Category: External TV (Page 36 of 419)

Boardwalk Empire 1.3 – Feet of Clay

So where were we? Oh, right: the blood-covered guy in the woods.

The lone gunshot victim is being hustled into the emergency room, having somehow managed to survive for several days in the woods. How he managed to do this, however, remains a mystery…or, at least, it does to Eli, anyway. “He’s fat?” suggests Eli. “He’s insulated? I don’t know. How should I know? I’m not a doctor.” Nucky’s pissed off about the whole situation, but he’s particularly angry at Jimmy…and, really, can you blame him? Nucky tells Eli to take care of the situation, and he certainly gives it his best shot, but attempts to smother the poor bastard with a pillow fail, though it’s not clear whether it’s because Eli’s a bad smotherer or if the guy just has really good lungs. Either way, it’s a minor miracle that Eli manages to quickly set aside the pillow just before Van Alden and his boys swing in to the question the fellow.

Catching the tail end of Nucky’s charitable phone call served as yet another piece of evidence that he’s had his own issues with a child at some point in his past. As ever, it was nice to see as much of Lucy’s body as possible – little did we know how much more we’d be getting later – but when she started talking about the possibility of having a baby, I thought the way she said “mommy” was highly disconcerting. I know some guys get off on baby talk, but hearing her talk that way while half naked and seconds away from giving a blow job, all I could say was, “Ew.”

Wow, I knew Nucky was a big shot, but when you’re big enough to get Eddie Cantor to play your private party, you’re really something. Eli pops ’round to tell Nucky about the situation at the hospital, but when Nucky tries to give him shit for not having stayed at the hospital to protect their patient, Eli – otherwise distracted by Cantor’s goo-goo-googly eyes, basically says, “This ain’t my problem, go be pissed at Jimmy,” and to echo my statement from a few paragraphs back, can you really blame him?

Speaking of Jimmy, when they put the focus on his fascination with how his wife could keep their son still long enough to take his picture, followed by him flipping through the photo album, I thought it was simply to offer a sense of how depressed he was with the lost time between him and his family and how different he and his wife have become. I didn’t anticipate that it would lead to that scene with Jimmy and Tommy ending up at the photographer’s studio. I can see why he would’ve been suspicious of the photographer at first, based on the scandalous shot of his wife baring her shoulder, but once Jimmy had met the man and his wife and seen how comfortable Tommy was around both of them…I dunno, I guess I just thought it would dissipate somewhat. Instead, he seemed to get even more jealous, though part of that could simply be because he’s dealing with so many emotions that he just doesn’t know what to feel.

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Bob & David: will there be a tour?

During the Winter TCA Tour in January 2010, I had a chance to talk to Bob Odenkirk about his work on “Breaking Bad,” but before our conversation was over, I had to ask the question that I knew “Mr. Show” fans – and I include myself in that number – were chomping at the bit to have answered: is there still a chance that Bob and his longtime cohort David Cross would work together again.

“Oh, yeah, we’re going to do something together,” Bob assured me. “Absolutely. There is no question. We started writing a live show two weeks ago when he was here. We want to do another live show. Maybe in a year or a year and a half. My kids are older now so I can leave, so we can do a live tour. It’ll be really fun, yeah.”

In early August, during the Summer TCA Tour, I was fortunate enough to run into David, busy promoting his new IFC series, “The Increasingly Poor Decisions of Todd Margaret.” Not one to miss a chance for an update, I told him what Bob had said in January, and I asked for an update.

“See, I have very little responsibilities outside of a dog,” explained David. “But (Bob) has two kids and a wife. And, also, he has no balls. So when you combine all those things, it’s not good. But I put together a calendar for a way we could do a tour in which he would make money, he would be able to go home…I can’t remember offhand, but I think he would be able to go home for four days every ten days, or something like that.

“It would be a six-week tour, and I said, ‘Here, present this to whoever needs to sign off on it.’ I was, like, ‘You can’t ask for better than this. We’re going to suffer. We’re not going to make as much money, and we’re going to be away longer than we normally would be, but it’s in order to make it so that you can go home and so that these things that you need to address are addressed satisfactorily.’ I would love to do it. I am not the guy holding up the tour. It’s not me.”

So if David’s not the problem, then the problem must be Bob, right?

Time to drop a line back to the Odenkirk camp.

“I love David Cross,” Bob assured me by E-mail once he’d read David’s comments. “I think he’s funny and I consider him one of my best friends. But, sadly, he’s a liar. He is the one with family…two of ’em – but don’t tell either about the other!

“Plus, he claims to have Philatellaphobia – the fear of collecting stamps, which he claims keeps him stuck in the basement of his house, quaking and pooping. I would love to tour. I am standing outside my bachelor condo right now with a packed bag and a stash bag for my cocaine fixes. Oh, and I have no balls.”

So if both Bob and David are both claiming to be ready, does that mean that the tour is a go?

Hell, your guess is as good as mine. But at the very least, we’re getting some good comedy out of the discussion process.

In the meantime, though, enjoy this look back at the Bob and David experience before there even was a “Mr. Show,” and let us keep our fingers crossed that we’ll see them on a stage again in the very near future.

The 10 Most Memorable Reasons to Mourn Stephen J. Cannell

I had thought about suggesting that TV fans turn their sets off for an hour tonight as a tribute to the legacy of Stephen J. Cannell, who passed away yesterday as a result of complications associated with melanoma, but since I don’t think it’s possible for an hour to go by without one of his shows airing somewhere on your dial, I’m sure he’d much rather you watch his work than mourn his loss. It wasn’t until I was in my twenties that I sat back and took stock of just how much Cannell had contributed both to my childhood and my teenage years. I mean, my God, you hate to overuse the word “ubiquitous,” but if you look at how many times his name turns up in the credits of series which are considered to be staples of the 1970s and 1980s, you realize that you couldn’t turn around without hitting a series that he had either created or co-created.

Here are the 10 series from Stephen J. Cannell’s body of work that I’ll continue to enjoy ’til…well, ’til I join Stephen J. Cannell. If I’ve left out one of your favorites, be sure to cite it in the comments section.

10. Baa Baa Black Sheep (1976 – 1978): Based on the experiences of USMC flyboy Pappy Boyington and his “Black Sheep Squadron” during World War II, I couldn’t have cared less about this series when it was originally on the air, but it was required viewing for my father. Later, I realized that the man who played Pappy was the same guy who’d been kicking ass as James T. West on “The Wild Wild West” – Robert Conrad – and decided to give the show a chance. I don’t know if it was as historically accurate as it was probably supposed to be, but it proved that Conrad could even make WWII cool.

9. Baretta (1975 – 1978): Obviously, Robert Blake’s subsequent shenanigans in his personal life has tarnished his reputation as an actor, especially since there’s now an entire generation who only knows him for his work on Court TV, but in his day, Baretta was a full-fledged bad-ass…and so, for that matter, was his theme song.

8. Hardcastle and McCormick (1983 – 1986): The only thing that screams “the ’80s” more than McCormick’s car is the theme song, but Brian Keith and Daniel Hugh Kelly had good chemistry, and Keith helped set the decade’s industry standard for curmudgeonly characters.

7. Tenspeed and Brownshoe (1980): So, wait, which one’s Brownshoe again? You won’t believe how young Jeff Goldblum looks in this show, but if you’ve ever wondered where he honed the neurotic characteristics that have come to define his performances, look no further. Again, Cannell had an eye for chemistry. Who else would’ve imagined that Goldblum and Ben Vereen would work so well together?

6. Riptide (1983 – 1986): It’s the robot, right? Chicks dig the robot. Cody and Nick were cool, sure, but looking back on the show now, Tom Bray’s performance as Boz helped to define the concept of “geek chic.”

5. 21 Jump Street (1987 – 1991): A lot of people only think of “Jump Street” in terms of having been the show that really gave Johnny Depp his start, but let us not forget that, thanks to Richard Grieco, we were also blessed with the awesomeness that is “Booker.” Okay, actually, maybe we should just focus on Johnny Depp.

4. Wiseguy (1987 – 1990): The first season is nearly untouchable. Too bad we’ll probably never get the opportunity enjoy a non-bootleg version of Season 2’s “Dead Dog Records” storyline, which featured Tim Curry, Debbie Harry, and Glenn Frey. Damned music rights…

3. The Greatest American Hero (1981 – 1983): God bless William Katt, but the real heroes of this show were Robert Culp – Bill Maxwell is the FBI agent that actual FBI agents wish they could act like – and Joey Scarbury, who crooned the most insidiously catchy theme song of the decade.

2. The A-Team (1983 – 1987): Personally, I kinda liked the movie. But you can’t go wrong with the unbridled cheesy action of the original series.

1. The Rockford Files (1974 – 1980): Half-credit, of course, goes to co-creator Roy Huggins, whose success with James Garner on “Maverick” no doubt helped convince him to do the series in the first place, but there are virtually no one-man detective series on television today that don’t owe some degree of their success to the road paved by Jim Rockford. It might not be the single best show of the 1970s, but there are precious few from the decade that hold up as well.

And, of course, there’s no other way we could possibly close this piece:

Hell’s Kitchen: who are these people?

Mrs. Mike made the comment last week that she thinks a couple of the “Hell’s Kitchen” contestants are “plants.” Meaning, the producers put them in there to say things and act a certain way. Well, after two weeks of this show (and a grueling four episodes I might add), I think I agree. Raj and Sabrina are just certified nuts….and neither appears to really know what they’re doing or know how to get along with people in the kitchen. But I digress…here is a brief recap of last night’s episodes:

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A Chat with Michael Rooker

To my knowledge, the adjective “Rooker-esque” has yet to take off in any significant fashion, but when Michael Rooker calls you and says that he’s in the midst of driving across the country to get to his next job…I don’t know, it just sounds like exactly the sort of thing you’d expect him to be doing. Although he’s played many a crazy mofo in his career as an actor, Rooker still manages to possess the sort of everyman quality that makes it very easy to accept that he’d take a pass on a plane ride in favor of spending a couple of days taking in the scenery on a cross-country drive. Premium Hollywood had the chance to chat with Rooker in conjunction with the release of his latest film, “Atlantis Down,” directed by Max Bartoli, but we also got a bit of insight into his character on AMC’s “The Walking Dead,” learned about his experiences working on “Mallrats,” “Sea of Love,” and “Slither,” and heard him sing the praises of “JFK.”

Bullz-Eye: So how’s the drive going?

Michael Rooker: Actually, quite good. I’m in a little thunderstorm right now, but I’m just fine. I’m about to get back on the road and have a little chat with you.

BE: Where are you right now?

MR: I’m in Texas, near Odessa. I’m on the 20. I was on the 10, but then 10 and 20 split, and I’m heading basically up toward Dallas. Through Odessa and Midland, and then I’ll get into Fort Worth and Dallas.

BE: I told my wife there was something very Rooker-esque about that fact that you were on the road, driving to your next assignment.

MR: (Bursts out laughing) I do this all the time, and it’s kind of crazy, but I just do. My better half is sort of always wondering, “Why don’t you just fly?” But, you know, it’s nice and relaxing. It helps me get ready and prepare for the job, and then afterwards it helps me defrag on the way home.

BE: Sounds like the perfect combo.

MR: So far, so good. It’s worked thus far…and I’ve got about 280 thousand miles on my vehicle to prove it! (Laughs) I think by the end of this trip I’ll have another 10 thousand on it, so it ought to hit 290 thousand.

BE: I’ve got over 150 thousand on my Hyundai Elantra, but I’m pretty sure I haven’t seen half the things you have.

MR: (Laughs) Still, you guys must do some traveling, huh?

BE: Well, we did a lot more of it before our daughter got here.

MR: For sure, man!

BE: So how did you first get hooked up with “Atlantis Down”? Because I know it’s certainly a labor of love for these guys.

MR: Dude, this was, like, a last-minute phone call…for me, anyway. It was really quick. I was working on a movie, I think it was down in the Wilmington area, and I got the phone call. Then I got the script, and it was kind of cool. But it was really fast. But I just said, “Yeah, you know what, I’m here, I’m on the east coast, and I think I can do it.” I snagged a couple of friends, who read lines with me, and I drove up, did my role all in one day, and came back.

BE: Wow.

MR: (Laughs) It was really quick…and painless, really. It was just a very quick little job that was kind of crazy. I’ve never accomplished my entire role in one day before. It was nuts! I don’t want to do that too often, but it was a crazy experience, and I’m still friends with everyone involved, like Max. Like you said, the whole thing was a labor of love, and I was honored to be a part of it.

BE: Can you speak a little bit about your character in the film without giving too much away?

MR: Well, you know, my guy is… (Hesitates) I’m an alien. I’m an alien being that is having a joyous time playing around with these human creatures, basically. (Laughs) I don’t want to say too much more, so that’s kind of about it, really. I just give ‘em hell. I goof around with their brains and mess around with their thought patterns, what they think they see and what they don’t see. So it’s kind of freaky and weird for them. And, of course, for my character, I obviously didn’t have a lot of time to prepare, so I just went and did it. I learned all the lines real quickly, and then I got there, and Max said, “Ah, forget about the lines. Just say what you would normally say.” And I’m, like, “What?” (Laughs) “Uh, okay, Max, okay…” So, basically, the entire role is improv. We improvised the whole piece. Having the lines as my base, I riffed on them and changed them, thought of new ways to say stuff, used new patterns of putting things together, and…we did it all in one night. It was crazy, dude. Crazy! I still don’t know how the hell we got it…

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