Author: Jason Zingale (Page 60 of 154)

What Else Ya Got? “RocknRolla”

After considerably scaling back the U.S. release of “RocknRolla” to a mere 826 screens (most wide releases get 2500+) because it was deemed to be “too British,” Warner Bros. has reasserted its indifference with the film with a single-disc Blu-ray that isn’t necessarily terrible, but could have been much better.

“Audio Commentary”
Guy Ritchie and Mark Strong aren’t exactly two of the most outspoken guys in the business, but I respect them for their individual contributions to cinema. Their discussion on the film might not be as riveting as some had hoped, but it’s still a solid commentary with nary a quiet moment. Strong is very enamored with Ritchie’s latest film, while the writer/director plays the humble card most of the way through.

RocknRolla

“Will You Put the Cigarette Out?”
A single deleted scene featuring One Two (Gerard Butler) running on a treadmill while some old guy smokes in his face and Mumbles (Idris Elba) runs his mouth. Not exactly exhilarating stuff, but we’ll take what we can get.

“Blokes, Birds and Backhands”
Some reviewers have called out this making-of featurette for leaning more towards the EPK side, but though it’s mostly promotional fluff about the characters and the story, the interviews with are still enjoyable. Plus, a few tidbits are dropped along the way, the most interesting of which is that the “sex scene” between Butler and Thandie Newton was completely improvised on the day. Originally intended to be a passionate kissing scene between the two actors, Newton begged Ritchie to change it when Butler arrived on set with a nasty cold. Oddly enough, the scene actually works better than it would have as a boring kissing scene, so kudos to bacteria.

“Guy’s Town”
A location featurette about all of the different London hotspots used during filming (including a yet-to-be-opened Wembley Stadium), this 8-minute extra also skews a little towards the promotional side, but it’s still a nice addition to the set.

All in all, this will probably be a bit of a disappointment for fans of Ritchie’s films. With only a couple of extras to choose from and a digital copy to load on to your mobile entertainment player of choice, “RocknRolla” is just begging for a much-improved double dip in the future. Unfortunately, the chances of that happening are about as good as Guy Ritchie becoming the next Prime Minister, so don’t hold your breath.

Lost 5.3 – Jughead

Last week’s season premiere was one of the most complicated episodes that “Lost” has ever produced, so it was sort of nice to just sit back and take it easy for once without having to think too much. Of course, though a lot didn’t really happen plot-wise tonight (the Islanders were nearly killed only to be whisked away to safety by the white light), we did learn quite a few interesting things along the way.

For starters, Faraday’s Oxford experiments were being completely funded by Charles Widmore. That probably isn’t as much of a surprise as it was meant it to be, since it was Faraday who volunteered to join Widmore’s future expedition, but Desmond was plenty intrigued. Then again, Charles Widmore is right up there with Satan on his list of the World’s Evilest Beings, so I’m not exactly sure what to think of his reaction. My first thought was that Desmond was mad at himself for not making the connection earlier (I mean, of course Widmore would be responsible for funding something like that), but it also looked like he might have gained a little compassion for the guy when he discovered that he was helping to keep one of Faraday’s comatose lab rats alive. Then again, maybe not, because he burst into Widmore’s office and demanded information about Faraday’s mother without as much as an “Oh yeah, and Penny just gave birth to our son, and we named him after Charlie, brother!”

Lost 5.3

And while I’m on the subject of Faraday, does anyone else find it curious that he’s gone from timid physicist to team leader in a matter of days? I don’t want to complain too much, because he’s my favorite character on the show, but it just seems odd that someone so twitchy could become so confident all of a sudden. Nevertheless, after evading a mine field (did anyone else yell “holy shit” when those two red shirts went flying?) and being captured by the Others, Faraday took control of the situation by admitting (read: lying) to Richard Alpert that they’re part of a military invasion. Clearly, Alpert isn’t as smart as he seems, because as one of the Others so bluntly pointed out, there’s no way that Faraday, a British girl and a Chinese guy are members of the U.S. Army; at least, not in 1954.

I’ll be curious to see what more is made of this development in the coming weeks, because with the exception of the dead U.S. soldiers that Miles “heard” and the giant Hydrogen bomb that’s sitting in the middle of the island, there doesn’t seem to be much of a connection to the rest of the mysteries. There is, however, a possible connection to Faraday himself, and it’s the Other named Ellie. Not only does he mention that she looks familiar, but the rat in Faraday’s time travel experiment was named Eloise. Coincidence? I think not. Furthermore, Fionnula Flanagan’s character, the one working with Ben to help the Oceanic 6 get back to the island, is credited as Eloise Hawking. Could Ellie be Faraday’s mother, and if so, how will she factor into the story?

It’s anyone’s guess at this time (heck, Flanagan’s character hasn’t even been formally introduced), and I’m not going to worry about it when there’s far juicier stuff to discuss like, oh I dunno, that Charles Widmore used to be an Other! Go ahead and mark that up as most surprising reveal of the night, because while I knew that that smartass kid had to be someone important, I never imagined it would be Widmore. It makes total sense, though, because how else would he know about the island? Why he left and wanted to come back, however, is a completely different matter, but he clearly still has a few things to learn in the meantime. “What, you think he can track me? You think he knows this island better than I do?” Um, yeah, it’s John Locke, dude. That’s a guy you definitely don’t want to mess with, even if he’s kinda, sorta already dead.

The Lucky Ones

Neil Burger’s “The Illusionist” was one of the most underrated films of 2006, so it’s a bit disheartening to see his latest movie, the post-9/11 war drama “The Lucky Ones,” suffer a similar fate. Though it’s not nearly as good as his previous effort, the film is still better than a majority of the movies just like it, mostly thanks to its talented cast. Tim Robbins, Michael Peña and Rachel McAdams star as three U.S. Army soldiers who have just returned to the country after their latest tour in Iraq. When a blackout grounds all the flights out of New York, however, the trio decides to rent a car and make the cross-country trip back home together, despite having just met hours before. What follows is a journey of self-discovery, as they must all come to terms with the way the war has changed their lives. Unfortunately, the average moviegoer got so burned out with post-9/11 fatigue that “The Lucky Ones” never got a proper theatrical release. It only seems fitting, because “Grace Is Gone,” the movie it’s most like, received the exact same treatment. Still, if pro-solider embarrassments like “Home of the Brave” and “Stop-Loss” can find an audience, then surely “The Lucky Ones” deserves one too.

Click to buy “The Lucky Ones”

What Else Ya Got? “Pride and Glory”

It isn’t all that rare these days for a studio to release a movie on DVD with little or no special features, but many Blu-ray owners feel that they should at least be rewarded with something other than enhanced video and sound for spending the extra cash. Unfortunately, Warner Bros. doesn’t feel the same way, because the Blu-ray release of “Pride and Glory” contains the same extras as its DVD counterpart. Even worse, the studio is apparently so ashamed of the lack of bonus material that it actually tries to hide it by having the movie start the minute you stick the disc in your player. No trailers to fast-forward through or menus to navigate.

Pride & Glory

How disappointing, because while there may only be one special feature to speak of, it’s better than the movie itself. Running just over an hour long, “Source of Pride” takes the traditional making-of featurette to a whole another level with a documentary that showcases the struggle director Gavin O’Connor went through in order to get his film made. From holding unconventional rehearsals (which co-star Noah Emmerich dubs “rewritings”) and casting bit roles days before they’re ready to shoot, the pre-production portion is so stressful that when filming begins, things really go to hell.

The script is in a constant state of flux, Nick Nolte must be recast at the last possible second with Jon Voight, and yes, Edward Norton is extremely difficult to work with. Apparently, all those stories about Norton being a pain in the ass were true – though O’Connor downplays the situation considerably by noting that his star actor is just really dedicated to the job. Meanwhile, an ending to the movie still hasn’t been written, and in fact isn’t written until the night before they’re scheduled to film the scene. Anyone that thinks making movies is easy, or wonders why “Pride and Glory” turned out so bad, needs to watch this documentary right away. It would have been nice to have some additional material to go along with it, but considering all of the trouble that the studio was put through during the making of the film, it isn’t at all surprising that they weren’t willing to front the cash to do so.

Hulk Vs.

There were quite a few surprises at last year’s San Diego Comic-Con, but none as enjoyable as Marvel’s world premiere of “Hulk Vs. Wolverine.” As one half of the studio’s Hulk double feature, the film isn’t very long, but it actually works better than the full-length movies that Marvel has been putting out . Part of that has to do with the fact that “Hulk Vs. Wolverine” is more focused than the other animated films (it’s essentially just a 37-minute brawl), and when you throw four of Wolverine’s most famous enemies (Sabertooth, Lady Deathstrike, Omega Red and Deadpool) into the mix, well, it’s bound to be awesome. In fact, it’s Wolverine’s fight against the Weapon X crew (and not The Hulk) that proves to be the most entertaining aspect of the film, and with any luck, we’ll get to see a rematch sometime in the near future. If nothing else, it only reaffirms why Deadpool deserves a movie of his own, because even alongside such heavy hitters as Wolverine and The Hulk, he steals the show every time.

Hulk Vs.

Unfortunately, “Hulk Vs. Thor” fails to do the same for the God of Thunder. Maybe it’s because the movie crawls in comparison, or that Thor has never really interested me as a character, but where “Hulk Vs. Wolverine” is riveting from start to finish, “Hulk Vs. Thor” is a bit of a bore. The last thing we didn’t need was another Avengers movie (especially after last year’s “Teen Titans”-esque “The Next Avengers”), but that’s exactly what it feels like. Still, despite the disappointing B-side, “Hulk Vs.” is hands down the best direct-to-DVD feature Marvel has produced, and they’d be wise to stick with this double feature format moving forward. It may not be ideal for telling the kind of epic stories that some of these characters require, but it’s the closest they’re ever going to get to bringing a comic book to life.

Click to buy “Hulk Vs.”

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