After the attack on the camp, the question of what to do with the dead was always going to be a sensitive subject. While Daryl wants to burn anyone who’s been bitten or killed, Glenn is adamant that they bury their fellow survivors. And when you think of it, they both make pretty good points. If you don’t kill them now, there’s always a chance that that decision will come back to bite you (pun very much intended) in the future. On the other hand, you need to maintain a certain bit of humanity in situations like this or there’s nothing separating you from the monsters.
Of course, before they decide what they’re going to do with the bodies, they need to figure out how they’re going to pry one of them – Amy – out of Andrea’s arms. She’s obviously still coping with the death of her little sister and feeling especially guilty that she wasn’t always there for her when they were younger. But neither Rick nor Lori can get through to Andrea, and it takes Dale’s story about losing his wife to cancer (and how the two sisters are the closest thing he’s had to family since her death) to get her to finally snap out of it. Just in time, too, as Amy begins to come back to life as a zombie and Andrea is forced to shoot her in the head.
With all the discussion going on about how to handle the dead, you can hardly blame Jim for trying to keep his bite a secret. It was only a matter of time before someone found out, however, although everyone took it a lot better than he probably imagined they would. Only Daryl seemed willing to shoot him right there on the spot (then again, that’s pretty much his answer for everything), but Rick believes that the Center for Disease Control might have a cure, and suggests that the group heads there for refuge now that the camp is compromised. Shane disagrees, and wants to go to the military base at Fort Benning instead, even if it’s 100 miles away.
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It isn’t all that rare these days for a studio to release a movie on DVD with little or no special features, but many Blu-ray owners feel that they should at least be rewarded with something other than enhanced video and sound for spending the extra cash. Unfortunately, Warner Bros. doesn’t feel the same way, because the Blu-ray release of “Pride and Glory” contains the same extras as its DVD counterpart. Even worse, the studio is apparently so ashamed of the lack of bonus material that it actually tries to hide it by having the movie start the minute you stick the disc in your player. No trailers to fast-forward through or menus to navigate.
How disappointing, because while there may only be one special feature to speak of, it’s better than the movie itself. Running just over an hour long, “Source of Pride” takes the traditional making-of featurette to a whole another level with a documentary that showcases the struggle director Gavin O’Connor went through in order to get his film made. From holding unconventional rehearsals (which co-star Noah Emmerich dubs “rewritings”) and casting bit roles days before they’re ready to shoot, the pre-production portion is so stressful that when filming begins, things really go to hell.
The script is in a constant state of flux, Nick Nolte must be recast at the last possible second with Jon Voight, and yes, Edward Norton is extremely difficult to work with. Apparently, all those stories about Norton being a pain in the ass were true – though O’Connor downplays the situation considerably by noting that his star actor is just really dedicated to the job. Meanwhile, an ending to the movie still hasn’t been written, and in fact isn’t written until the night before they’re scheduled to film the scene. Anyone that thinks making movies is easy, or wonders why “Pride and Glory” turned out so bad, needs to watch this documentary right away. It would have been nice to have some additional material to go along with it, but considering all of the trouble that the studio was put through during the making of the film, it isn’t at all surprising that they weren’t willing to front the cash to do so.