Category: External Entertainment (Page 65 of 513)

“Hey, did you hear Obama’s gonna kill our grandmas?”

Jack Black is…Nathan Spewman, Professional Mis-Informant!

Or, at least, that’s the role he’s playing in a new series of videos that he and America Ferrera have filmed in order to show their support for HCAN (Healthcare For America NOW).

I’m very much of the “politics, schmolitics: funny is funny” mindset, so I’d laugh at these videos whether I agreed with the message it’s spreading or not, but the fact that they’re arguably the funniest thing Jack Black’s done since “Tropic Thunder” doesn’t hurt, either. Unsurprisingly, though, many are too busy grousing about the overall message of the videos to acknowledge their value as entertainment.

In an article on FoxNews.com, Patrick Dorinson, GOP communications strategist and founder/CEO of Dorinson Communications, was quoted as saying, “In 20 years, no one will remember these two ‘stars’ ever existed, but the debt we will pay for ObamaCare will still be here.” Having never really watched “Ugly Betty,” I can’t speak to Ferrara’s chances at career longevity, but given that Black has already been in the business for two decades, I think it’s fair to say that Dorison was really just scrambling to come up with something that would grab people’s attention.

Yeah, I know, there are people out there who really are stupid enough to vote for or against something just because Jack Black says they should. I’m not one of them, though. I’m just enjoying the laughs.

P.S. Don’t tell anybody, but Obama’s the Devil.

RIP Roy Ward Baker

It’s a blissfully slow movie news week so far, after last week’s frenzy, so far (unless I missed something…I’m busy!).

In any case, it’s time to catch up on the passing last week at age 93 of one of the most reliable members of the Hammer Films horror and science fiction stable of the sixties and seventies, as well as the director of the some of the coolest British TV of that time, Roy Ward Baker. Aside from starting his career as Alfred Hitchcock‘s assistant director on the spy-comedy-suspense classic, “The Lady Vanishes,” being one of the main directors on the legendary season of “The Avengers” that featured Diana Rigg as the immortal Mrs. Emma Peel, aside from directing “A Night to Remember” (about the Titanic, but without Jack and Rose), as well as the racy “The Vampire Lovers” and the gender bending “Dr. Jeckyll and Sister Hyde,” he also made one of my favorite pieces of British film science fiction. We Americans call it “Five Millions Years to Earth” but to the rest of the world it’s….

Going back to the future re: the mysteries of casting

There’s a clip from the upcoming “Back to the Future” trilogy anniversary Blu-Ray that’s been circulating that I think is revealing. It deals with the semi-legendary firing of Eric Stoltz after a shocking five weeks of principal photography (some films are finished in three or four weeks) and his replacement by Michael J. Fox back in 1985. It’s fairly self-explanatory.

I personally don’t think “Back to the Future” is remotely a “classic,” but it is 2/3 of a great screwball comedy. (I didn’t care for the science fiction portions of the film.) However, it really looks here like it wouldn’t have worked at all with Eric Stoltz. Obviously, we’re not seeing nearly enough, but these very brief clips were obviously selected because something is just clearly off and perhaps not only Stoltz’s unfortunate hairstyle — which might not have been his selection.

The irony is here that, as much as I like and admire Michael J. Fox as an accomplished comic actor and a public figure, in terms of sheer thespian ability, I’d say Stoltz is very likely the better actor — though being an actor and being a star are not the same gig. He’s certainly shown plenty in the way of versatility over the years and you can’t say he can’t be funny, especially given his brilliant turn as the world’s most relatable heroin pusher in “Pulp Fiction.” On the other hand, Fox clearly has something that Stoltz lacks in terms of being Marty McFly. It’s not just maybe knowing his way around a straight-up gag a bit better than Stoltz might have at the time, it’s an “everyman” quality, I guess. As the deformed Rocky in Peter Bogdanovich’s “Mask,” that very same year, Stoltz had that everyman quality, but I guess with his own face, it just evaporates and that slightly sarcastic demeanor of his can’t be entirely hidden without facial prosthetics.

Anyhow, just another reminder that “best actor” and the “right actor” are not the same thing.

h/t Michael Speier.

A roundtable chat with Luke Evans and Dominic Cooper

“Tamara Drewe,” the latest from the brilliantly versatile non-auteur directing genius Stephen Frears, is a relationship comedy with tragic overtones based on Posy Simmonds’ graphic novel of the same name, in turn inspired by Thomas Hardy’s 18th century novel, Far From the Madding Crowd. The film pits three not-quite-alpha males against each other for the attention of its mercurial and not always lovable title character, played by the beautiful Gemma Arterton. Two of them, fast rising up-and-comers Luke Evans and Dominic Cooper, were set to meet at L.A.’s Four Seasons with a dozen or so entertainment journalists.

It was therefore more than a little bit amusing when the two fictionally competitive actors entered wearing near identical high-end v-neck fashion undershirts and tight-fitting low-rise pants. It was an apparent complete coincidence or perhaps not so random given the popularity of this ultra-casual look among today’s mod set. In any case, Cooper compared their combined look to “a boy band.”

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Dominic Cooper made his first big splash in Alan Bennett’s Tony winning, “The History Boys,” starring in both the London and Broadway productions in 2004 and 2005. His film career, however, goes as far back as a bit part in another adaptation of a British graphic novel: the Hughes Brothers’ 2001 version of Alan Moore and Eddie Campbell’s “From Hell.” Other key parts include a memorable role as disreputable Peter Saarsgard’s business partner/buddy in “An Education” and the lovestruck movie fiance to former real-life girlfriend Amanda Seyfried in “Mamma Mia!” Notable upcoming roles include playing the part of Howard Stark (Tony’s future dad) in the largely World War II-set “Captain America: The First Avenger.” In “Tamara Drewe,” Cooper plays self-involved rock drummer Ben Sergeant of the band Swipe, with whom the gorgeous protagonist dallies for large portions of the film.

With a background in such musicals as “Avenue Q” and the “remixed” “Rent” on the London stage, Luke Evans, who plays all-around good guy and potential once-and-future Tamara Drewe paramour Andy Cobb, has found his way into a number of big budget films, including playing Apollo in “Clash of the Titans” and an upcoming role as no-less than Zeus in Tarsem Singh’s “Immortals.” He also recently completed the role of Aramis in Paul W.S. Anderson’s 3-D version of the oft-filmed “The Three Musketeers.”

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Boardwalk Empire 1.4 – “Well, I ain’t buildin’ no bookcase…”

Welcome back to Chicago! Yep, looks like my suspicion at the end of last episode was on the money: Jimmy’s first stop in Chi-Town was to get back into Al Capone’s good graces, although it’s pretty evident from Al’s idea of a prank that he’s more than a little bit of a loose cannon. Firing a gun off at that range is likely to cause permanent hearing loss, wouldn’t you think? Still, it’s true: opium is good for what ails you. Not that Jimmy’s interested in pursuing that particular line of medication. His focus is more on his new female companion and nursemaid, Pearl, and after seeing how violently Al deals with his “clients,” it was all too easy to imagine Jimmy following Pearl to California. Al reminds him that he’s got some pretty big coattails that he’s welcome to ride on, but Jimmy shrugs, tells him he’s only passing through, and then offers the kind of advice which reveals that he could have his own criminal empire if he’d just put his mind to it. The difference between their styles of business only becomes more evident during their meeting with Charlie Sheridan (not to mention when they’re getting fitted for new suits), but I can’t blame Jimmy for wanting to let Al be hoisted with his own petard: the dude asked for it with his boorish manner. I mean, I know how history ultimately turns out, but surely Al needs to learn when to be a thug and when to be a businessman. On a related note, though, as soon as Sheridan’s boy came back into the whorehouse, I knew Pearl was in trouble, but I didn’t know exactly what was going to go down. Rough stuff, that. Come to think of it, it probably couldn’t hurt Jimmy to know when to be a businessman and when to be a thug.

Nucky’s practicing to look surprised for an upcoming birthday party when the ever-gorgeous Lucy pops by to inform him that she’s going shopping…which, of course, means that she needs money. After she departs, he chats further with Eddie about the guest list for the party, talking about how he’s anticipating to pull in some funds from an upcoming road appropriations bill. The fact that he’s pointedly underlined this fact leads me to believe that things aren’t going to go quite how he’s hoping they will. Nucky seems to be the only one in his camp who cares about finding out who Chalky’s man last week, but as he loudly reminds them, “Chalky cares, so that means I cares, and you can bet your ass, come Election Day, you’re gonna care, too.” It looks like Nucky’s chances at reelection are directly tied to whether or not he pulls in the African-American vote, but you’ll notice that Nucky has no ego about his situation and makes the very important distinction that it’s not that the populace in that community are doing what he tells them, it’s that he tells Chalky, and they do what Chalky tells them. Eli’s got a good point – Chalky’s not going to want to give up what he’s got – but better safe than sorry. Nucky’s getting positively anal about making sure everything’s right for the party and is stressed out to the Nth degree, leaving Eddie trying to maintain his good-cop persona and save face, but even he seems a little nervous about how crazy Nucky’s getting. It’s clear that he won’t be calming down until things have been smoothed over in Chalky’s community.

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