Category: Action Movies (Page 88 of 165)

An action-packed movie Monday

Lots going on…

* Via Merrick at THR.

New Line has picked up a pitch from Darren Lemke, the writer behind the studio’s Bryan Singer project “Jack the Giant Killer,” that reimagines the classic tale of “The Nutcracker and the Mouse King” as an action-adventure movie.

I’m thinking Steven Seagall for the lead, with Jet Li as Kato, though I’m not sure how either of them are at dancing to the music of Tchaikovsky. Okay, actually, this version won’t be a ballet  (obviously) and they’re going for more of a “Chronicles of Narnia” vibe.

* Brad Pitt will be producing, but not playing the lead, in an action-oriented flick about the young Vlad Dracul (his buddies call him “the Impaler”). I’d prefer if they would be honest and call this “Dracula Begins,” but the actual title is “Vlad.” The studio will be the “Twilight” driven Summit. How much you wanna bet this vampire-to-be has a tortured love-life?

* Hand drawn animation appears to be coming back to Disney in a big way. Yay. Film-maker Brendon Connolly has some interesting hints.

93211_first-look-princess-and-the-frog

* And one more item from THR/Heat Vision that I can’t really ignore. Cowriter-producer Peter Jackson has announced that auditions for “The Hobbit” have begun and the only role that’s precast is Ian McKellan as Gandalf. So, actors, if you’ve got a snub nose, a pasty complexion, are never chosen first for basketball, and have hairy feet, I suggest you get into gear. They are denying rumors that James McAvoy could be in the running for Bilbo, though he does have an overall Baggins thing going on, I think. Another actor who screams “hobbit!” to me is writer Peter Morgan’s favorite star, Michael Sheen of “Frost/Nixon,” “The Queen,” and “The Damned United.” Of course, whoever it is, I guess it will have to believable that he’ll look like Ian Holm when he gets on in years.

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Saturday morning news dump

A very busy day and technical problems conspired to keep me from posting last night, so I’m back with what I hope will be the Reader’s Digest condensed version of one of my more typical Friday news dumps…okay, maybe not so much.

* Taylor Lautner, who is apparently playing second fiddle these days to his own abdominal muscles, is nevertheless being thought of as the next big action star and he’ll start out in a video-game adaptation. I’m so excited, my mind is already wandering.

* The popular comic heavy-metal documentary, “Anvil!,” has picked up an award.

Anvil

* Believe it or not, I once tried to write a screenplay set in Las Vegas using Dante’s Divine Comedy. Now, a film with a cast of outstanding indie stalwarts led by Steve Buscemi and Sarah Silverman, is just taking Dante’s Inferno (the first third of the long work) to Vegas. Better to keep things simple, though I’m totally up-in-the-air about what I think of JoBlo’s trailer.

* I’m not a particular fan of Roger Friedman‘s reporting, and I think it’s a bit less than intelligent to try to make a scandal of a “Precious” being left out of the National Board of Review’s top 10 without some kind of actual evidence or even an indication. As our own Jason Zingale shows, not everyone loves or even likes the movie. Mileage will always vary. On the other hand, any look into the somewhat shadowy organization’s membership is always of interest. The only member I ever met or even heard about before recently, was this man.

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Inglourious Kirby

Tipped off by my super-secret contact in the funny book world, I learn that CHUD’s Devin Faraci has stolen the images that follow from Harry Knowles Twitter feed. So, in turn, I’m stealing these from Devin. He’s had these up for a couple of weeks in any case, so I don’t think I can be accused of grand theft blog post.

Anyhow, if you know your silver age comics and your movies you’ll get this instantly. If not, all I can say is that here are the covers of the five “issues” of “Inglourious Basterds” as they might have been drawn by seminal comic book artist Jack “King” Kirby some time in the late sixties or early seventies. Behold the magnificence.

ibcomic1

More genius, after the flip.

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Indie awards, viscera in your lap, and the boredom of Alec

* If you’re looking for any clear Oscar indications from today’s indie awards news, you might want to look elsewhere. “Precious” and “The Last Station” — which I’ve been reading very mixed things about so far — were among the films to make a nominations splash with The Independent Spirit Awards.  Meanwhile, the Gotham Awards were held last night and “The Hurt Locker” “swept” things — well, it won two big awards including Best Picture. Close enough. (Kathryn Bigelow’s wartime thriller, a favorite of many, was not eligible for the Spirit Awards this year, but only got a pair of acting nominations last year.)

* There’s something in the air about gross-outs in 3-D today. First, comes news that sequels to both “Zombieland” and, lord help us all, “Jackass,” are planned in the suddenly semi-ubiquitous format because what the world needs now is projectile cow semen in three dimensions. That’s not all, a new remake of George Romero’s seminal “Night of the Living Dead” will be in 3-D digital animation, which actually renders things less gross and scary — to me, anyhow and that’s just fine for this disliker of gross-outs.

By the way, this is will be the third remake of the film and the second in 3-D, though the 2006 attempt seems a bit less classy. I actually like the idea of taking an epic tack with a variation of the original film, but I just hope Romero gets at least a small piece of the action. (In one of the strangest foul-ups in movie history, the original flesh-eating zombie flick fell into the public domain back in 1968. So, anyone who wants to may legally do their own rip-off.)

Meanwhile, jolly Carl DiOrio is here to tell us that the growth of 3-D films will be gradual and mostly limited to genre and concert films for the time being. Good to know.

* Domestic b.o. is up by 8%, and the really good news is that b.o. is short for “box office.”

* Paul Greengrass confirms his “Bourne 4” directorial exit as reported yesterday, but says the divorce is highly amicable, though the fate of the project seems in doubt and, yeah, I’m not sure we really need a fourth outing, either. On the other hand, Bourne fans can protect themselves against speedy video obsolescence on the three films already out early next year. Here come: “flipper discs.”

* Say it ain’t so, Alec Baldwin, say it ain’t so! You may be bored, but we are so not.

Post-Turkey Day film news bites

A few items as Hollywood finishes digesting its turkey and stuffing.

* Paramount has picked up “Area 51,” the science fiction follow-up to the ridiculously profitable “Paranormal Activity” from writer-director Oren Peli. Somewhat to my disappointment, this one will also use the “found footage” gimmick, though I guess we can assume that with an exponentially larger budget — $5 million (about enough to pay for craft services on some films) as opposed to $15,000 — Peli will at least attempt to spread his wings creatively. One reason to give him props, however, is that the film has already wrapped principal photography. We can’t accuse the Israel-born former video game designer of failing to strike while the iron’s hot!

Matt Damon and Julia Styles in * It appears that The Playlist broke the story that it appears that the very talented Paul Greengrass has left the helm of “Bourne 4” and if he goes, Matt Damon may not be far behind. Still, at this point it’s a tale without an ending in more ways than one

* Kim Masters considers “Avatar” and Robert Zemeckis’s motion capture and 3-D work as featured currently in “A Christmas Carol.” To me, they’re creatively too different beasts in that James Cameron‘s creations aren’t trying so hard to be realistic, which I think is the real reason for the “ugly” problem with the creator of Roger Rabbit’s more recent work. As for the “Avatar” characters, I’m not sure I’m going to love them yet, either, but we’ll see when the movie’s out. I’m also not at all sure that movies need to be revolutionized in quite this way.

* Over at Film Threat, Gary Morris of the highbrowish Bright Lights Film Journal is interviewed. Among the topics: interviews like this one. Don’t fear the meta. (H/t The Auteurs on Twitter.)

* It technically ended yesterday, but the Boris Karloff Blogathon, hosted where else but at Frankensteinia, lives on with tons of material still coming in submitted by innumerable bloggers about the late, great character actor who originated the role of Frankenstein’s monster in 1931. Definitely worth many looks.

The vocal there is quite obviously reconstructed using the original recording by Bobby “Boris” Pickett. If you want to hear the actual vocal from the 1965 episode of “Shindig” featuring the real Boris Karloff, you may hear it here.

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