Last night began the real auditions for “American Idol” and while most of the decisions of who to keep and who to send home were good, there was definitely some drama. Here is a quick recap….

STAYING IN HOLLYWOOD
Brett Lowenstern, the 16 year old who got picked on most of his life, delivered again….so did Rachel Zevita, Thia Meghia (thought I didn’t think she was that great last night), and Casey Abrams, the Seth Rogan clone….James Durbin, the dude who auditioned in San Fran and is trying desperately to make a better life for his family…Paris Tassin, also trying to make a better life as she has a daughter with special needs. But she sang Celine Dion, to which I say, “BLAH!”….Loren Alaina, the 15 year old from Georgia who I have said has a shot to go very far…..Chris Medina, the dude with a fiancee that had the horrible car accident and is severely disabled, also made it to the next round…Jacee Badeux, the dorky 15 year old kid that Simon would no doubt have sent home in this round….Robbie Rosen, the Andy Pettitte look-alike, also moved on….so did Hollie Cavanaugh, but I really don’t see the talent in here. To me she is all technique, no substance. Mrs. Mike disagreed with me, and so did the judges….the exes of Chelsee and Rob made it through. Both could go far, but especially Rob…..the other couple, the happy happy one of Nick and Jacqueline–well, she made it through but Nick didn’t. Uh-oh. More on him in a bit….Scott McCreedy, the 16 year old kid with the deep country voice, also made it….so did Jackie Wilson and Jerome Bell, who both sang the same song they did in their initial audition. Risky but worked this time….Tiffany Rios, who wanted to show off her “assets” in the first audition, made it through, but not before dissing every other contestant by saying something like, “I am better than everyone else here.” J-Lo made note of that, but they still let her through, maybe to avoid the drama of eliminating her this week….then they showed a whole bunch of others who made it through in quick fire fashion, including Stefano from the San Francisco auditions who we really liked.

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Ever since the writers’ strike, the television industry has been in a state of flux. Most networks still can’t figure out what works from what doesn’t, while the current economic climate has forced others to simply give up. Whether or not “The Jay Leno Show” is a success for NBC is debatable, but by surrendering the 10 p.m. time slot, they’ve greatly decreased their chances of bringing in new viewers. We would be exaggerating if we said the decision affected Bullz-Eye’s latest edition of the TV Power Rankings, but our Winter 2009 list does seem suspiciously familiar. Still, it isn’t without its surprises, as a longtime favorite returned from an extended hiatus to claim the top spot, while buzzworthy rookies like “Glee” and “FlashForward” also made impressive Top 10 debuts. At the end of the day, however, the real winner is HBO, who walked away with three of the four top spots, thus reestablishing themselves as the best network around.

A few examples from the piece:

5. Glee (Fox): There isn’t a show on this list that we love and hate with the same enthusiasm that we have for “Glee.” It contains some of the best-drawn characters in Fox’s history (aspiring diva Rachel Berry, adorable germaphobe Emma Pillsbury, cantankerous alpha female Sue Sylvester), and the iTunes chart-burning musical numbers, lip synching aside, are deliriously fun. Imagine, then, if they didn’t make these characters jump through such ridiculous hoops. Will’s wife is actually going to take her fake pregnancy to term? Emma agrees to marry Ken, but only as long as they never tell a soul? (Those plot threads brought to you by Bad Idea Jeans.) Yet for each blunder the show makes, they come up with something as brilliantly funny as Finn’s technique for not climaxing (he thinks about the time when he hit the mailman with his car), or the drama queen freak show that is Sandy Ryerson (a pitch-perfect Stephen Tobolowsky). Getting Josh Groban to do a cameo as a horndog version of himself, meanwhile – and hit on Will’s drunk mother – was a moment of “Arrested Development”-style genius. Yes, it’s made mistakes, but “Glee” gets a spot in our Top Five because no other show on TV sports dialogue like “mentally ill ginger pygmy with eyes like a bush baby.” But man, it would be a wonderful world if they did. – David Medsker

15. Dexter (Showtime): Like “The Sopranos,” Dexter always has a theme that is explored within a season as a backdrop to the episodic progression of the show. Last season, it examined friendship within the context of Dexter’s secret world, and Jimmy Smits was brilliant as his first and only pal. This year explores the facets of intimate relationships, and balancing work and the rest of your life as it relates to it. Dexter (played with brilliant sincerity and conviction by Michael C. Hall) is struggling to find balance between his work as a blood splatter analyst, a new dad of an infant, stepfather to his wife’s kids, and his hobby of killing and dismembering other bad guys, while his entertainingly foul-mouthed sister Deb implodes the most stable relationship of her life when she sleeps with returning lover and retired FBI agent Frank Lundy. John Lithgow is also scary good as the Trinity Killer, the latest object of Dexter’s attention. When Trinity kills Lundy and wounds Deb while making it look like another killer’s signature, Dex is commanded by the ghost of Harry to seek revenge, making this season as entertaining as any in the past – no easy feat considering how consistently good this show has been. – R. David Smola

Honorable Mention – Cougar Town (ABC): Yeah, yeah, we know: the title’s a bit dodgy. But Bill Lawrence, who co-created the show with Kevin Biegel, has said, “The roll of the dice I’ve made is that the title is noisy and that people will be aware of this show.” True enough, though the fact that the series stars Courtney Cox would’ve probably done a pretty decent job of putting it on people’s radar, anyway. The pilot alone was strong enough to suggest that “Cougar Town” could prove to be the perfect series for female viewers who’ve outgrown “Sex and the City,” but with enough of a dysfunctional family element to fit perfectly into the closing slot in ABC’s new Wednesday night comedy line-up. Although the show continues to hone its comedic formula, the trio of Cox, Christa Miller and Busy Philipps clicked immediately (particularly the latter two, with their characters’ diametrically opposed personalities), and the relationship between the teenaged Travis and his man-child of a father rings true with its blend of unconditional love and complete embarrassment. Now that Jules’s fling with Josh is over, however, we’re curious to see who’ll be next on her slate to date — and how long this one will last. – Will Harris

Returning in 2010 – Lost (ABC): Here we are, folks. After five seasons of confusing viewers with one of the most elaborate mythologies on television, “Lost” is finally in the home stretch. Want to know what the heck that smoke monster really is? How about the weird statue? Heck, what about the Dharma Initiative itself? All will supposedly be revealed in the sixth and final season of one of the smartest, most fearless shows network television has ever bothered to offer. Of course, this being “Lost,” we still have something to bitch about – namely, that the goddamn Olympics will interrupt the show’s final 18 episodes – but if we’ve waited this long to determine the ultimate fate of our favorite island castaways, what’s a few weeks of curling and cross-country skiing? We’ve all had our issues with the way “Lost” has unfolded over the years, and the show isn’t the phenomenon it was in its first couple of seasons. To cop one of the fall’s most popular phrases, though, this is it – and if there’s ever been a serialized drama with the guts to stick the landing and make its finale truly count, we’re betting it’s “Lost.” – Jeff Giles

Check out Bullz-Eye’s TV Power Rankings in their entirety by clicking here or on the big-arse graphic you see before you. Also, be sure to check out the accompanying interviews with folks associated with the various shows, including David Goyer (“FlashForward”), Kurt Sutter (“Sons of Anarchy”), Jonathan Ames (“Bored to Death”), and Bryan Cranston (“Breaking Bad”).

Did any of your favorite shows miss the cut? Let us know by replying below!

A couple of years ago, when I wrote a post entitled “Bad Actors: Tina DiJoseph,” which was dedicated to the “Medium” actress who plays Lynn DiNovi, a few readers (mostly her friends and family) said I was “negative” and “cruel,” but I just call ‘em like I see ‘em.

And when I watched this week’s episode of “Rescue Me,” I saw one of the best performances I’ve seen in a long time. I’ve admired Callie Thorne’s work on the show since the start, and now that her (wonderfully nutty) character, Sheila, is no longer dating and/or sleeping with Tommy Gavin, she hasn’t gotten as much screen time over the past couple of seasons, and the show has suffered because of it. (Don’t get me wrong — this season has been great, but there was a stretch there when I was wondering if the creators had a plan to wrap things up.)

Anyway, on this week’s episode, appropriately titled “Sheila,” Thorne is a tour de force. Her first scene is with her son, Damien (played by Michael Zegen), and the two are having lunch in a restaurant discussing Damien’s decision to become a fireman instead of finishing his studies at NYU. Sheila is understandably concerned and frustrated with this decision, and she hides those emotions for a while under the guise of “new Sheila.” But when Damien insists that Tommy guide him through the academy (instead of Mike the Probie), she flips out and goes on a minute-long rant about how spoiled and ungrateful he is.

Later on, she’s at the firehouse and runs into Tommy. She starts off by not speaking to him (because she’s angry about his failure to tell her about the news footage that proved that her husband died in the second tower, not the first), but with Tommy being Tommy the two start to argue. She goes off on him for being a closed-off prick and punctuates the scene by kneeing him in the balls.

Finally — and this scene is really the kicker — Sheila does an interview for a French journalist about what was going through her mind on 9/11. The revelation that her husband died in the second tower almost has a calming effect on her, and she dives into a four-minute monologue that is as touching, emotional and well-acted as any four minutes that I’ve seen in a long time.

For the first few seasons, I was rooting for Tommy and Sheila to end up together, mainly because I wanted to see her character find happiness, but now I hope she finds it somewhere else. It’s clear that Tommy just isn’t loyal or dependable enough for her, and her story arc this season has been about her exploration into why she is (or was?) so obsessed with him. Yes, Sheila has her flaws — after all, she drugged and (pretty much) raped Tommy and almost killed him in the house fire — but, hey, she just has a lot of love to give, right?

Unfortunately, the episode isn’t up on Hulu yet, but it’s an Emmy worthy performance, so catch it if you can.

Variety has the best acceptance speech…ever…as written by “Rescue Me” star Denis Leary. (Keep in mind this is from the POV of an actress, not an actor.)

Okay. First of all — I’d like to thank God for just taking time out of His busy schedule curing cancer and feeding the hungry and solving the crisis in Darfur with George Clooney and helping so many different wide receivers and quarterbacks to throw and catch footballs and instead making sure that I got singled out of such a wonderful group of actors like Meryl and Mary-Louise and Cate Blanchett and Angelina and Marcia Gay and Kate Winslet and just – all the Kates and the Kevins and the two name and the three name people I feel so honored just to be up here while they are all down there and I’d like to just thank the Academy and the people who hated me and treated me like such dirt and who made me stab them in the back just to get here and now you can suck it and Botox! I almost forgot Botox! And Restylin and Cosmoderm and Prestocheek and Instatit and all the other animal agents I’ve had injected into my face and stuff. Oh my god my agents — I almost forgot the entire squad of agents and managers and hangers-on whose asses I have kissed and coddled for so many long B and C movie years now and also — it would be so bad not to thank my team of surgeons who have stretched and sculpted and pulled and pressure-pointed every aspect of my face, neck and armfat until I look so young and ripe and yet somehow still able to move my forehead and eyebrows just enough to frown and laugh and look focused which is a huge part of why I just won this!

And that’s just about a third of it…

Wait, didn’t I just go to one of these press tours…?

Actually, that was back in July, when the networks were busy pimping their new fall schedules; this time, they were presenting us with an idea of what we can expect to see on our favorite broadcast and cable channels from now until they premiere their next fall schedule.

Going out to L.A. in January was a new thing for me, though. It was my first winter tour since becoming a member of the Television Critics Association in 2007 – last year’s was canceled due to the writers’ strike – and, if the rumblings throughout the ballrooms at the Universal Hilton were any indication, it may well prove to be my last January tour. I’m hopeful that this presumption turns out to be inaccurate, but given the current economic climate and an increasing tendency for newspapers and publications to only send their TV critics out for one tour per year, there’s every reason to suspect that the networks will join suit and only be willing to pamper those critics once per year.

Sorry, did I say “pamper”? Of course, I meant, “Treat with the utmost respect.”

It feels a bit odd to be doing a wrap-up of my experiences at the tour before I’ve even had a chance to write up all of the panels I attended while I was out there, but, hey, when you get a good spot on the calendar, you make it work however you can. So still keep your eyes open for my ongoing pieces on the various shows you can expect to find on the broadcast networks during the next few months, but in the meantime, here’s a look at some of the best and worst bits from the January ’09 tour as a whole.

Most enjoyable panel by a cable network: “Rescue Me,” FX.

I’ve been a big Denis Leary fan every since No Cure for Cancer, so I knew the guy was inevitably going to go off on a profanity-filled rant before the end of the panel. What I didn’t expect, however, was that Peter Tolan – who co-created the show with Leary – would start the proceedings by telling Leary to watch his mouth, adding, “If you were going to say ‘cunt,’ don’t.”

From there, the two of them seemingly battled each other in an attempt to offer up the most memorable line. Leary complained about his salary. (“I had a crazy idea of getting paid, like, $250,000 an episode. They put limits on that, let me tell you. That’s Kiefer Sutherland money right there.”) Then Tolan claimed that he was at fault for the show’s fourth-season slump, blaming it on a drug problem and that “I was heavy into a kazillion hookers that year.” Then Leary bitched about how Michael J. Fox was going to guest on “Rescue Me” and get the Emmy that Leary himself has yet to earn. (“Five fucking episodes, he comes in. God damn, $700 million from ‘Spin City.’ He never asked me to do the show. He’s going to walk away with the fucking Emmy. That son of a bitch.”) Then Tolan started mocking Hugh Laurie’s American accent by talking about how he could do a British accent. (“Aye, pip, pip, mate, aye! ‘Allo, Mary Poppins!”) And…well, as you can see, there was really no contest: this may well have been the greatest panel ever.

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It’s been nine months since the writers’ strike shook up the entertainment industry – forcing some shows to shut down production for the rest of the season and leaving others to scramble for survival – and television still isn’t the same. Many of our favorite shows have yet to return to form (here’s looking at you “Heroes”), while some (like Power Rankings newcomer and new #1, “Mad Men”) have risen to the occasion and helped fill the void. If there’s any pattern to this year’s TV Power Rankings, however, it’s that there is none. While NBC’s reign in the top 10 continues, a dozen of the 20 shows below didn’t make the cut last year, and nine of those 12 are making their Power Rankings debut (“The Shield,” “The Daily Show” and “Family Guy” have popped up in previous editions). Still think the writers’ strike didn’t have a lasting effect? Think again.

Below you’ll find some sample entries, but be sure to check out the full list, where you’ll also find links to DVD reviews and interviews, as well as some Honorable Mentions and our list of favorite shows currently on hiatus.

1. Mad Men

In any sane world, Matthew Weiner’s “Mad Men” would not be on any “power ranking,” much less in the #1 spot. This supremely stylish drama about the alcohol-soaked, nicotine-stained, sexual harassment and adultery-friendly lives of early ‘60s advertising execs started out as a low-profile curiosity from a former member of the writing staff of “The Sopranos.” Still, with some help from ecstatic reviews and the Emmys, the show has emerged as first-class appointment TV and a launch pad for at least one potential superstar in Jon Hamm. As the metaphysically secretive Don Draper, Hamm knocks back too many Old Fashioneds while casually invoking the sort of grown-up masculine charisma of classic era film stars Gregory Peck and William Holden. Better yet, Season Two saw the show’s large and very strong cast of supporting characters become even stronger and more layered as the subject matter grew bolder. A semi-surreal late-season left turn with a roving band of wealthy Euro-bohemians was just the tip of the iceberg as rape, nuclear annihilation, religion and the meaning of existence were broached, with vaguely disturbing yet highly entertaining and sexy results. “Mad Men” cannot be pegged, and that’s the best thing about it.

11. How I Met Your Mother

We were close. We were so damned close. Creators Carter Bays and Craig Thomas had teased us for three years, but we were sure that Ted Mosby (Josh Radnor) had finally found the mother of his kids in Stella Zinman (Sarah Chalke). Of course, as we now know, we were wrong, but it was a hell of a ride getting there. Last season, “How I Met Your Mother” found the largest audience of its history as a result of scoring a pair of guest appearances by the superstar train wreck that is Britney Spears. And, even more impressively, she was really funny. Greeted with these new viewers, the series rose to the challenge of keeping them on, offering us Ted and Stella’s courtship, Robin’s rebound relationships, Marshall looking for work, Lily dealing with her credit crisis, and Barney banging as many babes as possible. We’re still not sure about this new wrinkle that Barney’s pining for Robin, but we trust that Bays and Thomas won’t turn it into a jump-the-shark situation. Or if they do, they’ll do it with a knowing wink and a smile.

17. Sons of Anarchy

If you took all the best parts of “The Sopranos” and “The Shield” and smashed them into one show, you’d have something that looks a lot like “Sons of Anarchy.” Created by “The Shield” co-writer and executive producer Kurt Sutter, the series is more Shakespearean than anything on television. It’s essentially a retelling of “Hamlet,” but instead of Danish royalty, they’re a California biker gang. There’s Jax (Charlie Hunnam), the second-in-command; his mother, Gemma (Katey Sagal), the very definition of a queen bee; and his step dad Clay (Ron Perlman), the club’s hard-nosed president and best friend of Jax’s deceased father. Heck, there’s even an Ophelia in the group – Wendy (“The Sopranos” alum Drea de Matteo), the drug-addicted mother of Jax’s newborn son. The theme of family and brotherhood is something that was explored in great length in both “The Sopranos” and “The Shield,” and it’s the driving force behind “Sons of Anarchy.” Add to that a supporting cast made up of some of the best tough guy character actors in the business (Tommy Flanagan, Mark Boone Junior and Kim Coates) and a multi-episode guest stint by Jay Karnes and you’re looking at a top nominee for Best New Show of the Season.

NBC may not be King of the Nielsen Ratings just yet, but we know good television when we see it, and the Peacock has returned in full force with a dominating presence that includes the top three shows and five of the top six. HBO, on the other hand, is experiencing the opposite, with the departure of “The Sopranos,” “Deadwood” and “Rome.” Add to that the fact that our list features a whopping 10 new entries — five of which are freshmen — and you’ve got one heck of a Power Rankings shakeup. Much of this has to do with so many shows being on hiatus until next year, but whatever the cause, it’s nice to see some much-needed change to a usually familiar lineup. And, hey, don’t miss the list of our favorite shows which are currently on hiatus (and are therefore ineligible for the Top-20), our farewell to “The Sopranos,” and our stable of Honorable Mentions.

Check out the list here, then come back and let us know how we did…or if we missed any of your favorites!

For the past twelve weeks, Denis Leary and Co. have managed to deliver award-worthy material packed with risqué storylines and grade-A humor, but while the season finale should have been a grand slam no-brainer, they’ve managed to flush all of their hard work down the toilet with a half-assed cliffhanger ending. First off, where’s the suspense in putting Tommy in the middle of a domestic fire when we all know that they’re not going to kill of the main character? True, it was amusing to see Sheila go nuts (again) and drug him (again), but when she accidentally started a fire by breaking an oil lamp, I just knew that it would end with the old “will he/won’t he” conclusion. Unfortunately, we already know that he won’t, so there’s little to wonder there.

Everyone else, however, didn’t seem to get the same kind of respect. Franco bombed the Lieutenants exam and made himself look like a complete idiot in front of his daughter; Lou has proven himself unable to work/live on the sea; and Probie’s bicurious phase seems to have faded – of course, not until after he participated in a brother/sister threesome. And what about the Chief and Garrity? Well, Sean’s got a new life with Maggie, and Jerry appears to be unofficially retired from the firefighting business, so we can probably call both of their storylines wrapped up, while the other three guys will no doubt return to Ladder 62. And after blowing off Sheila by not signing his retirement papers, Tommy will be back as well, but the real question is: what about her?

The show has proven time and again how casual they are with killing off recurring characters, but seriously, Sheila? Who’s gonna continue fighting for Tommy when he gets back together with Janet at the beginning of season four. Personally, I could care less, because while the show has remained one of the better reasons to turn on your TV in the summertime, there’s really nothing left for me to care about.

Much like the opening lineup of a baseball team, tonight’s episode wasn’t very spectacular, but it did its job by loading the bases with enough possibilities for the season finale to knock home a few runs. Following the random shooting of Tommy’s brother, Johnny, it’s finally revealed that the shooter in question was a hired gun paid to kill the cop planning to testify against some low-level drug dealer. Now, Johnny’s dead and Tommy’s out shopping for a casket. This all seems a little too reminiscent of last season’s second-to-last episode (where Tommy’s son, Colin, was killed in a drunk driving accident), but the writers had to find a way to keep his character on the show, and now that Johnny’s out of the picture, you can bet that Tommy will be back with his wife in no time. Of course, if they really wanted to surprise us, Tommy would stick with his initial plans of moving away with Sheila, but I just don’t see that happening any time soon.

Oh well, at least Garrity finally married Maggie. Then again, the ceremony did take place directly following the burying of Johnny – and at the cemetery, no less – but that only gave the writers the chance to introduce the long-lost (and deaf) Gavin sister, Rosemary. I’m not exactly sure why they did this (perhaps just so the hilarious sign-language gag between Maggie, Rosemary, Tommy and Garrity actually worked), but maybe they felt like the Gavin family was losing too many members. Oh well, perhaps we’ll find out more after next week’s season finale. Then again, maybe not.

If you had any doubt in your mind as to just how good Dennis Leary and Co. are at balancing the comedy and drama in a weekly dose of “Rescue Me,” you won’t any longer after watching tonight’s episode. And because so much happened this week, I’m going to try something a little different and break things down into three categories: the good, the not-so-bad and the ugly.

The Good:

- The Ladder 62 crew chalked up two more hilarious saves in the opening minutes of the show; first saving a wheelchair-bound guy with Motor Neurone Disease (AKA Stephen Hawkings Syndrome), and then a big black woman (named Oprah, no less) who was stuck on a metal fence. Why? Because one of the posts had gone clear through her forearm! Wowzer! Just how this happened isn’t exactly clear, but the fading shot of the guys lifting her up like the flag at Iwo Jima was priceless.

- Lou’s finally dating again, but it turns out that she’s a “semi-nun.” To clarify, she’s currently living in the church as a nun, but will re-enter society at the end of the month. Of course, Tommy isn’t exactly hip to the idea (since he does try to be a good Catholic every once and a while), but it’s nice to see Lou back on his feet.

- Speaking of the two lieutenants, it’s been decided that Lou’s uncle and Tommy’s dad will move in together, partly because they get along with one another, but mostly to get the old farts off of their backs. At first, Tommy goes so far as to describe the idea as “Stephen King’s next novel,” but after hearing that his dad already agreed to the arrangement, it seems like a done deal. This is easily the next great relationship on the series, and we can only hope to see more from these guys in the near future.

The Not-So-Bad:

- Franco has taken the initiative to sit down with Natalie’s retarded brother, Richie, to discuss the possible future between him and his sister. For once, Franco’s not getting screwed over by some outside force, and it looks like he may just find true love after all. Of course, it’d be nice to see the guy a little more worried about his baby girl. You know, she was just kidnapped by a rich white lady…

- Shawn and Maggie continue to bicker about the wedding, causing them to be banned from every church in the area. There’s nothing especially ugly about this whole setup, but it’s definitely getting a bit tiresome after several weeks of the same crap.

- It also looks like Tommy’s going through with the plans to start a family (or at least a future) with Sheila, and after agreeing on the beach house of their liking, Sheila runs to the bank to scoop up the deed. And get this: she doesn’t even want to see what the house looks like inside. As long as the pictures match up, she’s peachy keen… and ready to write a big, fat check.

The Ugly:

The following two events seem better saved for a killer season finale, but we all know how impatient (and unconventional) these guys are. I mean, they did kill Tommy’s son in the second-to-last episode of the previous season.

- Jerry finally gets up the nerve to jump in bed with Carlene (AKA Rastafarian Nurse), but after doing the deed suffers from some sort of heart attack. And here’s the kicker. Instead of staying around to help, or perhaps call 911, the stupid illegal runs for the door because she’s afraid of losing her job. It’s nice to see she really cares about others’ wellbeing. Maybe she isn’t cut out for a job with moral demands like nursing. Just a thought…

- Oh, and are you ready for this? Johnny has just been shot four times in the back. While bullshitting with his partner on the clock (and lounging around in some shady alleyway), a gangster pops out of the woodwork and blasts him when he’s not looking. I can’t imagine why some idiot would just shoot a complete stranger in the back (which makes me think there’s much more to this than just bad luck), but the more pressing matter is how this effects the story.

If Johnny dies, will Janet run back to Tommy? Will Tommy take her back? And if so, does this not completely screw Sheila, who’s just invested in a beach house for her and Tommy? Let’s hope they don’t take this route again, because it wouldn’t go down in history as one of the show’s smarter decisions.