Tag: Myrna Loy

Happy New Year from Premium Hollywood

Just because New Year’s Eve was last night is no reason the drinking has to end — hey, it’s almost Saturday night. Though, maybe, for some of us it should end. Still, no two movie characters ever drank more to less apparent liver or mind damage than those lovable dipsomaniacal detectives first created by full-fledged alky Dashiell Hammett in his novel, The Thin Man, and embodied to perfection by William Powell and Myrna Loy, Nick and Nora Charles. Cheers.

Monday movie news

The movie side of the show biz world might not have anything of the magnitude of the big news from Team Coco to talk about today, but there’s plenty of interesting borderline-almost-news to mention in an ironic way…

* I don’t know whether there’s some sort of game of managing expectations going on or if interest really is limited to younger males and no one else, but I’m starting to hear rumblings that “Kick-Ass” is not expected to kick ass do hugely well at the box office this Friday. If so, then Matthew Vaughn has got to be one of the least lucky talented mainstream directors ever after generating so much excitement with his film, at least in the fanboy realms.

Kick-Ass

My main rumbling comes via this Playlist piece which alleges that nothing has been done to expand the interest in the film beyond those who’ve never heard of the comic book.  Literally speaking, that’s not true because I’d never heard of the comic book before hearing about Vaughn’s film of it, though I am certainly a member of the Geek American community. The main thrust of the piece itself is actually on the possibly stronger hopes for “Scott Pilgrim vs. The World” which, as a commenter offers, does seem to have more cross-gender appeal. It also has a well known star and the comic genius Edgar Wright going for it. We’ll see.

In any case, Vaughn appears to be doing what all prudent directors do before their next big film comes out, lining up the next gig just in case the current film really does tank. This story is a glorified rumor, but it does look possible that Vaughn’s next gig might involve a gangster/science fiction vampire comic book written by, of all people, controversial English talk show host and film geek, Jonathan Ross who is leaving the BBC because of a scandal caused, I kid you not, by tasteless prank phone calls. Here, he’d get a promotion. In any case, I’ll always remember him for “The Incredibly Strange Film Show.”

* Never fear, however, “Iron Man 2” will be here in 26 days. Of course it’ll do ridiculously well, but I remember some naysayers just before the first movie came out. Seems all those good reviews were a bit worrisome and even smart people like Michael Phillips and A.O. Scott, if memory serves, were worried the movie was a little too good to make monster bucks.

Myrna Loy* The biggest news in my personal movie world is word via the Los Angeles Times of the resurrection of the statue that classic-era superstar Myrna Loy (“The Thin Man,” “The Best Years of Our Lives”) posed for when she was just a young student and which graced the front of my alma mater for decades. As the News Editor of the Venice High Oarsman (“Rowing, Not Drifting”) back in the pre-pre-pre-pre MySpace era, I was on the Myrna-vandalism beat. This gladdens my heart. A picture, however, would have been nice. Maybe I’ll get to work on that a bit later.

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“Manhattan Melodrama” – a Friday night movie moment

With “Public Enemies” entering its second weekend in theaters, and inspired by a brief but typically wonderful post on Myrna Loy by cinephile superstar Campaspe, a vintage trailer for the legendary last movie seen by John Dillinger just prior to his death seems fitting.

“Manhattan Melodrama” starred thirties A-listers Clark Gable and William Powell, in the first of his many films opposite Loy, but is not often seen these days in comparison to later films featuring any of the three. Nevertheless, it’s grand, ultra-corny Hollywood entertainment of the most egregious sort. (Glenn Erickson suggested the title should really be “Manhattan Fairy Tale,” and he’s not wrong.) MGM was always the studio of excess glamor and wholesome values, and they brought that even to a gangster picture. Abandon cynicism, maintain your irony, and check it out some time.

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