Tag: Karina Longworth

Midweek movie news, and then…

After tonight, I’ll be taking a break from the daily blogging grind for just a bit. That means I’ll be out completely for a couple of days at least and then you may see a post here and there and then, suddenly, I’ll be back like I was never gone in the first place, probably towards the tail end of the month. So, this will have to hold you for a little while.

* As of tonight, corporate raider Carl Icahn appears to be a majority stockholder in Lionsgate.

* I’ve never been a fan of the seventies movie of the silly seventies film version of “Logan’s Run,” but with Carl Erik Rinsch directing, my interest in the new film perked up considerably. Now, Alex Garland — who wrote and produced the not-entirely-unrelated upcoming version of “Never Let Me Go” which I discussed yesterday — has jumped on board, making it even more interesting. Better, they’re approaching it as a new version of the book, not a remake of the film. In the 1976 film, by the way, no one in the futuristic society was permitted to live past 30. In the novel, it was 21.

* Sam Raimi has been confirmed as the director of “Oz: The Great and Powerful.” Apparently Robert Downey, Jr., who just formed a new company with his producer wife, Susan Downey, is the most likely Oz at this point.

* Be sure and check out Will Harris’s terrific interview with one of the best, Isabella Rossellini. Easily one of the most fascinating  actresses of the last thirty years or so, with quite a backstory behind her. Don’t miss it.

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*Though Ms. Rossellini seems perfectly at home in a very humorous way with her fifty-something status, that is not really always the case for actresses. This month’s conversation between Jason Bellamy and Ed Howard at the House Next Door underlines that point as the cinephile thinkers discuss two of Hollywood’s greatest show-biz based films, “Sunset Boulevard” and “All About Eve,” both released in 1950 and both dealing with actresses who struggling with this whole passage of time thing.

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Hitler is right!

Yes, this avid and genetically predisposed consumer of matzoh balls and knishes knows a strong argument when he hears it. And, while I usually like to consider the source, as the saying goes, even a racist genocidal maniac is right two times a century, or something like that.

Anyhow, in case you haven’t heard about it yet, Constantin Films, the company that released the excellent historical drama, “Downfall,”  has been going after those often extremely funny videos drawn from that film in which the great German actor Bruno Ganz as Hitler reacts — as only a fascist with serious, serious anger issues really can — to all kinds of pop cultural events.  PopEater summarizes the situation quite nicely.

Of course, we’ve already seen the inevitable meta-rants in which Hitler complains about all those videos of him saying stuff he surely would never say and caring about things he would never care about. Yesterday, the usually very cool Karina Longworth was apparently so tired of this ‘net meme that she all but sided with that particular “Downfall” Hitler and the cutting-nose-to-spite-face tactics of Constantin.

Anyhow, today she returned to form and saw the sweet reason of an argument posed by, of course, Adolph Hitler, who really describes the situation far better than I can.  Let’s see how long it stays up. (I’m hoping they’ll keep the audio up at least.)

I’m sorry, but at least 50% of these make me laugh quite a bit. Guess I’m a sucker for a Hitler joke.

Cameron attacks Beck! Beck attacks Cameron! Kevin Smith attacks me (and every other critic in the world)!! MI:4 gets jiggy with directorial possibilities!!!! It’s auteurs gone wild!

I was honestly going to take tonight off to focus on some other stuff I need to get done but then Kevin Smith, James Cameron and, er, Glenn Beck — yes, you heard me, Glenn freaking Beck, have made that impossible.  Between the three of them, I could probably do five thousand words alone. Just let’s say there’s a whole lotta lameness going on. On the other hand, Michael Bay is actually making as much sense as Cameron these days. It’s a weird world we live in. And that’s not all,  to wit…

James Cameron
* In a massive example of what this liberal feels falls under the category of “dude, I’m not sure you’re helping,” while talking to the press, James Cameron launched into a somewhat humourous expletive filled tirade against Glenn Beck, the newest and by far the looniest resident of the Fox News asylum. Naturally, this was grist for the mill of John Nolte over at Andrew Breitbart’s frequently even more unhinged far right film blog, Big Hollywood.

Now, it would probably take me the aforementioned five thousands words to explain why the vast majority of what Nolte ordinarily writes is, I believe objectively and factually, complete horse puckey. However, here there is a definite kernel of truth in noting that Cameron’s decision to release an initially stripped down “Avatar” single disc with zero extras on Earth Day, naturally to be followed by more deluxe editions in the future, doesn’t exactly fit in with the environmentalist message of the film or Cameron’s claims to be not too terribly concerned with making scads of money. Though, to be fair, Fox — owned by Rupert Murdoch — does have something to say here as well.

Of course, Glenn Beck has responded and, watching said response, during the first half I was thinking: “Good work, James Cameron, you’ve given Glen f–king Beck a chance to look sane.” But, fortunately for my view of the universe, Beck’s need to over-dramatize, even in an attempt at humor, prevented him from looking too stable or stable at all.

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Steven Zeitchik of the oh-so-liberal (in comparison to Big Hollywood) L.A. Times provides the video and some context involving Cameron’s involvement in a 2007 documentary touching on the historical reality of the New Testament. Big Hollywood provides the same video and some very different context on the same film. I simply don’t have the time to investigate that one right now.

Three things I’m sure of, however: 1. One of these men is a gifted egomaniac; 2. the other is a former “Morning Zoo” shock jock who has found the only job on the planet requiring even less intelligence and sense of responsibility; 3. the best way to turn the public off the entire issue of the environment is for James Cameron and Glenn Beck to have a debate about it.

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Extremely late Friday night news dump

Hey folks, day time tasks have slowed me down, but who was it who said “the night was made for movie blogging”? Okay, no one said that, but we all know it’s true! Anyhow, here are some items from throughout the week I haven’t had a chance to touch on…

* This interview with director Mary Harron has been linked to by several different bloggers throughout the week. If memory serves, it may not actually be new news that Christian Bale partially based his genius-level breakthrough performance in 2000’s “American Psycho” on Tom Cruise, but it’s perhaps more intriguing now that we think we more about both actors’ quirks.

Christian Bale in "American Psycho"

* It might be inside critic/film blogger baseball to you but it’s big — and somewhat distressing — news to me. The thought provoking and just plain cool Karina Longworth, who has helped me out via the miracle of linking many times at her Spout blog home, will be leaving the site at the end of the month, which will also no longer be providing new content including the work of Christopher Campbell (I frequently link to his “The Day in Film Bloggery” posts.).

Somewhat oddly, her soon to be ex-boss attributed her departure not to fiscal issues but to a difference over “vision” for the blog. So, his “vision” was not to have one at all? Anyhow, the consensus is that the hardworking Longworth will be going places regardless.

* I strongly disliked the pilot for “Fringe” (and said so right here) and, unlike David Medsker, I outright hated “Transformers.” (I didn’t even make it through the whole movie…oh, the pleasures of not reviewing.) Then screenwriters Roberto Orci and Alex Kurtzman surprised the heck out of me by crafting a perfectly terrific script for “Star Trek,” marred only a little by director J.J. Abram’s hyperactive visual proclivities. (What’s wrong with using a tripod sometimes? Still, he got terrific performances and told a dandy tale, so I’m not complaining too much.) Anyhow, the  writers’ thoughts on the sequel are worth a look.

* Jackie Chan and Andy Lau are remaking Jet Li‘s 1981 breakthrough film, which I’m ashamed to say I’ve never even heard of before (at least not that I can remember), “Shaolin Temple.” I guess I should try to see it. Considering that Li was barely 19 back then and that Chan is now 55 (Lau’s in his forties), I trust he’s not playing the same character…or it’s been seriously rewritten.

* Disney is reportedly working on a “digital cloud,” in which content will be purchased and viewable in multiple formats. I generally get the consumer appeal of this, but I still fail to see why anyone would want to watch a movie on a cell phone. In fact, I think even the larger online version of this is way too small for this kind of beauty. (There’s a very brief Spanish language intro, by far the best version of this Disney classic I found on YouTube — the segment starts at 0:23.)

More megabucks, more superheroes, and the opposite.

The news earlier in the day was just the start. It’s been a busy Monday in Hollywood.

* Different publications are offering a slightly different ways of putting it, but a new version of Dreamworks is being launched by Steven Spielberg, who is ending his relationship with Paramount, and executive Stacey Snider. They’re doing so with the help of $825 million in financing (that’s enough for 4.85 “G.I. Joe” movies) including a big chunk from India’s Reliance Entertainment. U.S. distribution of the new Dreamworks’ films will be handled by Disney, so we guess they’re no longer competitors. (Remember those pokes at Disney in “Shrek”?)

Everyone’s reporting on this but the most lucid version is being offered by Anne Thompson, even if I’d need a glossary to fully understand phrases like “J.P. Morgan’s syndication of approximately $325 million of senior debt”…something about a fancy way of retiring old debt? I’m going to have to work on that. Carl DiOrio also offers a fairly readable version.

* Speaking of Dreamworks, Brad Pitt is stepping in for a mysteriously departing Robert Downey, Jr. in the animated superhero/supervillian comedy “Oobermind.” I say mysterious because, as the Hitfix staff points out, the reason cited for Downey’s departure is a scheduling conflict, which is odd as it’s usually not very hard to reschedule someone for a solo taping session. It’s not like he would have had to spend six weeks on location in the Sahara dessert.

Brad Pitt’s comedic side has been seriously underutilized, but maybe not after what I take it is a fairly off-kilter and funny performance in “Inglourious Basterds.” (Lee Marvin was also kind of hilarious in “The Dirty Dozen,” come to think of it.) The cast of “Oobermind” will also include the suddenly-in-everything Jonah Hill and Tina Fey.

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