Category: News (Page 28 of 401)

Don’t let TBS’s “Glory Daze” pass you by

When it comes to TBS’s original programming, I was never afraid to indicate my disappointment with the way the network perpetually left the late, great “My Boys” floundering on their schedule without any other series that matched its comedic tone, and having watched the pilot for their new series, “Glory Daze,” an hour-long comedy which looks at life in college circa 1986, I have an immediate fear that I could well see history repeat itself…and that would be very disappointing, indeed.

Not that it’s necessarily the most original concept in the world, you understand. Even if you were to set aside the not-insignificant number of college-life movies that exist, from “Animal House” and “Back to School” to “Van Wilder” and “Old School,” you’d still have several top-notch TV series which have tackled the same topic, including “Greek,” “Undeclared,” and…wait, “The Paper Chase”? Who put that in here?

Well, anyway, you get my point: “Glory Daze” is not the first show about college to come down the pike…and, yet, I was immediately intrigued by the twist of having the show take place in 1986. I admit, the predominant reason it intrigues me is because I actually started college in the fall of ’87 (although if I find out that at least half of the writing isn’t over the age of 40, I shall disassociate myself from the program post-haste). That, and the fact that I heard “Make a Circuit with Me” by the Polecats played during the pilot, which earned the show some serious street-cred points.

Here’s what TBS’s press release on the show has to say:

Big hair, New Wave music and acid-wash jeans – TBS is returning to 1986 fo the new, one-hour comedy series “Glory Daze.” Set on an Indiana college campus, “Glory Daze” features a cast fresh faces, including Kelly Blatz (“Aaron Stone”), Callard Harris (“Sons of Anarchy”), Matt Bush (“High School”), Drew Seeley (“Freshman Father”), Hartley Sawyer (“Killian”), and Julianna Guill (“My Alibi”). Tim Meadows (“Saturday Night Live,” “Mean Girls”) also stars as a recently divorced, very liberal professor with a chip on his shoulder.

“Glory Days” premieres on TBS Tuesday, November 16, at 10 PM (EST / PST). “Glory Days” follows the fun – and awkward – misadventures of four freshmen as they navigate college life, trying to figure out who they are and who they want to be. Joel (Blatz) is a typical guy next door who is determined to keep his focus on pre-med, at least until he meets his unattainable dream girl, Christie (Guill). Eli (Bush) is a virgin who desperately wants to be cool. Jason (Seeley) is a buttoned-down conservative, attached at the hip to his preppy girlfriend. Brian (Sawyer) is a star baseball player strugglign to get out of his father’s shadow. Together, the guys agree to check out fraternity houses, finally coming to the steps of Omega Sigma, where they are greeted by pledge recruiter Reno (Harris). Intrigued by the fraternity’s cool factor, their fate is sealed. They begin a journey that will make a lifetime of memories.

Yeah, I have a bad feeling that the show could well slip into the trap of making too many jokes about things that haven’t yet happened – there’s already been a moment where two students make disparaging comments about the concept of “electronic mail” – but having just suffered through the excruciating experience of watching “Blue Mountain State: Season One,” I am hard pressed to dismiss any college show which appears to be more interested in focusing on the bonds of friendship rather than sex, drugs, and binge drinking.

Not that there won’t be plenty of all of those things going on in “Glory Daze,” too. I mean, hell, it is a show about college.

And speaking of that, now it’s your turn to participate: what are some of your own favorite college memories? Leave ’em in the comments section below…and, remember, you get bonus points if the memories in question originally took place between the years 1986 and 1991!

A Roundtable Chat with the Cast and Director of “Saw 3D”

In 2003, director James Wan and screenwriter Lee Whannell put together a short film featuring a man with a rusty metal “reverse beartrap” on his head and a creepy-looking puppet in hopes that someone would take a chance on this film script they’d written.

Someone did.

Eight years later, the “Saw” franchise is reportedly coming to a close, and although the history of the horror genre – specifically, the fourth “Friday the 13th” film – has taught us that no chapter is ever truly final, they’re at least trying to make us think they’re going out with a bang, eschewing a straightforward “Saw VII” and instead offering fans an additional dimension of gory fun with “Saw 3D.”

Although the studio is predictably taking a pass on providing press screenings for the film (since everyone knows it’s going to be critic-proof, anyway), director Kevin Greutert and a trio of actors from the cast – Cary Elwes, Costas Mandylor, and Betsy Russell – turned up at the New York Comic Con to do a series of roundtable interviews for members of the media.

The demand to chat with these folks were significant, as you might imagine, so in order to maximize our time while working with minimal space, both the interviewers and the interviewees were split into two groups, with the interviewees switching groups after 15 minutes.

First up, Costas Mandylor and Kevin Greutert…

Journalist: So there’s, like, a volcano eruption of 3D films out there now, with the whole “take that and run with it” Hollywood attitude. What sets this one apart from other 3D horror films?

Kevin Greutert: Well, for one thing, this film was actually shot in 3D. We didn’t do a post-conversion like a lot of the other movies that have come out lately. I think that shooting it in 3D makes all the difference in the world, so it just looks that much better. This was shot with state-of-the-art cameras that are a lot more lightweight than any previous 3D films, so we were able to preserve the “Saw” style of doing a lot of stuff handheld and keeping the camera moving around a lot and very dynamic. Because technology is advancing so quickly, we were able to just take advantage on all aspects.

Journalist: Has 3D changed the blocking of the set and what you’re actually doing in the film?

KG: Yeah, it affects the way we block the scene, because we want to maximize the feeling of depth in the image, even if it’s not an in-your-face moment where stuff’s flying into the camera. We still wanted it to look as rich and full of space as possible.

Journalist: At what point in the production process was the decision made that the film was going to be in 3D? Was that from the outset, or did that happen…

KG: It was decided…that was probably the very first decision made on the film, and I had actually hoped even before we made “Saw V” to direct “Saw VI” in 3D but wasn’t able to make that work. So by the time “Saw VII” came along, now there’s enough infrastructure in terms of theaters that are equipped with 3D equipment to go forward, and…yeah, no one ever thought twice about doing it in 3D.

Journalist: How does 3D enhance the storyline?

KG: Well, I don’t know how much it actually plays into the story. There’s a bit of self-reference in the opening scene of the movie, which is the first “Saw” scene that takes place in broad daylight, with a big crowd watching one of Jigsaw’s big contraptions at play. There’s, I think, a little bit of an implicit message about horror audiences watching voyeuristically. 3D, I think, just kind of takes that to another level.

Journalist: Costas, what keeps bringing you back to this franchise?

Costas Mandylor: You know what? In a way, luck. And the character seems to have worked. And, you know, when you collaborate with people like Kevin and a couple of the other guys before him, and you know what you’re doing together, it’s a comfortable situation where you don’t have to get really… (Hesitates) I mean, some guys in life are a pain in the ass, and they die. “Saw” does that really easy. I committed to it as best as I could, and spending time with Tobin (Bell) and seeing how committed he was to keeping a certain standard, not letting the fans down was really important to him, so it wasn’t just going to a gig, doing my thing, and leaving. I actually paid attention. There’s a great example of…when I first started, I think it was in “IV,” he had a great idea for a scene and he called me at, like, 11:30 at night. He goes… (Does a Tobin Bell growl) “Hey, Costas, are you awake?” Jigsaw’s calling me at midnight on the phone. I’m in trouble here. (Laughs) I went to see him…reluctantly…but we spent some time together, and the scene…that was a really long scene that we did, with the gun to the…? It just worked beautifully, because he put the effort in and forced me to be okay with putting in my ideas as well. So I’m still here ‘til the end of this one, and…we don’t even know the endings. But for now, I’m in.

KG: We have more control over Costas by not letting his character die. (Laughs) We hold that over his head every year.

Journalist: But that doesn’t keep Tobin from coming back!

KG: (Laughs) He has more screen time dead than he did alive!

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Sex in cinema

Archana Ram at EW informs us that the latest bestseller to be the subject of a big-time Hollywood movie adaptation is the instructional tome, What to Expect When You’re Expecting that will become a sort of “Pregnancy, Actually” multi-story/multi-star film.

No wonder Hollywood’s interested. It’s a sequel.

Midweek movie news

Big movies are in the news today.

* James Cameron apparently won’t be directing the latest iteration of legend of Egyptian queen Cleopatra. Instead, he’ll spend the next few years doing the inevitable: “Avatar 2” and “Avatar 3.” Apparently, the commitment now is partially in return for Fox making a large donation to green causes Cameron supports.

* Christopher Nolan gave Geoff Boucher the title of the next Batman installment “The Dark Knight Rises” — not very inspiring. Having previously eliminated Mr. Freeze as the film’s big bad, he also eliminated the Riddler. That leaves Catwoman, the Penguin, and…Man-Bat?

man-bat-2

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Back to “Back to the Future”

It’s the 25th anniversary of the science fiction comedy from Robert Zemeckis and Bob Gale. As you might also expect, a 3-disc Blu-Ray set is also hitting stores today featuring the original film and it’s two-sequels.

So, to go with Will Harris’s interview with Gale which includes some more interesting casting details in addition to the ones you’ve probably already heard about, Universal has made available a series of short clips from yesterday’s press conference at New York’s Waldorf Hotel featuring a lot of the cast — Michael J. Fox, Christopher Lloyd, Lea Thompson, and Mary Steenburgen (from “Back to the Future 3”) but not Crispin Glover — as well as Gale and Zemeckis. A lot of them are very brief and I would have been happier if they’d edited it into one clip, but you take what you can get.

We’ve got a bunch of more these after the flip for you diehard “Future” fans.

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