Category: TV Action (Page 44 of 145)

Producers of “The Wire” focus on New Orleans

HBO is ironing out the details on a deal for “Treme,” the latest project by “The Wire” producers David Simon and Eric Overmyer.

“Treme” centers on New Orleans residents – including musicians and a restauranteur – living in the city’s Treme district. Show follows the characters as they look to reclaim their lives as the city continues to rebuild.

Simon said he and Overmyer, who lives in New Orleans, had been in love with the city long before the storm — but post-Katrina, knew there was a story to be told.

But, he warned, “Treme” is not “The Wire: New Orleans.”

“We don’t intend to make ‘The Wire’ twice,” Simon said. “This is about people reconstituting their lives after their town was mostly, effectively destroyed… It’s not entirely a political show. We’re trying to be very intimate with people. And New Orleans is completely unique, there’s nothing in the world like it.”

While I’d love to see “The Wire: New Orleans,” I’d be almost as excited about anything this duo produces, especially if it’s on HBO. Production won’t begin until fall, so the network is targeting a spring premiere.

Star Trek: The Motion Pictures – The Cinematic Voyages of the Starship Enterprise

The new “Star Trek” movie is almost here, my friends, and the excitement is palpable. What has J.J. Abrams done to Kirk and company, and will his efforts live up to the high expectations of the notoriously-picky “Trek” fans? We’ll all know the answer on May 8th, but in the meantime, the anticipation has led many to take a step back and revisit the previous films in the franchise…which, as it happens, is exactly what yours truly has done. In addition to the motion pictures, your trusty Bullz-Eye contributor has also gone back and re-read the novelizations for each film, and you might be surprised to find just how much good stuff never actually made it past the printed page…even if it probably should have.

Check out the piece by clicking right here…or, of course, you could click on the big ol’ graphic directly below.

Just in case you’re still on the fence about clicking over, here’s an excerpt from the feature to give you an idea what to expect…

Star Trek: The Motion Picture (1979)

Storyline: When an alien force of inconceivable power sets its sights on Earth, Admiral James T. Kirk emerges from retirement, swipes the refurbished U.S.S. Enterprise from its new commander, Willard Decker, and sets off to save the planet. Spock, who had left Starfleet in favor of purging his emotions on his home planet of Vulcan, decides that the answers to his spiritual quest may be found with this alien and rejoins his former crewmates. Oh, and there’s also this bald chick…
Villain: V’ger. That’s short for Voyager 6, a space probe launched from Earth way back yonder in the 20th century. The probe was found by an alien race of living machines that interpreted its programming as instructions to learn all that can be learned, and return that information to its creator. Unfortunately, it can’t imagine that its creator can possibly be a “carbon unit,” a skepticism which proves highly problematic for the human race.
What’s good: At the time of its release, the best part was simply seeing the cast together again for the first time since the series’ cancellation, and having a noticeably bigger budget to work with. Nowadays, however, the film is driven by the interaction between the eternal trifecta of Kirk, Spock, and McCoy, whether it’s Spock’s pure logic battling against McCoy’s emotions or Kirk’s inability to accept that Decker might actually know something that he doesn’t.
What’s bad: ven Robert Wise’s Director’s Cut of the film still contains some seriously interminable shots, most notably as Admiral Kirk sees the refurbished Enterprise for the first time. There’s a reason my friend Donnie found it more interesting to count the tiles on the movie theater ceiling than watch the film…but, then, he always was more of a “Star Wars” guy. “Trek” fans, meanwhile, have long groused – and rightfully so – that the first big-screen adventure for Kirk and company was, at its heart, little more than an expanded version of an original episode, “The Changeling.”

Most surprising cast member: Stephen Collins as Commander Willard Decker. Collins went on to starring roles in “Tales of the Gold Monkey” and “Tattinger’s,” then followed it up with a recurring role on “Sisters,” but his most memorable role is almost certainly that of Rev. Eric Camden, the patriarch on “7th Heaven.”
“Yeah, but the book was better.” – The novelization of “Star Trek: The Motion Picture” was actually written by “Trek” creator Gene Roddenberry, and it provides several details which, though they aren’t actually in the movie itself, have nonetheless become accepted as fact throughout the “Trek” universe. Most notable is that the character of Willard Decker is actually the son of the late Captain Matt Decker, from “The Doomsday Machine,” an episode of the original series. One that hasn’t taken off, however, is the suggestion that Kirk had a significant romantic relationship with a woman named Lori Ciani during the so-called “lost years” between the series and the movie. Oh, and you really need to read the book’s footnotes. Roddenberry treats the novel like it’s a historical record, and when Spock refers to Kirk as his “t’hy’la,” a Vulcan word which apparently can mean either “brother” or “lover,” it results in a response from Kirk that has spawned one hell of a website.

Now are you tempted? C’mon, just click right here. Go on, you know you want to…

24 7.20: Baby did a bad, bad thing

I just realized something: “24” has been liberal in the past with product placement shots of Ford F150s barreling through the streets of Los Angeles, but not once can I recall anyone on the show drinking anything that would either help with either hydration or the fact that it’s four in the morning and all concerned have to be freaking exhausted. No coffee, no soda, no Red Bull…no way, dude. All I know is that if I’m Chloe, I’ve got a Big Gulp filled with Diet Pepsi next to my keyboard (and a flask of Jack Daniel’s in my top drawer to slip into it once the situation is officially under control). It’s a natural fit in terms of realistic product placement. The Red Bull, that is, not the Jack.

It was a rather atypical “24” episode in that only one man died, but that man was the man. Godspeed, Jonas Brother. You will be missed. (Loved his line about his new alias of Robert Tippett: “Sounds like a breed of dog.”) Of course, I knew that he was going to bite it even after Hillary Clinton realized the limits of her self-absorbed righteousness, because that’s just what happens on this show. But here’s my working theory on this, and I don’t think this is a stretch: Hillary’s contract killer didn’t do the job. Let’s face it, they don’t kill people pro bono. It’s too risky. No, I think the shadowy company with whom Jonas was in league orchestrated that hit, but for them to pull it off, there must be one more person on the inside that could have provided them with Jonas’ travel arrangements.

Janis.

“I worked at a box factory? Really, that’s my new back story? Man, you guys suck at this. Oh well, it doesn’t matter, because I’ll be dead in five minutes anyway.”

Let’s examine the circumstantial evidence. She can monitor everything the Feds are doing to find the weapon. (This would also explain why she was so paranoid about Billy Walsh earlier in the day.) She whines about racial profiling and Big Brother, which is a great cover for a military contractor’s informant. She knew Jonas Brother’s itinerary, because we saw her in his room shortly before he was released. But most importantly, from a storytelling perspective, her character has nothing else to offer at this point. Chloe’s doing all the tech work. Janis’ role for the last two hours has been to impede the investigation with her righteous bleating. Hello, mole!

Now watch us find out next week that it was Hillary’s contract killer that blew up the car. Wouldn’t that suck? I mean really, how boring, how logical.

I was impressed with the way the brother of the framed Muslim shattered the mirror and dispatched the hostile in about 9.8 milliseconds. That was a pretty dope move for a civilian. Hmmm…

It’s clear to me that Hillary Clinton is going to get her ass handed to her before all is said and done. The only question is for which one of the many offenses she committed today. There is a quote from her in the scenes for next week’s episode (cover your eyes, Mr. Paulsen) about how the Justice Department is inquiring about her whereabouts, but if that’s true, then it must be looking into time she spent outside of the White House. Does the camera phone sex video come back into play? And maybe they’ll seize the opportunity to portray a leaked sex tape as a bad thing? (Seriously, sex tapes are calculated career moves for C-list celebrities these days. How fucked up is that? End of rant.) Can’t wait to see the look on Madame Prez’s face when she’s forced to watch that puppy. The only way that scene would be better is if afterward, she bends Hillary over her knee and spanks her like the insolent child that she is. Hey, a blogger can dream.

NBC releases fall schedule, no mention of “Chuck” or “Medium”

It looks like we’re not going to find out the fates of “Chuck” and “Medium” until May 19.

NBC unveiled its fall lineup this morning, but conspicuously missing was any mention of bubble shows Chuck, Law & Order, Medium, Life, or My Name is Earl. According to a Peacock insider, a final ruling on the fate of all five shows will come on May 19. (Medium and Law & Order are both expected back; insiders say NBC execs are just finalizing the episode counts.)

The network gave the go-ahead to four new dramas: “Parenthood” (a re-imagining of the film starring Peter Krause), “Trauma” (which follows first-responder paramedics), “Mercy” (a hospital drama that focuses on the nurses) and “Day One” (a post-apocalyptic tale of survival). Of the four, I’m most interested in “Day One.” (After all, is the world really clamoring for more medical dramas?) Here’s the pitch:

From executive producer/writer Jesse Alexander (Heroes, Lost, Alias) and director Alex Graves (Fringe, Journeyman), Day One tells the story of life on earth following a global catastrophe that has devastated the world’s infrastructures. Beginning with the immediate aftermath of the cataclysmic event, an eclectic band of survivors — played by Adam Campbell (Date Movie), Catherine Dent (The Shield), Julie Gonzalo (Eli Stone), David Lyons (ER), Derek Mio (Greek), Carly Pope (24), Thekla Reuten (Sleeper Cell) and Addison Timlin (Cashmere Mafia) — strives to rebuild society as they unravel the mysteries of what happened and face their uncertain future. The group, all residents of one apartment building in suburban Van Nuys, Calif., embarks on a quest for survival and discovers that hope is found in small victories — and heroes are born every day.

Sounds interesting.

The network also greenlighted the sitcom “Community,” which stars “The Soup” host Joel McHale and focuses on a group of community college students.

Nikki’s Believe It Or Don’t: “Chuck,” “Medium,” and “Law & Order” renewed?

Yep, that’s what Nikki Finke is saying over at Deadline Hollywood Daily. I haven’t done the math to figure out if her stats for accuracy are on par with Ausiello’s at Entertainment Weekly, but they’re solid enough that I’m hopeful. Looks like we’ll know for sure on Monday, though.

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