Category: TV Action (Page 30 of 145)

Starz series “Crash” does its inspiration justice

After mowing through the first season of “Crash” on the Netflix streaming service, I have to say that I was pleasantly surprised. The series is based on the same concept as the 2004 film of the same name — the lives of otherwise disparate Angelinos are ultimately connected.

It stars Dennis Hopper as Ben Cendars, a past-his-prime record mogul. In reality, Hopper is playing the same role he always plays — a man with great presence and intelligence who may or may not be totally insane. He takes a young wannabe rapper (Jocko Sims) under his wing as he tries to wrest control of his record company from his resentful daughter (Kari Matchett).

Another (and more dominant) storyline revolves around a married police officer (Ross McCall) who, via a car crash, gets involved with a beautiful but dangerous gypsy (Moran Atias). His partner (Arlene Tur) is having an affair with a dirty detective (Nick Tarabay) who is moonlighting for a Korean kingpin. A gang-banger-turned-paramedic (Brian Tee) gets tangled in this web, and a detective from another precinct (Tom Sizemore) is called in to investigate.

The series also follows a Guatemalan immigrant who makes the trek through Mexico to the U.S., a married couple that loses their life savings in the real estate market, and a homicide detective who is tasked with keeping a young witness alive long enough to testify against a murder suspect.

As we learned on “The Shield,” dirty cops make for excellent television, and while “Crash” isn’t quite as gritty, it serves as a nice fix for those missing Vic Mackey and Co. I’d also recommend it to those that liked “Southland” in that it’s successful in telling a big story that involves a lot of different moving parts. Unlike these two series, “Crash” is on pay cable, so the creators have even more freedom to tell their story.

Season 2 debuts on Starz on September 18. Between this series and the excellent comedy “Party Down,” Starz has something going.

Blu Tuesday: Duplicity, Rudo Y Cursi and Adventureland

It’s been awhile since I posted a proper Blu Tuesday column due to a combination of things – slow release weeks, busy work weeks, and even a sudden interest in writing up a few title-specific entries – but I plan on remedying that today. This week’s selection doesn’t contain any really major titles, nor is there anything that could be considered particularly must-buy, but you will find a couple of films that, if given the chance, might just earn a place in your collection.

“Duplicity” (Universal)

If Tony Gilroy’s “Duplicity” taught us anything, it’s that moviegoers won’t see a film just because of the people involved. That, or Julia Roberts simply isn’t the A-list star she once was. Whatever the reason, it’s the perfect example of movie stars who make way too much. Case in point: Roberts was paid $15 million for her role in the film, while the movie only managed to rake in $40 million at the box office – a staggering $20 million less than its reported budget. While just about everyone can agree that inflated actor salaries need to be policed, reactions to the film itself haven’t been quite as cut and dry. Personally, I can understand why some might find “Duplicity” a little boring – it’s slow, repetitive, and the characters never seem to shut up – but we don’t get that many adult-oriented films these days, and though it isn’t perfect, Gilroy’s follow-up to the much better “Michael Clayton” is still worth a look. At the very least, it delivers some great dialogue and yet another solid performance from Clive Owen.

null“Rudo Y Cursi” (Sony Classics)

Billed as the onscreen reunion of “Y Tu Mamá También” stars Diego Luna and Gael García Bernal (not to mention produced by Alfonso Cuarón and directed by his brother, Carlos), “Rudo Y Cursi” tells the story of two brothers from a small town who are recruited to play for rival teams in the Mexican Soccer League. Those expecting a straight-up soccer drama will find themselves severely disappointed, however, as it’s pretty obvious from the few times the actors are forced to play that they’re not very good. The lack of soccer action aside, “Rudo Y Cursi” is a fun little movie about two men who are practically handed the American dream, only to squander it on their respective vices. For Luna’s character, it’s compulsive gambling, and for Bernal, it’s the chance to use his newfound success to become a music superstar. The latter results in some pretty funny moments — including an accordion-led rendition of Cheap Trick’s “I Want You to Want Me” — but the real humor comes from the interactions between its two stars. That alone is worth the price of the ticket, although you could just as easily find some entertainment in their poor soccer skills as well.

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Top Chef Masters: a master is crowned

The one thing that struck me this season on the inaugural “Top Chef Masters” is how truly amazing these chefs are at what they do…and how they can create masterpieces on a plate within minutes, using any ingredients in front of them. Well, the finale last night was no exception, with Hubert Keller, Michael Chiarello and Rick Bayless squaring off for the grand prize of $100K for charity and the title of Top Chef Master.

They began by having host Kelly Choi take them to the Getty Villa, where they would be spending the day and night, having time to think about their menu, and then creating four main dishes each to serve to a panel of judges. The judges for the finale would be the three who have been here since the start–food critics Jay Rayner, Gael Greene and James Oseland; “Top Chef” regulars Tom Colicchio, Gail Simmons and Padma Lakshmi; and each of the winners of the first five seasons of “Top Chef.” The task? A “meal of a lifetime”–dishes that represented various parts of each chefs’ life–their earliest food memory, when they decided to become a chef, their first restaurant opening, and today.

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Bullz-Eye’s TCA 2009 Summer Press Tour Wrap-Up: Cougars, Muppets, Vampires, and Gordon Ramsay, Too!

God bless the TCA Press Tour, where the television industry gives critics from throughout North America the opportunity to play with the folks who live and work in Hollywood. The tour allows us a remarkable amount of access to the stars, producers, directors, and writers of the various shows currently taking up residence on the various cable and broadcast networks. Yes, while I may spend 48 weeks out of the year feeling like a nobody, for those four weeks – two in the summer, two in the winter – which are taken up by the tour, I’m at least made to feel like I’m a somebody. (Really, though, I’m not anybody.)

This was the first time the summer tour had been held after Comic-Con rather than before, so there was a certain amount of grumbling about the fact that the fans were getting a certain amount of information that would’ve ordinarily gone to the critics first, but it must be said that the networks did a pretty good job of pacifying us. And, besides, aren’t the fans supposed to come first, anyway?

Although the content that I managed to accrue during the course of the tour will continue to come your way for quite some time to come, what you see before you is a summary of the highs and lows of the event, mixing stories you may have already read on Premium Hollywood with many that I simply haven’t had a chance to discuss yet. As ever, it was a heck of a good time, full of the kind of moments that leave me grateful that I managed to get that journalism degree from Averett College back in 1992, pleased as punch that Bullz-Eye and Premium Hollywood have given me the opportunity to cover the tour, and, most of all, that there are lot of great readers out there who seem to enjoy the tales I bring back from these strange TCA adventures that I’ve embarked upon.

Let’s get started, shall we?

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Hell’s Kitchen: Ramsay likes throwing the curveball

With drama flying around like crazy last night on “Hell’s Kitchen” on FOX, it would be fitting that Gordon Ramsay threw a curve at the end of the episode and eliminated someone we may not have expected.

The show began with a recap of last week when Ramsay eliminated Tek, but not before giving Amanda an earful about why she looks like she’s done. So then he pulled her aside and told her that she needs to get her head back in the game, saying “I’m counting on you.” Well, I’m not so sure any of us are counting on her to go much further, but he wouldn’t pull Amanda aside if he didn’t see something in her.

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