Category: 24 (Page 7 of 25)

24

Blu Tuesday: A Bug’s Life, Batman and Terminator 2

The wealth of Blu-ray titles being released this week is actually pretty incredible (in fact, most of the month has yielded a nice selection for HD enthusiasts), but you’d be wise to get in on the fun now, because the future is looking pretty dim – at least in the short term. Nevertheless, there are plenty A-list titles to last you through the upcoming drought, and most of them are good enough to warrant headlining their own column.

“A Bug’s Life” (Walt Disney)

It may not be one of Pixar’s most popular films (in fact, it’s curiously missing from just about every marketing campaign of the last decade), but “A Bug’s Life” is still a solid entry in the studio’s 14-year history. A clever reimagining of Akira Kurosawa’s “Seven Samurai,” the film features all of the usual Pixar trappings (humor, heart and charm), not to mention an awesome voice cast including the scene-stealing Kevin Spacey and Richard Kind as the villainous grasshopper and his dim-witted brother, respectively. Oh, and that cute little girl providing the voice of Dot? It’s none other than “Heroes” hottie Hayden Panettiere in one of her very first film roles. What’s ultimately so great about the new 10th anniversary Blu-ray release, however, is that it not only includes the previously released bonus material, but two brand new special features as well. The first is a 21-minute roundtable discussion with co-directors John Lasseter and Andrew Stanton and producers Darla K. Anderson and Kevin Reher where they reflect on the making of “A Bug’s Life” with stories about pitching the idea to Disney and screening the film for President Clinton at Camp David, while “A Bug’s Life: The First Draft” offers a never-before-seen look at the film’s original concept starring a completely different main character. It’s exactly the kind of fan service moviegoers don’t see enough of these days, but when it comes to a company like Pixar, you shouldn’t expect any less.

“Batman” (Warner Bros.)

It’s hard to imagine anyone that wanted a copy of “Batman” on Blu-ray didn’t pick up the anthology box set collecting the first four films when it was released a few months ago, but those holding out strictly for the Tim Burton original will be pleased with Warner’s new digibook release. Though the 1989 film doesn’t quite hold up when compared to Christopher Nolan’s reboot of the franchise, it’s still a solid entry in the history of comic book films that, if nothing else, offers a great performance from Jack Nicholson as a more classic version of the Joker. The set is also jam-packed with all of the special features from the 2005 DVD reissues including a director commentary, an in-depth look at the history of Batman, and hours of production featurettes about the making of the film. The digibook release also features slick packaging with a 48-page booklet filled with essays and a script excerpt, as well as a digital copy for those on the go.

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24 7.23-24: Make decisions that you can live with

Man, I saw more trailers for upcoming movies in tonight’s season finale of “24” than I did during the Super Bowl. Seriously, weren’t there ads for seven or eight movies? And do you know how many I stopped fast-forwarding through the commercials to watch? One: “Public Enemies.” Just sayin’, it does not look like a promising summer at the googoplex.

Maybe it’s just me, but I liked the second hour of tonight’s show more than the first one, which is odd, because they usually wait until the final minutes before fucking everything up. Remember the oil rig? The secret recording of President Logan? The last time the final seconds of “24” were truly nerve-wracking was when Jack hacked off Chase’s arm. (The best endings, of course, were the death of Teri Bauer and the poisoning of David Palmer by Mandy the bisexual assassin.) Tonight’s ending didn’t pack that kind of punch, but I like that they left us to wonder what Jacqueline Bauer did to Alan Wilson in the interrogation room (too late to give him a nickname, though I lean toward Coach Yoast, his character from “Remember the Titans”), and even having Jack end the season in a coma. Yes, we all know that he will be back for an eighth day, but perhaps Kim will die from complications while donating the stem cells that ultimately save his life. Hey, a guy can dream.

Having said that, Kim did not spend these two hours playing the damsel in distress, and in fact performed very admirably under the circumstances. She stabbed the girl in the leg and gave the cops a clean shot at her, and she saved the laptop that led the Feds to the location of Jack and Tony (more on that in a minute). No bear traps or Kwik-E-Mart holdups for our little Kimmy! Wow, maybe she isn’t as helpless as I made her out to be, but that’s no excuse for recycling a plot thread from the show’s first season, when Jack had to shoot Senator Palmer in order to save Kim and Teri. Silly, silly, silly, and that is the only reason I want her to go away. She brings out the worst in the writers.

As for that first hour…

Man oh man, I can’t tell you how many times I either laughed out loud or said, “You’ve gotta be kidding me.” Jack is doing the bidding of Mystery Girl (real name Cara) against his will, and tells Jackie that they’re threatening to kill Kim if he doesn’t cooperate. Seconds later, he tells Cara that he’s awaiting her next instruction…and she gives it to him, without a word of protest. I’m shouting, “Didn’t she just hear what he told them?” Those words should automatically trigger Kim’s death, yes? The only way around this that I see is that Cara would never actually have Kim killed before getting Tony, so it was an empty threat. Which is smart, because if Jack thinks that Kim’s dead, he kills Tony, then he kills Cara, then he hunts down every relative of Cara’s and kills them, their loved ones, their loved one’s neighbords, and their pets. Hell, Jack had a clean shot at her from inside the paddy wagon. He could have just killed her right there. I’m frankly surprised he didn’t.

“So what’s it like being the second-hottest woman on this show?” “That’s funny, I was about to ask you the same thing.”

And speaking of Jack taking shots, dude had pretty good aim when he shot Tony in the hand. This despite the fact that he’s suffering from a biological agent that attacks the nervous system. Funny how composed Jack could be when the moment called for it, and vice versa.

Then comes Tony’s big push to meet Alan Wilson. Ho, ho, and indeed ho, as our colleague Will Harris would say. Just like that, his motives became so transparent. He wants to take the big guy out! Could he be on the side of good after all? Well, no, as it turns out, but as retrofitted motives go, it could have been worse, especially when we discovered that…Michelle was pregnant when she was killed. Holy shit. As a father of two, I have to say that I would have elaborate revenge fantasies as well, had I been in his shoes. Kill my wife, and you only, only, have hell to pay. Kill my wife and son, well, you’re gonna wish the Devil was looking for you instead. I feel for you, Tony, I really do. But I still want to kick your ass for killing Dudley Do-Right.

Now back to that raid on the bad guy lair: Tony is about to hatch his evil scheme to blow up Jack and Alan Wilson with a bunch of C4, when the FBI not only finds them – last I remember, Chloe and Janis were still trying to crack the encryption on Bad Actor’s laptop – but they’re actually able to sneak up on them…by helicopter? Aren’t those things audible from a mile away? Classic moviemaking technique, that. If you don’t see it, then you can’t hear it. I also loved Jacqueline’s side saddle bit on the SUV, followed with the jump and roll. I’d love to see the real-life version of that. Jackie: Pew pew! Bad guys: Pip pip pip pip pip! Jackie: Dead.

But in the end, I’m not sure that anyone found themselves in a more difficult position than Madame President herself. After Kanin checkmated Hillary Clinton with the whole memory chip thing (which we all saw coming), I was surprised that Hillary actually showed genuine remorse and human emotion when confessing everything to her parents. I even felt a little sorry for her, which is something I never thought I’d say a week ago. But thank God that Hillary’s teary confession wasn’t enough to sway Madame Prez from doing the right thing and sending her sorry excuse for a daughter to the slammer. When she walked away from the First Man at the end, I was half-expecting her to have the First Dude escorted from the premises. After all, it’s not as though her marriage is going to survive a decision like that. On an unrelated note, I hope they bring Secret Service Agent Tim Woods back for another season. Not sure how you write him in, but he seems to be playing for the right team.

My hopes are not high that we will see our beloved Jacqueline Bauer again – odds are, she’s getting 20 years in the hole for whatever she was about to do to Wilson – and that makes me sad. I quite liked her character, and she can do Hell-hath-no-fury scorn like no other. Tony, of course, is still alive, but he may as well be dead since he’s just pissed all over the carcass of the Good Tony Almeida that we thought was killed years ago. I hated seeing them bring him back like this. Good people do bad things, yes, but they are still good at their core. I might be capable of committing unspeakable acts against anyone responsible for harming my family, but I wouldn’t kill half a dozen FBI agents to get to that person. I don’t know, maybe I’m just not hardcore enough. I can live with that, I guess.

So there you have it, another 24 hours of our lives, gone. I’m not sure if this show is ever going to give me what I want. Does it sound morbid to want more death and destruction? I don’t have bloodlust; I just want a show that doesn’t cry ‘Wolf!’ nine times out of ten. I think that all serial writers, the “24” writers in particular, should take a good long look at “The Dark Knight,” and how they mercilessly ratcheted up the tension until the very end, and none of it felt like a bluff or a false promise. There is a reason that movie made half a billion dollars at the box office, you know.

It is now three in the morning, and I have to take my son to day care in five hours. Time to head to bed. Thanks to all you wonderful 24-philes for reading my column, and I’ll see you all in seven months.

Fox: The Fall Schedule

Fox has officially announced its schedule for the fall, but let’s lead with a bit of bad news: “Terminator: The Sarah Connor Chronicles” is not on it. The network officially canceled the series, and while I’m still dumbfounded by that decision, you know they’ll double-back and find a way to get it back onto the schedule if “Terminator: Salvation” is a hit. Or maybe they’ll release a straight-to-DVD movie which picks up where the series ends. Either way, I just cannot imagine that this will be the complete and total end of Sarah Connor’s TV adventures.

Okay, onto what is on the schedule, along with a few editorial comments…

MONDAY

8:00 PM – House
9:00 PM – LIE TO ME

Looks like another year of having to watch “House” and “Lie To Me” as full-season sets when they come out on DVD, because I’m still going to be watching “The Big Bang Theory,” “How I Met Your Mother,” and “Heroes.”

TUESDAY

8:00 PM – So You Think You Can Dance

WEDNESDAY

8:00 PM – So You Think You Can Dance Results Show

9:00 PM – Glee

The distinctive new comedy from Ryan Murphy (“Nip/Tuck”) starring Jane Lynch (“The 40 Year Old Virgin”) and newcomers Matthew Morrison (Broadway’s “Hairspray”), Lea Michele (“Spring Awakening”) and Cory Monteith (“Kyle XY”). Combining biting humor with a soundtrack of hit music from past to present, the inventive series follows an optimistic high school teacher who – against all odds – attempts to restore McKinley High’s fading Glee Club to its former glory, while helping a group of underdogs realize their true star potential.

THURSDAY

8:00 PM – Bones
9:00 PM – Fringe

When my wife finds out that “Fringe” is going to be competing against her beloved “Office,” she’s gonna be so pissed…

FRIDAY

8:00 PM – Brothers

A new half-hour comedy about a former big-city NFL hot shot who returns home to his family – and his mother’s house – to get his life back on track. Starring Michael Strahan (“FOX NFL Sunday”) and Daryl “Chill” Mitchell (“Ed,” “Veronica’s Closet”).

8:30 PM – ‘Til Death

9:00 PM – Dollhouse

Really? They canceled “Sarah Connor” for this? And do they really think this coupling is going to help the “Dollhouse” numbers?

SATURDAY

8:00 PM – Cops

8:30 PM – Cops

9:00 PM – America’s Most Wanted

11:00 PM – The Wanda Sykes ShowThe irreverent Saturday late-night series will feature Sykes’ outspoken comedic perspective on current events along with topical, high-energy roundtable discussions.

12:00 AM – Animation Domination encores

SUNDAY

7:00 PM – The OT (NFL Post-Game Show)

8:00 PM – The Simpsons

8:30 PM – The Cleveland ShowEveryone’s favorite soft-spoken FAMILY GUY neighbor, Cleveland Brown, moves with his son back to his hometown in Virginia and settles down with his high school sweetheart and her unruly kids.

9:00 PM – Family Guy

9:30 PM – American Dad

MIDSEASON

MONDAY

8:00 PM – House
9:00 PM – 24

TUESDAY

8:00 PM – American Idol

9:00 PM – Past Life

A fast-paced emotional thriller inspired by the book “The Reincarnationist.” The series stars Kelli Giddish (“All My Children”) as a gifted psychologist and Nicholas Bishop (“Home and Away”) as a former NYPD detective who work together to explore and unravel mysteries that must be solved in both the past and the present.

Wow, that doesn’t sound at all like “Life on Mars.”

WEDNESDAY

8:00 PM – American Idol Results Show

9:00 PM – Human Target

A full-throttle, action-packed thrill ride from executive producers McG (“Terminator Salvation”) and Simon West (“Con Air,” “Tomb Raider”). Based on the popular DC Comics graphic novel and starring Mark Valley (FRINGE), Chi McBride (“Pushing Daisies”) and Academy Award nominee Jackie Earle Haley (“Watchmen”), the series follows CHRISTOPHER CHANCE (Valley), a unique private contractor who will stop at nothing – even if it means becoming a human target – to keep his clients alive.

Anyone else noting the irony that the director of the new “Terminator” movie is getting a show just as the “Terminator” TV series is getting canceled?

THURSDAY

8:00-9:00 PM BONES

9:00-10:00 PM FRINGE

FRIDAY

8:00-8:30 PM BROTHERS

8:30-9:00 PM ‘TIL DEATH

9:00-10:00 PM DOLLHOUSE

SATURDAY

8:00-8:30 PM COPS

8:30-9:00 PM COPS

9:00-10:00 PM AMERICA’S MOST WANTED

11:00 PM-Midnight THE WANDA SYKES SHOW (working title)

Midnight-12:30 AM ANIMATION DOMINATION ENCORES

SUNDAY

7:00 PM – Animation Domination encores

7:30 PM – American Dad

8:00 PM – The Simpsons

8:30 PM – Sons of Tucson

From three-time Emmy Award winner Todd Holland (“Malcolm in the Middle”), the non-traditional family comedy stars Tyler Labine (“Reaper”) as a charming but wayward schemer hired by three young brothers whose father is in prison.

9:00 PM – Family Guy

9:30 PM – The Cleveland Show

TV Roundup: “The Shield” creator joins “Lie to Me,” “24” gets real and more

– I haven’t watched “Lie to Me” because I am generally anti-procedural these days, but the news that “The Shield” and “The Unit” creator/producer Shawn Ryan is joining the series as its showrunner has me intrigued. Unfortunately, this probably means the end for “The Unit.” R.I.P., my friend.

– Even though the finale to the eighth season felt a lot like a series finale, a ninth season of “Scrubs” looks like a lock because Zach Braff has agreed to appear in six episodes. Six episodes? For real? What’s the point?

– “Glee,” the latest from “Nip/Tuck” creator Ryan Murphy, got a great review from EW.com, even though the reviewer is not a musical kind of guy. “Glee” is a musical comedy, with an emphasis on comedy. It debuts next Tuesday on Fox.

Kiefer Sutherland tells Reuters that the eighth season of “24” is probably the “most realistic” yet. This is good news because the last seven seasons have gotten increasingly ridiculous.

24 7.22: If you build it, Kim Bauer will fall into it

Previously, on the “24” Blog:

Now watch us find out next week that it was Hillary’s contract killer that blew up the car. Wouldn’t that suck? I mean really, how boring, how logical.

Damn, damn, damn. I work up this super-fun conspiracy theory, only to discover that the reason they kept Janis around is for one last catfight with Chloe. Ugh. Even after Janis had won the battle, I pumped my fist in the air when Chloe told her that she’s not the person you come to for validation. God, I could kiss her. I’d still like to know why Janis was the one helping in Jonas Brother’s transfer, though. Was it just to get her some additional screen time? Or to mess with bloggers like me? I’m still holding out hope that there is still a chance that she’s a mole, but I realize that it’s not very likely.

I am amused, though, at how completely and totally fucked Hillary Clinton is at this point. There is practically a trail of bodies that follows her wherever she goes. Even Old Yeller is susipcious of her – which surely began the moment he shared an elevator with her after she’d just had sex, as one Mr. Codding astutely observed – to the point where he called Warden Norton to see if the digital recorder stashed in the office was still running. How awesome was Norton’s response: “I’ll be there within the half-hour.” It’s SIX IN THE MORNING, but Warden is both ready and willing to exact his revenge. How about that, the system works after all.

I was glad to see the whole canister thing get resolved – man, how about that beatdown Jack gave Tony? – but as Jibraan locates the bomb and begins to scramble out of the station, I’m thinking to myself, “Leave the bomb inside the subway car and tell the authorities to close the goddamn doors.” It wouldn’t be airtight, but once you’ve scared everyone off, it wouldn’t matter. Hell, John McClane would have thrown it down the subway tunnel, then shot it to pieces. Dunno, it just seemed like overkill to me.

“And Iiiiiiiiii-eeeeee-iiiiiiiiii-eeeee-iiiiiiiii will always, love youuuu-hooooooooo-ohhhhhhhhh…”

All right, Kim Bauer fans, it is time for you to come to Jesus. Why is it, exactly, that you like her so much? Because she’s cute? No question, Elisha Cuthbert is a lovely woman, but Kim Bauer is death incarnate. Look at how they handled those scenes of her at the airport. It was both clumsy and convenient at the same time. She’s suspicious of the federal agent – here’s an idea: have the agent walk up to Kim and tell her that Jack asked him to look after her, and get Daddy on the phone if she’s unsure – and then she just happens to befriend the two people assigned to abduct her? Meanwhile, the male goon, who’s the worst actor ever, kills the agent in the bathroom without anyone walking in on them, which is ridiculous on two levels. For one, that agent had a gun. Grab it and shoot the guy! The other problem with that scene is that it’s rush hour at a DC airport. Those bathrooms aren’t empty that time of day, ever. So now Jack has to break Tony (his smirk once Jack hopped in the van is some of the finest acting Carlos Bernard’s ever done) out of FBI custody again in order to save Danger-prone Daphne for the seventeenth time in the show’s history.

Kim Bauer is not worth this much trouble.

Remember, the girl of a thousand disguises can only hear Jack, which means she can’t see him speak to someone else using sign language or write a note saying “HELP ME!” Ugh. So much conflict, so little need. The only way they can make up for this is if the bad actor goon is strangled to death by a cougar trap, then shot by a guy who just held a standoff at a Kwik-E-Mart. Seriously, resolving the bomb attack two hours early was a severe tactical mistake. Now we have to pretend to care whether Kim Bauer lives to see the final clock tick, and I gotta be honest, I don’t care what happens to her. The rest of the time will be spent covering the downfall of either Hillary Clinton, Madame Prez, or possibly both of them, which would be a gross injustice to the show’s finest President since David Palmer. Can’t say that either of those prospects excites me. Sigh.

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