Category: TV Dramas (Page 80 of 235)

Land of the Lost – Season Three: Enik the Dick

The third and final season of “Land of the Lost” is often considered the ugly, misshapen, redheaded bastard stepchild of the series. Indeed, if the 13 episodes of which it consists were the only “Land of the Lost” ever created, the show would have been long since forgotten. But it’s worth mentioning that the initial impetus for doing this three part retrospective came from the desire to come to the defense of Season Three, and try to give a little bit of respect to the episodes that are routinely shunned even by the people who display their love of this show as a badge of honor.

Season Three again saw shifts in the production team, and even more noticeably, in front of the camera. As I understand it, Spencer Milligan couldn’t reach an amicable contract agreement and so he abruptly left the show. With his departure came new lyrics for the opening credits:

Will and Holly Marshall
As the earth beneath them trembled
Lost their father through the door of time
Uncle Jack went searching
And found those kids at last
Looking for a way to escape
From the Land of the Lost

Uncle Jack replaced Ranger Rick, and he was played by Ron Harper, best known to genre fans as astronaut Alan Virdon in the TV series incarnation of “Planet of the Apes.” He was a true uncle, rather than a father – instead of being preachy and bestowing wisdom, he was more often than not a man of action; a guy trying to get things done. I like Ron Harper, and if there’s a reason I’ve got some love for Season Three, much of it’s due to his presence. Would Spencer Milligan’s Rick have been as believable in many of these situations? Likely not. He’d accrued too much info during his time in the Land for these stories to work. In contrast, Uncle Jack was experiencing this madness through fresh eyes, and so he was more accepting.

Behind the scenes, Jon Kubichan and Sam Roeca took over as producer and story editor respectively, and between the two of them, they scripted the majority of the season. Their vision of the series was quite the departure from the two seasons that came before. Nearly everything – including the iconic elements such as the Sleestak, the Pakuni and the ubiquitous dinosaurs – got a major overhaul.

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Please, won’t you lend a television critic a hand?

The Television Critics Association has officially begun the gearing-up process for its 25th annual awards, which will honor the finest work of the 2008-09 season as selected by the association’s 200-plus member critics and journalists. One of those members is yours truly, and I figured I’d see what the readers of Premium Hollywood had to say about the nominations and who they’d like to see win the various categories. I’ll have to submit my votes by June 10th, but since the winners won’t be announced until August 1st (the ceremony takes place at The Langham Huntington Hotel and Spa in Pasadena, CA, with Chelsea Handler opening the ceremony), so speak up quickly. There are a couple of things I’m on the fence about, and I’d be interested to hear your thoughts before I make my final selections.

PROGRAM OF THE YEAR

* “Battlestar Galactica” (SciFi Channel)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT IN COMEDY

* “30 Rock” (NBC)
* “The Big Bang Theory” (CBS)
* “The Daily Show” (Comedy Central)
* “How I Met Your Mother” (CBS)
* “The Office” (NBC)

OUTSTANDING ACHIEVEMENT IN DRAMA

* “Breaking Bad” (AMC)
* “Friday Night Lights” (NBC/DirecTV)
* “Lost” (ABC)
* “Mad Men” (AMC)
* “The Shield” (FX)

OUTSTANDING ACHIEVEMENT MOVIES, MINI-SERIES AND SPECIALS

* Summer Olympic Coverage (NBC)
* “24: Redemption” (Fox)
* “Generation Kill” (HBO)
* “Grey Gardens” (HBO)
* “Taking Chance” (HBO)

OUTSTANDING NEW PROGRAM OF THE YEAR

“Fringe” (Fox)
“The Mentalist” (CBS)
“No. 1 Ladies’ Detective Agency” (HBO)
“True Blood” (HBO)
“United States of Tara” (Showtime)

INDIVIDUAL ACHIEVEMENT IN COMEDY

* Alec Baldwin (“30 Rock”)
* Steve Carell (“The Office”)
* Tina Fey (“30 Rock”)
* Neil Patrick Harris (“How I Met Your Mother”)
* Jim Parsons (“The Big Bang Theory”)

INDIVIDUAL ACHIEVEMENT IN DRAMA

* Glenn Close (“Damages”)
* Bryan Cranston (“Breaking Bad”)
* Walton Goggins (“The Shield”)
* Jon Hamm (“Mad Men”)
* Hugh Laurie (“House”)

OUTSTANDING ACHIEVEMENT IN CHILDREN’S PROGRAMMING

* “Camp Rock” (The Disney Channel)
* “The Electric Company” (PBS)
* “Nick News” (Nickelodeon)
* “Sid the Science Kid” (PBS)
* “Yo Gabba Gabba” (Nickelodeon)

OUTSTANDING ACHIEVEMENT IN NEWS & INFORMATION

* “60 Minutes” (CBS)
* “The Alzheimer’s Project” (HBO)
* “Frontline” (PBS)
* “The Rachel Maddow Show” (MSNBC)
* “We Shall Remain” (PBS)

HERITAGE AWARD

* “ER” (NBC)
* “M*A*S*H” (CBS)
* “Saturday Night Live” (NBC)
* “The Shield” (FX)
* “Star Trek” (NBC)

Land of the Lost – Season Two: “Mysterious Forces”

Before jumping into Season Two, allow me to discuss the “Land of the Lost” movie for a bit. As you might glean, I’m a pretty hardcore fan of this show. Yes, believe it or not, we do exist; “Land of the Lost” has a small, but fervent cult following. The last thing fans of this series ever wanted to see was a comedy send-up of the premise. No, most fans had minor dreams of someday seeing a big-budget, sci-fi movie created by people that took the concept as seriously as David Gerrold did back in the day. But, alas, that did not happen, and instead we’re getting a movie that’s likely closer in tone to some of the other Krofft properties, rather than the one it’s actually based on.

All that said, any amount of money that can be made by this movie must be positive for “Land of the Lost” as a brand name, and if the movie does well, you never know what the future might hold. Personally, I’d like to see the movie do so well that somebody decides to greenlight a new version of the series for Sci Fi, which would be the obvious network for it to end up on (indeed, Sci Fi has even been running “Land of the Lost” marathons as of late). I mean, really, how many steps away from “Primeval” – an enormous success for ITV in England, as well as here in the States on BBC America – is a serious version of this concept? So if you’re a fan of the series, don’t be so quick to skip the movie, simply because it isn’t what you envisioned. Grab some friends and a few beers and head out to the movie theatre this weekend, because the future of “Land of the Lost” probably rests in the obnoxious antics of Will Ferrell. (That is, admittedly, a sentence I never in my life thought I’d have to type.)

Now back to your regularly scheduled breakdown of Season Two of “Land of the Lost…”

David Gerrold left the series after the first season, and so a new story editor was hired in the form of Dick Morgan, who’d written such Season One offerings as “Album” and “Follow That Dinosaur.” Clearly Morgan had a lot of respect for what Gerrold had laid down, but it seems that he perhaps didn’t have a big vision of his own. (In all fairness, this is an unfair supposition on my part; as with any TV show there are many fingers in the pie, and who’s to say who’s to blame?) Part of the problem with Season Two is that it frequently tries to expand on ideas from the first season, often without success. This isn’t to say that the season isn’t any good; in fact, you’ve got to be a bit obsessive about the show in order to notice a big difference from the first season…but, then again, that’s why I’m here sharing my insights with anyone who cares to listen.

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A Chat with “Harper’s Island” Victim #8

See, I told you this week’s victim interview would be posted in a timely fashion.

If you’ve been watching “Harper’s Island” all along, then this was probably the least surprising death of the series to date. It’s not that you necessarily saw it coming this week, per se; it’s simply that, due to an event in an earlier episode, you sensed that the character had been living on borrowed time, anyway. And while I don’t want to say that I’d actually been rooting for that time to run out, I have to admit that this was an interview I’d been looking forward to, due to the other credits found within this person’s IMDb listing…one of which will be returning to the airwaves next month.

Oh, but I’ve said too much. Let’s move onward before I give away anything else…

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Really? This is how they’re going to end “Reaper”? Ugh.

** SPOILER ALERT **

“Reaper” fans have known for several weeks now that the show probably wasn’t going to return in the fall, but we kept watching in the hopes that the series would at least wrap up with some sense of closure.

“Reaper” has been pretty good this season though with the late premiere date it was obvious that it was on the cutting block. Let’s just hope that [Michele] Fazekas and [Tara] Butters can wrap up the series properly instead of letting “Reaper” simply go dark. No one wants that.

Denied.

For most of the season/series finale, “The Devil & Sam Oliver,” it looked like we might get some sort of a satisfying ending. Sam had discovered a way to get out of his deal with the Devil and had picked a contest — “Quarters” — that would give him a legitimate shot of succeeding. (No pun intended.) Even when Steve showed up and broke his right hand, I still held out hope that he’d manage to beat the Devil with his left hand.

Nope.

Instead, with the souls of both Sam and now Andi owned by the Devil, we are treated to a scene of Steve (sort of) explaining that his orders came from “up above.” He shows off his wings and joins a bunch of other angels in the night sky. Cut to Sam and Andi looking up in wonderment. Fade to black.

WTF?

This should be filed under “How Not to Handle a Finale.” The series was on the chopping block for the last couple of months, and even if producers Michele Fazekas and Tara Butters wrapped up production a while ago, they (or the network) should have had the foresight to shoot an alternate ending or two to give them the option of going in another direction if the show were canceled.

How hard would it have been to shoot a scene of Sam knocking a couple of quarters in with his left hand? Or what about cutting the scene where Steve breaks his hand and have the Devil figure out to cover his eyes after the first miss and force Sam to make all five shots with his right hand? Sam gets his soul back, Andi is safe and the series can end with some sense of closure.

Instead, the series is sent spinning off into another direction, and we’ll never really know how how the story of Sam, Andi, Sock, Ben and the Devil really ends. If we had some closure, I might recommend that my friends watch the show on DVD. But why would I subject them to this painful ending?

Shame on the CW for not insisting that multiple endings be shot. Shame on Butters and Fazekas for the same thing, and for jumping ship even before the fate of “Reaper” was sealed. This finale is a slap in the face of all the fans who stuck with the show for its entire run. Say what you will about ABC’s decision to cancel “Life On Mars,” at least the network and the producers were on the same page in that both sides wanted to give the series an appropriate ending.

More commentary on the “Reaper” finale:

Hitflix
The Star Ledger

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