Category: Sci-Fi Movies (Page 71 of 93)

Possibly the most lax “movie moment,” ever (Updated)

[UPDATE: As I wrote this, I somehow mistook a nearly 2.5 year old post for one written yesterday morning. I guess I was more punchy than I ever realized….a lax post, indeed!]

So, yesterday one morning in April of 2007, Will Harris wrote about this rather relaxed “WKRP in Cincinnatifan blog — so much so the writer forgot about the release of the second season DVD until it had been out for two days. Actually, though, I can relate. For one thing, it’s hard to get excited about a DVD where they couldn’t even get musical clearance for a few notes of “Fly Me to the Moon” to preserve one of the show’s signature gags. And I, too, have let certain of my fandoms slide over the years.

There were other aspects of the blog Will mentioned, however, including a seemingly random discussion of the relative cuteness/hotness of “girl next door” characters, radio producer Baily Quarters (Jan Smithers) and Kaylee (Jewel Staite), the adorable, sex-positive space-freighter engineer on the entirely unrelated space opera, “Firefly,” and then in its movie continuation, “Serenity.” As I wrote in comments, it’s a tough call for me — both Bailey and Kaylee (both names end in “e” sounds!) are entirely my “type.” On the other hand, there was never a “WKRP” movie, so that leaves only one choice in terms of clips.

I’m feeling pretty lax myself right now. Here’s tonight’s movie moment. All ten seconds of it.

Renew! Renew!

No, I’m not reminding you about your subscription to Better Homes and Gardens but merely suggesting that you check out Glenn Kenny‘s amusing post today about “Logan’s Run,” Jenny Agutter, and a certain key moment in the lives of young males in the days of a more forgiving MPAA. And, though I still a bit punchy after my epic look at the Scream Awards yesterday (which I’m still correcting punctuation errors and typos in), there is movie news to recount as second, third and fourth lives for news stories seem to be the theme of the day.

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* SettingĀ  a movie going record shouldn’t be too hard to pull off if you’re one of the world’s most famous, talented, and bizarrely controversial pop stars and the memory of your unexpected death is still fresh in everyone’s mind. It’s even easier if you open your movie on a Tuesday. However, it sure seems that critics and audiences mostly agree that “This is It” delivers the goods and that the Jackson shows really would have been remarkable. Given all that, I think we can agree that yesterday’s $2.2. million is only the beginning.

I also want to direct your attention to Roger Ebert’s extremely positive review in which he wonders aloud about Jackson’s ability to perform on an extremely high level while apparently shot full of drugs. Frequent readers of Ebert will have long sensed that addiction is a topic he has some first-hand experience with (he confirmed it recently when he came out as a recovering alcoholic), so this is an especially poignant read.

* I meant to post this on Monday, but Joe Mozingo of the L.A. Times put together a pretty excellent run-down on the entire Roman Polanski debacle. I have some relatively minor differences with certain aspects of the article, but on the whole this is the best round-up of the actual information on the case that I’ve read and is appropriately tough and factual. One interesting fact that I’d actually forgotten in all this: the victim herself has said on television of the crime that “It wasn’t a rape.” You can speculate on her reasons for saying that, but perhaps people should have been a bit less hysterical in their criticism of Whoopi Goldberg over her notorious statement. You’d think she’d committed “rape-rape,” when a certain amount of confusion about this case is actually pretty natural. My single favorite word in this piece: “alleged.”

* Another story that keeps renewing, Variety gives us the upside of ten Best Picture nominees and a second life for lesser known classic era Univerasl horror flicks too. Very nice.

* Anne Thompson argues for a second chance and a “serious release” for “Bad Lieutenant: Port of Call New Orleans.” I’m not a fan of the original movie, but she makes Werner Herzog’s more humorous take sound infinitely preferable to the rather pretentious original by Abel Ferrara.

* Speaking of second chances, the inspired comedy of “Black Dynamite” is in bad, bad trouble. It’s not just the man keeping it down, it’s sheer ignorance. See the damn movie, folks. In any case, if you wait much longer, you might not get to see it in a theater at all. That would straight up suck. And remember, we all deserve a second chance.

I’m still not sure what a kid from Hawaii was doing in South Central that fateful night, but you get the point.

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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Chills win as the “Paranormal” phenomenon grows

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It was a weekend of surprises at the box office. The most pleasant for those of us who prefer a chill up the spine to a gag reflex was the outstanding performance of “Paranormal Activity,” which handily defeated the dismemberment sweepstakes of “Saw VI” despite being in over a thousand fewer theaters than its horrific competitor.

As documented by Carl DiOrio of The Hollywood Reporter and the bean counters of Box Office Mojo, Paramount’s extremely wise ultra-ultra-ultra-low-budget paranormal pick-up earned an estimated $22 million as it expanded to 1,945 screens this week with a outstanding per screen average of $11,321. That’s compared to an estimated $14.8 million for the latest “Saw” entry (two more are still scheduled, including the inevitable 3-D installment) with a per screen average of $4,875, less than half of its spooky competitor.

The irony in all this is that, now that critics have had to paid their shekels to see the unscreened “Saw VI,” not only has it gotten better reviews than the last few entries — which is, of course, not the same thing as getting good reviews — it turns out to have at least an attempt at political content with a plot that involves both the sub-prime mortgage and health care debacles.

Seems to me that Lions Gate really had nothing to lose by screening this for critics and the political angle might have generated a bit more interest. “‘Sicko‘ for real sickos! ‘Capitalism: A Hate Story’! says Geekboy Moonraker of ‘Ain’t it Bloody Disgusting'” might have at least captured a bit more attention. Though, reading Owen Gleiberman‘s highly negative review, it’s interesting to note that both “Zombieland” and “Saw VI” do call attention to our nation’s obesity epidemic.

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Extremely late Friday night news dump

Hey folks, day time tasks have slowed me down, but who was it who said “the night was made for movie blogging”? Okay, no one said that, but we all know it’s true! Anyhow, here are some items from throughout the week I haven’t had a chance to touch on…

* This interview with director Mary Harron has been linked to by several different bloggers throughout the week. If memory serves, it may not actually be new news that Christian Bale partially based his genius-level breakthrough performance in 2000’s “American Psycho” on Tom Cruise, but it’s perhaps more intriguing now that we think we more about both actors’ quirks.

Christian Bale in "American Psycho"

* It might be inside critic/film blogger baseball to you but it’s big — and somewhat distressing — news to me. The thought provoking and just plain cool Karina Longworth, who has helped me out via the miracle of linking many times at her Spout blog home, will be leaving the site at the end of the month, which will also no longer be providing new content including the work of Christopher Campbell (I frequently link to his “The Day in Film Bloggery” posts.).

Somewhat oddly, her soon to be ex-boss attributed her departure not to fiscal issues but to a difference over “vision” for the blog. So, his “vision” was not to have one at all? Anyhow, the consensus is that the hardworking Longworth will be going places regardless.

* I strongly disliked the pilot for “Fringe” (and said so right here) and, unlike David Medsker, I outright hated “Transformers.” (I didn’t even make it through the whole movie…oh, the pleasures of not reviewing.) Then screenwriters Roberto Orci and Alex Kurtzman surprised the heck out of me by crafting a perfectly terrific script for “Star Trek,” marred only a little by director J.J. Abram’s hyperactive visual proclivities. (What’s wrong with using a tripod sometimes? Still, he got terrific performances and told a dandy tale, so I’m not complaining too much.) Anyhow, theĀ  writers’ thoughts on the sequel are worth a look.

* Jackie Chan and Andy Lau are remaking Jet Li‘s 1981 breakthrough film, which I’m ashamed to say I’ve never even heard of before (at least not that I can remember), “Shaolin Temple.” I guess I should try to see it. Considering that Li was barely 19 back then and that Chan is now 55 (Lau’s in his forties), I trust he’s not playing the same character…or it’s been seriously rewritten.

* Disney is reportedly working on a “digital cloud,” in which content will be purchased and viewable in multiple formats. I generally get the consumer appeal of this, but I still fail to see why anyone would want to watch a movie on a cell phone. In fact, I think even the larger online version of this is way too small for this kind of beauty. (There’s a very brief Spanish language intro, by far the best version of this Disney classic I found on YouTube — the segment starts at 0:23.)

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