Category: Action Movies (Page 95 of 165)

Possibly the most lax “movie moment,” ever (Updated)

[UPDATE: As I wrote this, I somehow mistook a nearly 2.5 year old post for one written yesterday morning. I guess I was more punchy than I ever realized….a lax post, indeed!]

So, yesterday one morning in April of 2007, Will Harris wrote about this rather relaxed “WKRP in Cincinnatifan blog — so much so the writer forgot about the release of the second season DVD until it had been out for two days. Actually, though, I can relate. For one thing, it’s hard to get excited about a DVD where they couldn’t even get musical clearance for a few notes of “Fly Me to the Moon” to preserve one of the show’s signature gags. And I, too, have let certain of my fandoms slide over the years.

There were other aspects of the blog Will mentioned, however, including a seemingly random discussion of the relative cuteness/hotness of “girl next door” characters, radio producer Baily Quarters (Jan Smithers) and Kaylee (Jewel Staite), the adorable, sex-positive space-freighter engineer on the entirely unrelated space opera, “Firefly,” and then in its movie continuation, “Serenity.” As I wrote in comments, it’s a tough call for me — both Bailey and Kaylee (both names end in “e” sounds!) are entirely my “type.” On the other hand, there was never a “WKRP” movie, so that leaves only one choice in terms of clips.

I’m feeling pretty lax myself right now. Here’s tonight’s movie moment. All ten seconds of it.

Blood: The Last Vampire

Based on the anime of the same name, “Blood: The Last Vampire” isn’t exactly a terrible film, but it’s pretty bad considering it was actually given a theatrical release. Set in the 1970s, the story follows a half-human/half-vampire demon hunter named Saya (South Korean film star Jeon Ji-hyun, now going by the stage name Gianna) as she tracks down the head bloodsucker who murdered her father. When her undercover identity is blown by a military brat (Allison Miller), however, she’s forced to play babysitter as she prepares for the biggest battle of her life. I’m not exactly sure how Miller continues to get work, because although she has a much better understanding of the English language than her Asian co-star, she fumbles over her lines like she’s the one in need of a dialogue coach. That might be forgiven if the special effects weren’t so noticeably low-budget, but between the CG blood that sprays out of every character and the gargoyle-like creatures that the vampires transform into, this film has B-movie written all over it. So why the generous rating? Because in the right hands, this could have been a half-decent movie. The stylish swordfights alone make “Blood: The Last Vampire” more entertaining than it should be, but it’s still only worth seeing if you’re a fan of the anime.

Click to buy “Blood: The Last Vampire”

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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Hit and run

I’m a busy guy tonight, so let’s see how brief I can manage to be tonight with bits and pieces of movie news…

Ricky Gervais in * Ricky Gervais will be hosting the Golden Globes. I’m usually a one-award-show-yearly kind of a guy (and guess which show it is) but the fates and cool hosts like Gervais and Neal Patrick Harris are forcing me to actually watch more of the things.

* This post by Nikki Finke doesn’t really add much of anything new that I could see to a very good two week old L.A. Weekly piece about “coming out” PR specialist Howard Bragman, but it does underline the big changes that are surely coming in terms of how Hollywood, and the world, treats gay people.

* The Coen Brothers first ever real western — a new version of the not terribly critically or cinephile acclaimed 1969 John Wayne Oscar-winner, “True Grit” — may have a pretty high flying cast: Matt Damon and Josh Brolin are “in talks” to play bad guy and foil to Jeff Bridges’ Rooster Cogburn. Presumably Brolin is stepping into the role played by Robert Duvall, who was not quite famous a couple of years prior to “The Godfather,” while Damon will be playing the character first performed by my older sister’s all-time crush, singer-guitarist temporarily turned actor and TV variety host, Glen Campbell.

* A movie theater that serves samosas — that’s what I call movie going living, American Bollywood style.

Okay, that was pretty quick. Why can’t I do this every time?

Extremely late Friday night news dump

Hey folks, day time tasks have slowed me down, but who was it who said “the night was made for movie blogging”? Okay, no one said that, but we all know it’s true! Anyhow, here are some items from throughout the week I haven’t had a chance to touch on…

* This interview with director Mary Harron has been linked to by several different bloggers throughout the week. If memory serves, it may not actually be new news that Christian Bale partially based his genius-level breakthrough performance in 2000’s “American Psycho” on Tom Cruise, but it’s perhaps more intriguing now that we think we more about both actors’ quirks.

Christian Bale in "American Psycho"

* It might be inside critic/film blogger baseball to you but it’s big — and somewhat distressing — news to me. The thought provoking and just plain cool Karina Longworth, who has helped me out via the miracle of linking many times at her Spout blog home, will be leaving the site at the end of the month, which will also no longer be providing new content including the work of Christopher Campbell (I frequently link to his “The Day in Film Bloggery” posts.).

Somewhat oddly, her soon to be ex-boss attributed her departure not to fiscal issues but to a difference over “vision” for the blog. So, his “vision” was not to have one at all? Anyhow, the consensus is that the hardworking Longworth will be going places regardless.

* I strongly disliked the pilot for “Fringe” (and said so right here) and, unlike David Medsker, I outright hated “Transformers.” (I didn’t even make it through the whole movie…oh, the pleasures of not reviewing.) Then screenwriters Roberto Orci and Alex Kurtzman surprised the heck out of me by crafting a perfectly terrific script for “Star Trek,” marred only a little by director J.J. Abram’s hyperactive visual proclivities. (What’s wrong with using a tripod sometimes? Still, he got terrific performances and told a dandy tale, so I’m not complaining too much.) Anyhow, the  writers’ thoughts on the sequel are worth a look.

* Jackie Chan and Andy Lau are remaking Jet Li‘s 1981 breakthrough film, which I’m ashamed to say I’ve never even heard of before (at least not that I can remember), “Shaolin Temple.” I guess I should try to see it. Considering that Li was barely 19 back then and that Chan is now 55 (Lau’s in his forties), I trust he’s not playing the same character…or it’s been seriously rewritten.

* Disney is reportedly working on a “digital cloud,” in which content will be purchased and viewable in multiple formats. I generally get the consumer appeal of this, but I still fail to see why anyone would want to watch a movie on a cell phone. In fact, I think even the larger online version of this is way too small for this kind of beauty. (There’s a very brief Spanish language intro, by far the best version of this Disney classic I found on YouTube — the segment starts at 0:23.)

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