Month: August 2009 (Page 28 of 33)

TCA Tour: NBC Executive Session

We just had NBC-Universal Executive Session, with Angela Bromstad (President, Primetime Entertainment) and Paul Telegdy (Executive Vice President, Alternative Programming and Production) taking the stage to answer our questions, and…you know, I’ve got to be honest: it was pretty underwhelming. No surprise: the first two words of the very first question were “Ben Silverman,” and his name remained a recurring theme for the remainder of the session. It also wasn’t a surprise that the topic of Conan’s ratings and the expectation for Jay’s ratings were brought up, but it was absolutely ridiculous that neither Bromstad nor Telegdy seemed prepared to handle the queries, instead either feigning uncertainty about the numbers, offering vague responses which signified nothing, or attempting to pawn the questions off to Jay’s panel this afternoon. This immediately came back to bite Bromstad on the arse when she was asked outright if she’d be on that panel (she won’t be), and it led to one critic offering a sarcastic apology for asking questions of the wrong people.

Here’s the extent of information that I was able to glean from the panel:

* Bryan Fuller’s latest departure from “Heroes” was dismissed as being due to the fact that he’s at a point in his career where he’s really wanting to create his own shows, so NBC is focusing on their development deal with him. As for “Heroes,” Bromdstad said that Fuller helped Tim (Kring) get back on track, helped everybody decide where they were going, and that the show is doing exceptionally well creatively.

* The start of “30 Rock” has been delayed due to Alec Baldwin’s movie schedule, which is why the network is kicking off “Community” in its timeslot. The 8 PM timeslot will therefore be filled with six Thursday night “Weekend Update” specials, three of which are currently on the schedule.

* We are assured that, despite the fact that some shows which were previously airing in the 10 PM timeslot are now being moved to 9 PM out of necessity, there should be no issue with their content in their new time periods.

* The network’s new zombie series, “Day One,” is being embraced due to the sci-fi success of “Heroes.” “It’s a genre we cannot ignore,” said Bromstad, though she admitted that it does tend to be a little more of a narrow genre. Her most notable comment on the matter, however, was the acknowledgment that the network is viewing “Day One” as a “big event” for the network…but not necessarily one which would return for a second season.

* There is always talk of doing another regular “Apprentice,” but according to Telegdy, the most recent “Celebrity Apprentice” had a ratings jump from the previous, so we probably shouldn’t look for it to happen any time soon.

* “Friday Night Lights” will not be back until summer 2010. “We just think that ‘Friday Night Lights’ is a sensational show,” said Bromstad, “but it doesn’t have the ratings to justify it on the fall schedule.”

* Regarding “Southland,” the network has “incredible passion” for the future, but its future depends on how it does in the fall. “We’ve made some creative adjustments,” said Bromstad. “I feel like they tried to do too much in the first six episodes – instead of letting the audience become more familiar with characters, they became too serialized – so the show will focus on Regina King and Ben McKenzie, the crimes, and how they come together.”

* RE: “Medium,” “It was definitely a show we were considering picking up ’til the very end, but we had to make choices creatively and financially.”

* RE: “Chuck,” “The great thing is that they’re on a great track collectively. We’ve got 3 or 4 scripts in already, and it is something we can move around, but right now it’s not scheduled to come on until March.” The series has a 13 episode pick-up, and it’s possible that it could be bumped up, but “these are just discussions we’re continuing to have.”

Hell’s Kitchen: Lovely = useless

As things literally heat up with tensions mounting in FOX’s “Hell’s Kitchen,” some contestants, as they do each season, show us early on why they don’t belong. It’s almost like we are waiting for all the chefs who have no chance get eliminated so we can get to the good stuff. Anyway, as they recapped the previous week, Lovely and Tennille were spared because of chef Joseph’s disrespect for Gordon Ramsay. And Lovely made the comment that Ramsay “loves Lovely.” Uh, I don’t think so. And Tennille was still pissed that Suzanne made the comment, “If you sink our ship, I’ll be pissed,” during dinner service. Tennille told Suzanne that she could kiss her ass. Nice. But there was tension on the blue team as well, with Van and Kevin talking trash about Andy and how Andy was bringing their team down.

Then came the initial challenge, which was to make sausages. They had to do this in teams of two, and Ramsay made sure to pair Van with Andy and Tennille with Suzanne. Then before they started, the sexual references were flying….Ramsay asked Tennille if she liked sausage, to which she replied, “no chef, I don’t.” Van also made some comment about “pumping it slowly” and Ramsay told them all that “size matters,” which it did in this case, but still, did we need all the references?

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Cinephile blogs don’t care if I ignore them

But it’s still high time I take a look around the online petri dish that has nurtured me for so long…

* Jesus of film geek cool Dennis Cozzalio has a nifty conversation with director Joe Dante (“Gremlins,” “Piranha,” “Rock ‘n Roll High School,” “The Howling,” etc.) whose doing some ultra film-geek stuff in L.A. while finishing up his lowish budget 3-D horror film, “The Hole.”

* Kimberly Lindbergs reviews the new biography of Hal Ashby (“Harold and Maude,” “Being There”) whose fandom is definitely growing.

* There’ll be more posts like this to come, but I’ll wrap up with the amazing Self Styled Siren‘s discovery a couple of week’s back of a truly great YouTube clip featuring Fred Astaire dancing and singing a song now practically owned by Frank Sinatra. If Frank was the ultimate saloon singer, Fred was the ultimate urbane hoofer. And he was an underrated singer and actor as well.

Though the Siren has problems embedding, I can present it to you directly here. Even if you think you hate or have no interest in musicals, check this one out, by the time Fred starts dancing at 2:45, I promise you won’t be sorry. (The video, by the way, runs a bit long. Feel free to click away after Fred finally ambles out of the bar. Also, note that he tells humorist-turned-actor Robert Benchley that he plans to walk, not drive, home — which is not the way the song’s usually interpreted. That’s Astaire: class through and through.)

One born every minute

Let’s face it, the movie business is all about roping in the suckers, but I mean that in the nicest possible way.

* Several Comic-Cons ago, a rumor was about that Marvel was going to stop publishing comic books entirely and concentrate strictly on making movies and generally just marketing the hell out of their characters. This struck me as patently absurd because, even if the tail is wagging the dog, you still need the dog. Nevertheless, fiscally speaking at least, Marvel’s waggable rear is definitely stronger than its canine according to Variety‘s Marc Graser:

….Licensing is expected to generate the most coin for the company during the year, with up to $215 million, followed by movies and TV shows at up to $150 million, and comic books with $120 million.

* “G.I Joe” is a chicken-hearted pantywaist when it comes to critics. It’s kind of funny because “Team America” got really good reviews overall and from all appearances this is pretty much exactly the same movie.

* Why is Anne Thompson so much cooler than other film journos? We’ll, she’ll go to see Bollywood movies in unfashionable Artesia, relatively close to my highly uncool zip code, for starters. She also has three great trailers, including one for the Coen Brother’s next film. “The rabbi is busy.”

* Apparently piggybacking somewhat on his Oscar night success, Hugh Jackman is going to star in “an original contemporary musical” for Fox based on the life of P.T. Barnum, the circus impresario perhaps most famous today for opining that a sucker is born every minute. (I’d go for each second, myself.) I’m not sure what they mean by “contemporary” given that Phineas T. Barnum died in 1891, but I take it that “original” is meant to differentiate the film from the 1980 Broadway musical which starred Jim Dale and Glenn Close. Apparently Anne Hathaway, who had also had a bit of success in the Oscar’s opening number, will be joining him as singer Jenny Lind (and there’s talk of a new version of Rodgers & Hammerstein’s “Carousel” also to pair Jackman with Hathaway).

The music will be by some guy named Mika, who I had never heard of until just now but whose opera background and overall approach reminds me of a more classic R&B/funk and T-Rex/Bowie influenced Rupert Wainwright. After watching the video below, I’m largely sold though I hope he tries to avoid anything too obviously anachronistic. (I’m not sure Barnum should be getting funky on us, though I love the funk.) The high quality of the music and Mika’s way around various types of retro sounds makes me think he might be just right for the project. Also, naming your song “Grace Kelly” won’t ever hurt your standing with me.

TCA Tour: “Three Rivers” set visit

Hey, everybody, Alex O’Loughlin’s back!

Oh, how I’ve missed Alex O’Loughlin. I can’t even begin to tell you how much abuse I had to deal with during his days on “Moonlight,” all because I thought the pilot for that series was just okay. My dissenting opinions immediately made my article “B.S.,” according to some readers, and I was subsequently forced to endure all manner of commentaries about how gorgeous O’Loughlin was, even though I kept assuring them that I’d probably be more interested in revisiting the series if they’d be willing to praise other aspects of the show that didn’t involve his hotness quotient. The irony…? When I reported how, after the show was canceled, CBS Entertainment President Nina Tassler admitted that “the response to ‘Moonlight’ was actually more actor-centric,” I was buried in responses from readers who seemed shocked and offended that she would say something so patently ridiculous.

Well, for what it’s worth, Tassler did at least want to keep O’Loughlin within the CBS family, and she’s gotten her wish by handing him a plum part in the network’s new medical drama, “Three Rivers” (yes, it takes place in Pittsburgh), where he’ll be working within an ensemble which includes Katherine Moennig (“The L Word”), Daniel Henney (“X-Men Origins: Wolverine”), Justina Machado (“Six Feet Under”), Christopher J. Hanke, and…Alfre Woodard?

Yep: Ms. Woodard came aboard the series mere days ago, so recently that, when O’Loughlin responded to his first question in the on-set press conference for the TCA members, she did a double-take.

“Let me just say how freaked I am to hear you talk like an Aussie,” she said. “I’m, like, ‘What is he doing faking over here?’ He’s such a believable Pittsburgh boy!”

If you haven’t heard about “Three Rivers” yet, it’s being described by the network as “a medical drama that goes inside the emotionally complex lives of organ donors, the recipients and the surgeons at the preeminent transplant hospital in the country where every moment counts.” We’re being forewarned, however, that “dealing with donor families in their darkest hour and managing the fears and concerns of apprehensive recipients takes much more than just a sharp scalpel.” Pardon me for a moment while I groan at that line, but kudos must go to the series for taking their subject seriously enough to work directly with the organization Donate Life, a national movement to inspire Americans to register as an organ-and-tissue donor.

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