Category: TV (Page 217 of 595)

Blu Tuesday: A Bug’s Life, Batman and Terminator 2

The wealth of Blu-ray titles being released this week is actually pretty incredible (in fact, most of the month has yielded a nice selection for HD enthusiasts), but you’d be wise to get in on the fun now, because the future is looking pretty dim – at least in the short term. Nevertheless, there are plenty A-list titles to last you through the upcoming drought, and most of them are good enough to warrant headlining their own column.

“A Bug’s Life” (Walt Disney)

It may not be one of Pixar’s most popular films (in fact, it’s curiously missing from just about every marketing campaign of the last decade), but “A Bug’s Life” is still a solid entry in the studio’s 14-year history. A clever reimagining of Akira Kurosawa’s “Seven Samurai,” the film features all of the usual Pixar trappings (humor, heart and charm), not to mention an awesome voice cast including the scene-stealing Kevin Spacey and Richard Kind as the villainous grasshopper and his dim-witted brother, respectively. Oh, and that cute little girl providing the voice of Dot? It’s none other than “Heroes” hottie Hayden Panettiere in one of her very first film roles. What’s ultimately so great about the new 10th anniversary Blu-ray release, however, is that it not only includes the previously released bonus material, but two brand new special features as well. The first is a 21-minute roundtable discussion with co-directors John Lasseter and Andrew Stanton and producers Darla K. Anderson and Kevin Reher where they reflect on the making of “A Bug’s Life” with stories about pitching the idea to Disney and screening the film for President Clinton at Camp David, while “A Bug’s Life: The First Draft” offers a never-before-seen look at the film’s original concept starring a completely different main character. It’s exactly the kind of fan service moviegoers don’t see enough of these days, but when it comes to a company like Pixar, you shouldn’t expect any less.

“Batman” (Warner Bros.)

It’s hard to imagine anyone that wanted a copy of “Batman” on Blu-ray didn’t pick up the anthology box set collecting the first four films when it was released a few months ago, but those holding out strictly for the Tim Burton original will be pleased with Warner’s new digibook release. Though the 1989 film doesn’t quite hold up when compared to Christopher Nolan’s reboot of the franchise, it’s still a solid entry in the history of comic book films that, if nothing else, offers a great performance from Jack Nicholson as a more classic version of the Joker. The set is also jam-packed with all of the special features from the 2005 DVD reissues including a director commentary, an in-depth look at the history of Batman, and hours of production featurettes about the making of the film. The digibook release also features slick packaging with a 48-page booklet filled with essays and a script excerpt, as well as a digital copy for those on the go.

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ABC: The Fall Schedule

And Upfronts Week rolls on, with the American Broadcasting Company offering up their slate for the new season. Sadly, as Mr. Paulsen revealed yesterday, “Samantha Who?” will not be returning for Season 3 (and that rather depresses me, as I quite liked the show), but on the up side, “Better Off Ted” did score another season. Woo-hoo! You can view the network’s fall schedule below, along with info on the new shows and details on what to expect come the mid-season.

Monday:

8:00 PM – Dancing with the Stars
10:00 PM – Castle

Tuesday:

8:00 PM – Shark Tank

From Mark Burnett, executive producer of “Survivor” and “The Apprentice,” and Sony Pictures Television comes “Shark Tank,” an exciting new reality show that gives budding entrepreneurs the chance to make their dreams come true and become successful – and possibly wealthy – business people. But the entrepreneurs must first try to convince five tough, multi-millionaire tycoons to part with their own hard-earned cash and give them the funding they need to jumpstart their ideas.

9:00 PM – Dancing with the Stars Results Show

10:00 PM – The Forgotten

From executive producer Jerry Bruckheimer comes a crime show in which a team of dedicated amateurs work on cases involving unidentified victims. After the police have given up, this group must first solve the puzzle of the victim’s identity in order to then help catch the killer. They work to give the deceased back their names, lest they become — The Forgotten. Stars Rupert Penry-Jones as Alex, Reiko Aylesworth as Linda, Michelle Borth as Candace, Bob Stephenson as Walter, Anthony Carrigan as Tyler and Rochelle Aytes as Detective Grace Russell.

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24 7.23-24: Make decisions that you can live with

Man, I saw more trailers for upcoming movies in tonight’s season finale of “24” than I did during the Super Bowl. Seriously, weren’t there ads for seven or eight movies? And do you know how many I stopped fast-forwarding through the commercials to watch? One: “Public Enemies.” Just sayin’, it does not look like a promising summer at the googoplex.

Maybe it’s just me, but I liked the second hour of tonight’s show more than the first one, which is odd, because they usually wait until the final minutes before fucking everything up. Remember the oil rig? The secret recording of President Logan? The last time the final seconds of “24” were truly nerve-wracking was when Jack hacked off Chase’s arm. (The best endings, of course, were the death of Teri Bauer and the poisoning of David Palmer by Mandy the bisexual assassin.) Tonight’s ending didn’t pack that kind of punch, but I like that they left us to wonder what Jacqueline Bauer did to Alan Wilson in the interrogation room (too late to give him a nickname, though I lean toward Coach Yoast, his character from “Remember the Titans”), and even having Jack end the season in a coma. Yes, we all know that he will be back for an eighth day, but perhaps Kim will die from complications while donating the stem cells that ultimately save his life. Hey, a guy can dream.

Having said that, Kim did not spend these two hours playing the damsel in distress, and in fact performed very admirably under the circumstances. She stabbed the girl in the leg and gave the cops a clean shot at her, and she saved the laptop that led the Feds to the location of Jack and Tony (more on that in a minute). No bear traps or Kwik-E-Mart holdups for our little Kimmy! Wow, maybe she isn’t as helpless as I made her out to be, but that’s no excuse for recycling a plot thread from the show’s first season, when Jack had to shoot Senator Palmer in order to save Kim and Teri. Silly, silly, silly, and that is the only reason I want her to go away. She brings out the worst in the writers.

As for that first hour…

Man oh man, I can’t tell you how many times I either laughed out loud or said, “You’ve gotta be kidding me.” Jack is doing the bidding of Mystery Girl (real name Cara) against his will, and tells Jackie that they’re threatening to kill Kim if he doesn’t cooperate. Seconds later, he tells Cara that he’s awaiting her next instruction…and she gives it to him, without a word of protest. I’m shouting, “Didn’t she just hear what he told them?” Those words should automatically trigger Kim’s death, yes? The only way around this that I see is that Cara would never actually have Kim killed before getting Tony, so it was an empty threat. Which is smart, because if Jack thinks that Kim’s dead, he kills Tony, then he kills Cara, then he hunts down every relative of Cara’s and kills them, their loved ones, their loved one’s neighbords, and their pets. Hell, Jack had a clean shot at her from inside the paddy wagon. He could have just killed her right there. I’m frankly surprised he didn’t.

“So what’s it like being the second-hottest woman on this show?” “That’s funny, I was about to ask you the same thing.”

And speaking of Jack taking shots, dude had pretty good aim when he shot Tony in the hand. This despite the fact that he’s suffering from a biological agent that attacks the nervous system. Funny how composed Jack could be when the moment called for it, and vice versa.

Then comes Tony’s big push to meet Alan Wilson. Ho, ho, and indeed ho, as our colleague Will Harris would say. Just like that, his motives became so transparent. He wants to take the big guy out! Could he be on the side of good after all? Well, no, as it turns out, but as retrofitted motives go, it could have been worse, especially when we discovered that…Michelle was pregnant when she was killed. Holy shit. As a father of two, I have to say that I would have elaborate revenge fantasies as well, had I been in his shoes. Kill my wife, and you only, only, have hell to pay. Kill my wife and son, well, you’re gonna wish the Devil was looking for you instead. I feel for you, Tony, I really do. But I still want to kick your ass for killing Dudley Do-Right.

Now back to that raid on the bad guy lair: Tony is about to hatch his evil scheme to blow up Jack and Alan Wilson with a bunch of C4, when the FBI not only finds them – last I remember, Chloe and Janis were still trying to crack the encryption on Bad Actor’s laptop – but they’re actually able to sneak up on them…by helicopter? Aren’t those things audible from a mile away? Classic moviemaking technique, that. If you don’t see it, then you can’t hear it. I also loved Jacqueline’s side saddle bit on the SUV, followed with the jump and roll. I’d love to see the real-life version of that. Jackie: Pew pew! Bad guys: Pip pip pip pip pip! Jackie: Dead.

But in the end, I’m not sure that anyone found themselves in a more difficult position than Madame President herself. After Kanin checkmated Hillary Clinton with the whole memory chip thing (which we all saw coming), I was surprised that Hillary actually showed genuine remorse and human emotion when confessing everything to her parents. I even felt a little sorry for her, which is something I never thought I’d say a week ago. But thank God that Hillary’s teary confession wasn’t enough to sway Madame Prez from doing the right thing and sending her sorry excuse for a daughter to the slammer. When she walked away from the First Man at the end, I was half-expecting her to have the First Dude escorted from the premises. After all, it’s not as though her marriage is going to survive a decision like that. On an unrelated note, I hope they bring Secret Service Agent Tim Woods back for another season. Not sure how you write him in, but he seems to be playing for the right team.

My hopes are not high that we will see our beloved Jacqueline Bauer again – odds are, she’s getting 20 years in the hole for whatever she was about to do to Wilson – and that makes me sad. I quite liked her character, and she can do Hell-hath-no-fury scorn like no other. Tony, of course, is still alive, but he may as well be dead since he’s just pissed all over the carcass of the Good Tony Almeida that we thought was killed years ago. I hated seeing them bring him back like this. Good people do bad things, yes, but they are still good at their core. I might be capable of committing unspeakable acts against anyone responsible for harming my family, but I wouldn’t kill half a dozen FBI agents to get to that person. I don’t know, maybe I’m just not hardcore enough. I can live with that, I guess.

So there you have it, another 24 hours of our lives, gone. I’m not sure if this show is ever going to give me what I want. Does it sound morbid to want more death and destruction? I don’t have bloodlust; I just want a show that doesn’t cry ‘Wolf!’ nine times out of ten. I think that all serial writers, the “24” writers in particular, should take a good long look at “The Dark Knight,” and how they mercilessly ratcheted up the tension until the very end, and none of it felt like a bluff or a false promise. There is a reason that movie made half a billion dollars at the box office, you know.

It is now three in the morning, and I have to take my son to day care in five hours. Time to head to bed. Thanks to all you wonderful 24-philes for reading my column, and I’ll see you all in seven months.

TV Roundup: “Terminator: TSCC” canceled, “Scrubs” and “Chuck” news, and much more

– Fox released it’s fall schedule. “Dollhouse” was renewed and “Terminator: The Sarah Connor Chronicles” wasn’t. President Kevin Reilly said it wasn’t an either/or situation, but that the bet on “Dollhouse” was a bet on its producer Joss Whedon. I want to hear from people who watched both shows — was “Dollhouse” better? Because “Terminator: TSCC” was damn good down the stretch. (On a side note, how long do you think it will take Summer Glau to find another role? Hint: Not long.)

– Fox prez Kevin Reilly is apparently a big fan of Tyler Labine (who plays Sock on “Reaper”). Labine is set to star in the comedy “Sons of Tuscon,” which debuts in January. Clearly, this is not good news for “Reaper” fans.

– Ponderously, ABC renewed “Scrubs,” which only plans to have Zach Braff for six episodes. What’s the point?

– NBC renewed “Chuck” for 13 episodes, but it came at a price. There were significant budget concessions, so fans might notice that parts of the supporting cast may disappear at times. I stopped watching early in the season because it was getting kind of silly (and that whole Chuck/Sarah dance was getting tiresome) — did it get significantly better down the stretch?

– According to creator Noah Hawley’s Twitter page, “The Unusuals” won’t be back for another season. However, CBS did renew “Cold Case” for another season.

– Fox has renewed “Bones” for not one, but two years, according to Variety.

– CBS picked up a Chris O’Donnell-led spinoff of “NCIS” which is going to “focus on undercover ops instead of forensics.” Wait, wasn’t that the premise of “The Unit”?

– If no one watches “Samantha Who?” and it gets canceled, does it make a sound? Juuuuust kidding. (Not about it being canceled.)

– “The Office” creators (and I’m talking about the original UK version), Ricky Gervais and Stephen Merchant, inked a deal with HBO to produce an animated comedy based on their podcast about their unusual friend, Karl Pilkington, whom they seem to think is the most fascinating man in the world. (And coming from those two, that’s high praise.)

Dallas – The Complete Eleventh Season

With each new “Dallas” release, I expect the show to finally start sucking, and this was the first set where it seemed like that might actually be the case. Picking up (as soaps are wont to do) where we left off, Pam has been burnt to a crisp in a fiery explosion, because Victoria Principal wanted off the show. But Pam lives – bandaged up and looking an awful lot like Karloff’s Mummy, inert in a hospital bed. Why not just kill her, fer chrissakes? Apparently, after the dream season fiasco, the producers were simply not going to kill off a major player for good, and the first third of the season revolves around this nonsense. Will she live or won’t she? What will she look like beneath the bandages? Will Bobby ever let little Christopher see his mummy again? Is it possible Victoria isn’t gone after all? The first ten or so episodes of the thirty presented here are some of the silliest “Dallas” I’ve ever seen. (Even the producers seem to think it’s all a joke – one of the episodes is actually titled “Mummy’s Revenge.”)

Alongside the Pam drama, the show also presents a lengthy plotline involving Cliff Barnes (Ken Kercheval) meeting an old drunk named Dandy (Bert Remsen) who reminds him of his father, Digger. This tediously goes on and on and on, until it reaches a logical conclusion, which in turn leads to a scene between Barnes and Miss Ellie (Barbara Bel Geddes) that’s one of the most pivotal, moving scenes in the entire series. No, it doesn’t justify hours of watching Cliff hanging with an old drunk, but it does make some sense of it all. It’s somewhere around this point that the season gets back on track and turns into some pretty decent “Dallas.”

Also at the end of Season 10, J.R. (Larry Hagman) lost Ewing Oil completely, thanks to the government and Jeremy Wendell (William Smithers), the head of Westar. He spends all of Season 11 deviously plotting to get it back, and it’s a major highlight to watch this unfold, one sleazy step at a time. There doesn’t seem to be anything J.R. won’t do, or anyone he won’t trample, in order to get his daddy’s company back. As is usually the case, J.R.’s antics keep the series centered, regardless of how numbing some of the proceedings may be. At the same time, Sue Ellen (Linda Gray) is busy furthering her lingerie company with the help of high-powered business consultant Nicholas Pearce (Jack Scalia). For the first half of the season, Pearce is one of the most grating, annoying characters ever seen on this series…and then he suddenly becomes hugely likable, with a pretty damn interesting backstory as well. It’s one of the coolest “Dallas” flip-flops I’ve ever experienced.

In other news, Bobby (Patrick Duffy) finds potential love – not once but twice – after losing Pam, as well as going after something J.R. covets dearly. Clayton (Howard Keel) falls in love with a painting, and Bel Geddes gets to play a ridiculous drunk scene that must be seen to be believed. Ray (Steve Kanaly) and Jenna (Priscilla Presley) finally tie the knot, which leads to endless problems for the couple, including Charlie (Shalane McCall) acting up at school and messing around with a boy – but not just any boy. No, the object of Charlie’s teenage lust in no less than Brad Pitt! He’s got maybe one scene in each of four episodes, and has very little to do, but nevertheless it’s freakin’ Brad Pitt, some 20 years before he became an Inglourious Basterd.

And just in case anyone might think the show is becoming less and less “Dallas” with each passing season, in the penultimate episode, “Things Ain’t Goin’ So Good at Southfork Again,” Lucy (Charlene Tilton) returns to the fold after a three season absence. And she is lookin’ mighty fine.

Click to buy “Dallas: The Complete Eleventh Season”

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