Category: Action Movies (Page 89 of 165)

“New Moon” rises while sinking; Thanksgiving box office gets hit on “The Blind Side”

My Wednesday prediction that this would be a healthy Thanksgiving weekend at the box office certainly proved true — and it was nice to see it wasn’t at the rest of the economy’s expense: holiday shopping actually went up slightly this year and went up a lot more virtually. Also, the movie everyone expected to hit number actually did one hit number one. However, looking beneath the surface just slightly, movie consumers were making some interesting choices.

The argument prognosticators were making last week was that Summit’s “The Twilight Saga: New Moon” pretty much had to come out on top because, considering its $142 million+ opening weekend, even if it suffered a catastrophic drop in its second weekend, it still would be ahead of everything else, and that’s pretty much what happened. The vampire-werewolf-human love triangle dropped a massive 70% but, as reported by Box Office Mojo‘s weekend chart and trade mag writers jolly Carl DiOrio and Pamela McClintock, it still earned an estimated $42.5. That was a mere $2.375 million ahead of this week’s surprise #2 film, “The Blind Side,” which not only actually won the box office race on Thanksgiving day (which is not included in the weekend tallies) but came refreshingly close to winning the weekend with $40.125 million. The five day total for the films offer a bit more air between the #1 and #2 spots, with an estimated $66 million for “New Moon” and just over $57.5 for “The Blind Side.”

blindside

The impressive aspect of the Sandra Bullock-led sports film/cross-cultural family drama combo is that it did something I don’t remember seeing whenever I’ve been paying close attention to grosses.  In a world where we think it’s good if a film drops less than 45-50% on its second weekend, “The Blind Side” actually climbed 17.6% on its second go-round without a significant expansion (it went from being in 3,310 theaters to 3,340). I haven’t seen the film but I will say that this seems to be a sign that it’s possible what attracts most audiences today isn’t so different from what attracted them 50 or 75 years ago.

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Happy Birthday, Bruce Lee

The San Francisco-born, Hong Kong-raised master of martial arts would have been sixty-nine years old today. Here’s a brutally effective scene from “Fist of Fury” a.k.a. “The Big Boss” — sorry about not very good dubbing in the set-up, but this is how almost every one of my generation in the States first saw these films.

And’s here’s a brief clip from of one of Lee’s small roles in mainstream American films. Watch as the young actor does a number on the office belonging to James Garner as Raymond Chandler’s legendary P.I. in 1969’s “Marlowe.”

Looking at these scenes, it’s clear that Lee had several times the presence of many superstars. It would have been interesting to see how far he would have been allowed to go as an Asian-American if he’d survived the see the release of “Enter the Dragon.” Even today, it seems like the glass ceiling for Asian-American actors is borderline impenetrable and doubly so, for whatever reason, if they’re male and not already superstars in Asia, but that’s another blog post.

A Preview of Bullz-Eye’s Chat with Stephen Lang of “Avatar”

Stephen Lang is having a heck of a good year. Not only did “Public Enemies” find him once again teaming up with his old buddy Michael Mann (the two worked together back in the day, on “Crime Story” and “Manhunter”), but he also picked up a plum role in “The Men Who Stare At Goats.” And how’s he going to be following those two solid gigs? By turning up in one of the most anticipated films of the year: James Cameron’s “Avatar.” Bullz-Eye had a chance to chat with Lang about his experience as a a player in those films, as well as some of the many other roles he’s played in his career, including his work “Gods and Generals,” “Last Exit to Brooklyn,” and others, and you’ll be able to check out that chat in its entirety next week. But as a Thanksgiving treat, here are a few quotes to get you psyched for the full feature…

* On finding his way into “Avatar”: “I’d auditioned for ‘Aliens’ about 20+ years ago, and (James Cameron) talked about that in our conversation, so, y’know, I’ve kind of gone on record as saying that this was the world’s longest callback. But what happened was Margery Simkin, who is his casting director on Avatar, showed him…for my show (‘Beyond Glory’), the ad in the New York Times and other papers is this kind of really hard-nosed military shot, very macho, and Margery said, ‘Hey, Jim, look at this!” And he went, ‘Huh. Lang. Huh.’ And then at the same time, they both kind of went, ‘Quaritch!’ So that was it. It was very fortuitous, you know?”

* On first reading the script: “Because he’s an excellent writer and extremely descriptive and specific, (James Cameron) paints a very, very clear picture of what’s happening and what this world is. And, you know, it never for a moment entered my mind to doubt that he would make it real. I mean, that may be because I have a good kind of reader’s imagination, in a way. You know, I’m able to visualize. Like, I believe magicians. I’m a good audience for magic and stuff. I tend to make that bargain with a writer quite easily, and so it just never occurred to me that it would be anything less than what it said it was going to be on the page. And I look at that now, and I think, ‘God, that was kind of lamebrained of you. This is weird, difficult stuff that doesn’t exist.’ But he’s got such a great team of colleagues and people who are committed to his vision on this thing that it’s all come together.”

* On his character, Col. Quaritch: “He’s an old Marine, and he’s very hard and tough, he’s very skilled, he’s very ironic, he’s very sharp. And he’s something of a cynic, which is never a good thing to be, but he is. He’s got kind of a jaundiced view of the mission now, because it seems doomed to failure on a daily basis, and his job is basically to keep his people alive. It’s a flat-out hard thing to do, y’know? And there’s kind of a hearts-and-minds attitude that he really can’t cope with. It’s difficult to do your job when you’re interested in preserving more than protecting. So I think it’s kind of brought some hardness and change in him. It just makes him into a pretty tough guy. But at the same time, there’s so much that’s admirable about him, which makes him kind of intriguing, because I don’t think you doubt his resolve, you don’t doubt his personal qualities or his courage or honor. He kind of carries the vestiges of the Marines with him.”

* On getting in shape for the role: “I was relatively buff, because I was working in a tanktop half the time on stage, anyway, but I just went kind of into hyperdrive after that and really worked to beat that old body into shape, to get that carcass where…I didn’t want to be looking at it and see anything hanging where it shouldn’t be hanging.”

* On what he’s seen of the film thus far: “When you see it in its final form…and there are many pieces that I’ve seen in their final form…it’s quite stunning. You just kind of go, ‘Oh, yeah. That’s it.’ But, still, even what I’ve seen it in its final form, I haven’t seen it in, say, IMAX, let alone IMAX 3D. I haven’t seen it on the big screen. I haven’t seen it with Horner’s music. You know what I mean? So there are things that I haven’t seen. But what I have seen…I mean, I remember looking at pieces of it over two years ago, when I was looking at some of it in fairly rudimentary form, just sort of animation templates, and even that stuff was exciting to me. You could just imagine what it was going to be like, and to watch the metamorphosis has been totally cool.”

* On how people should approach “Avatar”: “Just approach it like a movie and enjoy it. Buy your popcorn, put on your 3D glasses, and take the ride. And then when you’re done, come out, talk about it, and then go back and see it again, because there’s a lot to see, y’know? (James Cameron) makes films that are popular for everybody, but they’re also very, very much for audiences of sophistication and discernment. There’s a lot to see on his pictures. I mean, look, I think it is unrealistic to think that you can do kind of ‘Titanic’ numbers on it, but nevertheless, that’s what you strive to do. But for my part, I just wanted to play my role in this whole process as fully and as well as I could. I just wanted to hold up my end of it.”

Check out the latest “Avatar” trailer – the three-and-a-half minute one – by clicking here, and be sure to keep your eye on Bullz-Eye for the full-length chat with Stephen Lang!

Wednesday night movie news dump

Yes, this week you get you’re Friday night movie news dump two days early…and extra quick/short, if I can manage it. Let’s see…

* Roman Polanski, who has been in jail for two months since he found himself accepting one too many award invites in Switzerland, has been granted bail to the tune of about 3 million Euros and it appears there will be no appeal of that particular decision. He’ll be under house arrest and constantly monitored, however. There is no need for panic at this time.

* Dirk Benedict apparently had some politically/sexually driven issues with the re-imagining of “Battlestar Galactica.” As per Wikipedia, the macrobiotic follower said:

One thing is certain. In the new un-imagined, re-imagined world of Battlestar Galactica everything is female driven. The male characters, from Adama on down, are confused, weak, and wracked with indecision while the female characters are decisive, bold, angry as hell, puffing cigars (gasp) and not about to take it any more.

He says that like it’s a bad thing. Anyhow, he’s apparently fine with Joe Carnahan’s new film version of “The A-Team” and will be joining the cast. Yay.

* Speaking of stars with possibly very rightwing political views, is UN representative Angelina Jolie, who admittedly has enjoyed a hair more success than Dirk Benedict, really saying things about President Obama that wouldn’t sound odd coming out of the mouth of her possibly no longer estranged movement conservative father, Jon VoightUS Magazine reports, I can’t possibly decide if any of this has one whit of truth to it.

*/film has some early critical buzz on Disney’s “The Princess and the Frog.” Mostly fairly positive. Good, maybe 2-D animation won’t die after all.

* An assignment for the long weekend, cinegeeks. Are you ready for Professor Russell Johnson’s “My Ancestors Came over on the Minnow” Thanksgiving/Christmas Movie Quiz”? T.A. Dennis Cozzalio awaits your response.

* Sometimes my usual sources for the box office previews I do, like the one just below this post, don’t catch all the new opening movies. For example, the reported return-to-form for Hong Kong master director John Woo, “Red Cliff,” is opening in 15 theaters this weekend. Anne Thompson has the fascinating details on the latest from one of the greatest action directors of all time. With the exception of 1997’s “Face/Off,” his Hollywood career hasn’t quite gone exactly as hoped, but take a look at this trailer.

Yep. Happy Thanksgiving, everyone!

No one wants to be a turkey on Thanksgiving

Kristen Stewart and Robert Pattinson allow themselves a smooch in Even as the president pardons a pair of prime gobblers who will  instead be going into show business at Disneyland, there’s a good chance that at least one major release this weekend may meet a less charitable fate as a fierce battle rages for the #2 spot. Yes, the #1 spot seems to be reserved, trade mag prognosticators jolly Carl DiOrio and Pamela McClintock agree, for “The Twilight Saga: New Moon.”

Between repeat hardcore “Twilight” fangirls, their friends, and curious onlookers it really seems like a lock for the continuing vampire/human/werewolf romantic menage, considering the film’s spectacular $142.8 million domestic performance last weekend. Which is not to say there won’t be some success to go around this tme. Considering the longest official holiday weekend on the calender — and a “black Friday”-depressing economy that may put many folks in the mood to delay their shopping as long as possible — it seems more than very likely that there will be some nice money to be made at the nation’s multiplexes tonight through Sunday. (Hardcore talliers will be concentrating on the three day period starting Friday.)

The obvious favorite for the #2 spot, if only because it’s going to be booked into 922 more theaters than the next biggest wide release, is Disney’s PG-rated all-star comedy “Old Dogs.” With John Travolta and Robin Williams headlining with a premise that sounds like “Two Men and Two Six Year-Olds” and not much else in the way of broadly appealing, family-friendly comedies out there, this sure seems like a  sure thing in theory.

The slapstick-laden comedy, however, scored an abysmal 6% “fresh” rating at Rotten Tomatoes, but what of it? Director Walt Becker’s previous all-star comedy outing, “Wild Hogs” — the two films actually rhyme — was roundly reviled by most critics and then grossed over $168.2 million domestically.

John Travolta and Robin Williams are

Still, wouldn’t we all rather to win pretty? Our own David Medsker makes a salient point:

…You would think that Disney might step up their game a little bit after seeing just how successful their partners at Pixar have been by not taking the easy way, by using their early success to branch out and make some highly entertaining but also downright challenging movies (“WALL·E,” “Up,” “Ratatouille”). Disney got a taste of that themselves with “Enchanted,” and even “Bolt” to a lesser extent. Most of the time, though, it’s balls to the groin, and gorillas cuddling humans singing Air Supply….

As the quote attributed to H.L. Mencken goes: “No one ever went broke underestimating the intelligence of the American people.” On the other hand, some have given it a darn good try. We’ll see.

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