Month: September 2009 (Page 8 of 29)

Ann Miller saves the day

I’ve had a real keister-kicker of a day today — mostly in a good way. Nevertheless, I basically have no energy left and not a brain cell to spare for any wondrous words of filmic wisdom for you tonight. So, instead I present the cure for what ails me, energy wise. The leggy, chubby-cheeked dancer extraordinaire of the classic era, Ms. Ann Miller, here ably assisted by Betty Garrett, Jules Munshin, Gene Kelly, and Frank Sinatra.

This clip, by the way, is from “On the Town” which will be included in an upcoming Bullz-Eye feature. Stay tuned.

Sons of Anarchy 2.3 – Fix

Two days after “Mad Men” wins its second straight Emmy for Best Drama and “Sons of Anarchy” opens the episode with Luanne shooting a porn parody. Coincidence? Perhaps, but I can’t help but think that Kurt Sutter planned for the expected win. Of course, the opening minutes also featured Bobby performing as Elvis at a Bar mitzvah, and it’s apparently beginning to take a toll on him. His time in prison has resulted in a pile of bills, and in an attempt to reward him for his services to the club, Clay assigns him to go take care of the bookkeeping at Luanne’s studio. She’s not at all happy with the idea of SAMCRO taking an even bigger bite out of her business, but as it turns out, Luanne also has something to hide. It doesn’t take long for Bobby to discover that Luanne has been skimming off the top over the last six years, and when he threatens to report it to the club, Luanne makes him an offer he can’t refuse. If Otto ever finds out about it, however, Bobby is as good as dead.

The same can be said of Ethan Zobelle and his gang of Neo-Nazis once Clay finally realizes what’s really going on with Gemma. Personally, I can’t believe three weeks have already passed, because Gemma is acting way too fragile for Clay not to be a little more suspicious. Their fight in the parking lot outside the porn studio seemed to be more about Clay not getting laid than Gemma not acting like herself. Wayne suggests that Gemma attend an out-of-town support group for sexual abuse survivors, but she quickly shoots down that idea – and just in time, too, since Tig was apparently just around the corner. I don’t think he heard anything, though, because he would have told Clay right away.

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The meat of the episode this week revolved around Ethan Zobelle’s latest plan to force the Sons of Anarchy out of Charming, and it all hinders on convincing Deputy Chief Hale to join the witch hunt. Hale doesn’t like Zobelle’s idea of purposely bringing drugs into the town – thereby discrediting SAMCRO’s worth and Chief Wayne’s ability to control crime – but that doesn’t stop him from doing it anyway. When Opie and Half Sack catch a dealer selling meth at the mill (with Nords in tow), they go back to the club to get re-enforcements before beating the information out of him.

When they learn where Darby has set up his meth lab, Jax gives Hale the location to see if he can be trusted. Clay, meanwhile, tells Wayne all about their little test to keep him in the loop. It looks as if Hale is going to pass after he visits Darby’s base of operations (albeit without a warrant), but after speaking with Ethan about his reasoning for wanting the Sons out of Charming, his outlook suddenly changes and he lies to Jax about there ever being a meth lab. Not that it really matters, since SAMCRO just blows it up themselves, but I can’t believe that Hale would do business with Zobelle. Isn’t he supposed to be all about doing things by the books? Now that he’s resorted to his own crooked methods, however, there’s no going back. Oh yeah, and he just sided with the wrong bad guys.

Supernatural: The Complete Fourth Season

Most television shows start off hot and then get increasingly…um…less satisfying as time goes on. This is not the case with “Supernatural.” The series started off with a definite “freak of the week” vibe and didn’t spend much time on its season-long story arcs. While it has always had its quirky sense of humor and excellent chemistry between its two stars (Jared Padalecki and Jensen Ackles) the show didn’t thrive in its first season — it survived. But over the course of its second, third and now fourth seasons, “Supernatural” just keeps getting better and better.

This 22-episode season picks up as Dean (Ackles) is rescued from the unspeakable torture of Hell by an angel. He and Sam (Padalecki) are told that they have to stop a mega-powerful demon from breaking the seals that will bring about the Apocalypse (and the arrival of Lucifer). While they do go off on various weekly adventures, this season-long storyline is hanging over their heads the entire time. The pressure gets to Sam, who is tempted by the tremendous power growing inside of him, and this begins to divide the brothers. The season is as good as it sounds.

Special features include a three-part featurette that explores the mythology of the series, creator commentary (Eric Kripke, Jeremy Carver, Sera Gamble and Robert Singer) on three key episodes, extended/unaired scenes, and a gag reel.

Click to buy “Supernatural: The Complete Fourth Season”

Blu Tuesday: Observe and Report, Wallace & Gromit and Star Trek

On the surface, this week’s selection of Blu-rays may not look like much, but there’s something here for everyone, including the latest from Seth Rogen, the debut of a couple cult classics, and a few box sets that most movie nerds already have on their radar. There may not be any really major titles being released today, but I’d much rather have the option to choose from a solid list like this any day of the week.

“Observe & Report” (Sony)

A curious mix between “Paul Blart: Mall Cop” and “Taxi Driver,” Jody Hill’s sophomore effort isn’t the usual Seth Rogen laugh-a-thon, but rather a pitch-black comedy that only gets darker and more sadistic with each passing minute. This is the kind of film that usually divides moviegoers, and though I didn’t love it or hate it, I will admit that it’s Rogen’s strongest (and most mature) performance to date. It usually takes a while for a comic actor to branch off into more serious roles, but Rogen has been so overexposed lately that it’s nice to see him try something new. “Observe and Report” is hardly the kind of film that benefits from high definition, however, so Warner Bros. has made a point of distinguishing the Blu-ray edition from its DVD counterpart by making all of the extras – like a picture-in-picture commentary, deleted scenes and a gag reel – exclusive to this release. It isn’t exactly the smartest business practice, but HD fans won’t complain. At least we’re finally getting a little extra bang for our buck.

“Wallace & Gromit: The Complete Collection” (Lionsgate)

People may think of Tim Burton when they hear the words “stop motion animation,” but for my money, Nick Park is the king of the genre. His “Wallace & Gromit” shorts have earned a nice little following over the years, and though the feature-length “Curse of the Were-Rabbit” failed to take the franchise to the next level, it’s still a darned good film in its own right. Still, Park’s bread and butter (or crackers and cheese, if you will) has always been the shorts, and along with collecting his three previous films (“A Grand Day Out,” “The Wrong Trousers” and “A Close Shave”), the new compilation also features Wallace and Gromit’s latest madcap adventure, “A Matter of Loaf and Death.” To sweeten the pot, Lionsgate has also included a bevy of bonus material like commentary tracks, making-of featurettes and a hilarious episode of “Shaun the Sheep.” At only $20 bucks for the Blu-ray edition, it’s hard to imagine even the most casual fan not succumbing to such a great deal.

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Two trailers: A Seriously Single Man

This year’s edition of the Toronto International Film Festival (TIFF to its friends) might have been a “bloodbath” business wise, but that’s doesn’t mean it was a total loss. Anyhow, it seems like a good time to show trailers for two of its most acclaimed films that really may be coming to a theater fairly near you, at least if you live in a reasonably large city. The coincidental part is these similarly named films each deal with a minority group very frequently found on films sets, but who appear openly on camera as characters only from time to time, though more and more often of late.

Anyhow, we’ll start with the Jews and proof that we, too, enjoy a natural sense of rhythm.

The trailer for Tom Ford’s likely Oscar contender might not be as flat-out mold-breaking as the trailer for the Coens’ latest, but this trailer for Ford’s adaptation of a novel by the openly gay British-American Angeleno, Christopher Isherwood, is definitely classy and stylish. That’s fitting for one of the few films made by someone with a background as a clothes designer.

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