly. Almost too quickly.

Last night’s two-hour episode began with the final 71 contestants being broken into three rooms. Two rooms would hold those advancing to the next round, and one room full of those heading home. This, after one final shot to impress the judges with a solo performance.

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American Idol: Changes, but not really

Last night the Top 7 performed on “American Idol” and while some changes were made, nothing really changed in the end. Last week, you’ll remember that Adam Lambert was in the pimp spot, but didn’t perform until after 9pm ET, with the show running almost 10 minutes late. So those who set their DVRs missed his performance, though with Adam being a favorite, the votes were not affected at all. Still, something needed to give and they decided that this week, the judges would have to scale back their comments….meaning, after each performance only two judges would comment instead of all four. Considering that there would be one less performance this week anyway, that should help shorten the program, right? Well, not really. Not when the judges see it as a chance to banter on incessantly, and not while Ryan Seacrest can’t keep things moving along properly, and not when they book more commercial spots than necessary. Actually read that last part back, because I am quite sure that’s your real culprit in all this.

But anyway, superstar director Quentin Tarantino was the mentor this week, a guy who makes movies but has a passion for music and a knack for marrying songs with his films. And the theme was songs from movies. Easy enough, right? Well yeah, but Bryan Adams’ two sappiest songs reared their collective ugly head.

Here is how it went down:

THE GOOD

Allison Iraheta went first and sang Aerosmith’s “I Don’t Wanna Miss A Thing.” It wasn’t her best, but when she kicked into the second half of the song, holy crap. Paula and Simon both draped her with praise. Paula said that while she knows she champions Adam every week (that’s an understatement), Allison is remarkably talented as well, and Simon said that Allison is the girls’ only hope left, and that she is getting stronger every week and believing in herself.

Anoop Desai sang the first of the Bryan Adams’ sap-fest with “Everything I Do (I Do For You)” and he did a really nice job with it. Honestly, I loathe that song the way Newman from “Seinfeld” loathes Keith Hernandez, but Anoop played with the melody a bit and made it soulful and interesting. Randy said Anoop has found his zone, and that it was in tune and had some nice emotion, and Kara said Anoop added some nice soul to a pop song and that it was one of his best performances so far. No argument here.

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