Tag: Superman (Page 5 of 5)

Forever Typecast: 15 Actors Who Can’t Escape Their Characters

We here at Bullz-Eye always knew that we wanted to run a piece in conjunction with the release of “Harry Potter and the Half Blood Prince,” but what we didn’t know was what kind of piece it would be. We considered the matter, and we came to the conclusion that it would’ve been a little too easy to whip up a list of our favorite Hollywood wizards. In the midst of the discussion, however, an observation was raised about the film itself: what’s going to happen to these kids – Daniel Radcliffe, Rupert Grint and Emma Watson – after the last of the “Harry Potter” books has been adapted for the silver screen? Will they be able to rise above their roles and find work elsewhere, or are they destined to be remembered solely as Harry, Ron and Hermione? From there, we quickly began to bandy about the names of other folks who have and haven’t been able to score success in other cinematic identities, and the piece began to write itself. Ultimately, only one of our selections seemed impossible to pigeonhole as either “Forever Typecast” or “Escaped Typecasting,” and when you see that actor’s name, we think you’ll nod your head knowingly and understand exactly why we had that problem.

Here’s a sample of the piece, to hopefully tempt you into checking out the whole thing:

Mark Hamill, AKA Luke Skywalker:

Mark Hamill may not have had much in the way of cinematic credits when he was introduced to the world as Luke Skywalker, future Jedi, in “Star Wars,” but he’d sure as heck done his time on the TV circuit, appearing on everything from “The Partridge Family” to “The Streets of San Francisco,” even playing a guy named Doobie Wheeler on “The Texas Wheelers.” But when you’re the star of the greatest space opera of all time ,you’ve got to expect a certain amount of blowback, and Hamill got it in spades. Despite starring in the fondly remembered “Corvette Summer” with Annie Potts and being directed by Samuel Fuller in the critically acclaimed “The Big Red One,” things just weren’t happening for the guy outside of the “Star Wars” universe…well, unless you consider being third-billed to Kristy McNichol and Dennis Quaid in “The Night the Lights Went Out in Georgia” to be happening, that is. Post- “Return of the Jedi,” Hamill did a few straight-to-video features before realizing that he might well find more luck off the camera and in the recording booth. Having already worked for Hanna-Barbera in the early ’70s, it was a quick transition for Hamill to return to the world of voiceover acting, and it was a move that paid off in a big way. Whether you’ve known it or not, you’ve heard his dulcet tones providing voices for “The Adventures of Batman & Robin” (The Joker), “Spider-Man” (Hobgoblin), “Avatar: The Last Airbender” (Ozai), and “Super Robot Monkey Team Hyperforce Go!” (The Skeleton King), among dozens of others. Good for him, we say. But the truth of the matter remains: when you see his face, Mark Hamill is still Luke Skywalker.

Got the idea? Great! To see the rest of the feature, either click right here or on the big ol’ image below:

Robert Benton on “Kramer vs. Kramer,” 30 Years Later

Robert Benton has seen more than one cinematic revolution in his time. He and his late screenwriting partner, David Newman, were major players in two films that forever changed movies: 1967’s “Bonnie and Clyde,” which brought European New Wave aesthetics into mainstream American cinema and permanently altered the portrayal of violence in American pop-culture, and 1978’s “Superman,” which created the big-budget superhero flick and convinced the world Christopher Reeve could fly. But as the writer and director of a little movie without violence, groundbreaking special effects, or even a whole lot of controversy, Robert Benton actually helped change real life with 1979’s “Kramer vs. Kramer,” about a careerist father (Dustin Hoffman) raising his son alone after being left suddenly by his wife.

Drawn from a novel by Avery Corman, the film was an immediate critical and box-office success, ultimately making over $100 million. It proved to be a star-making role for the twenty-something Meryl Streep, who won a Best Supporting Actress Oscar as Hoffman’s ex-wife, who endures a change of heart and sparks a painful custody battle. Moreover, it racked up a historic Oscar nomination for seven-year-old Justin Henry in the crucial role of Billy Kramer, and garnered both a Best Picture award and a Best Directing Oscar for Benton against an exceptionally strong group of nominated films that included “All That Jazz” and “Apocalypse Now.” Still, lots of movies have received acclaim, Oscars, and a tidy profit. “Kramer vs. Kramer” is a different story.

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The All New Super Friends Hour: Season One, Volume Two

With each subsequent “Super Friends” set that emerges from the Warner Brothers vaults, my childhood memories are tarnished a little bit more. I spent more Saturday mornings in front of the television that I’d care to count, held rapt by the adventures of Superman, Batman, Robin, Wonder Woman, Aquaman, and the Wonder Twins, but as I revisit those adventures now, I’m really, really disappointed with how poorly they’ve held up for me. Maybe it’s just because the world of superhero animation changed so dramatically with the premiere of “Batman: The Animated Series” in 1992 that it’s hard to take the Super Friends’ adventures seriously anymore. That’s not to say that you won’t find yourself experiencing plenty of fun flashbacks with the heroes’ various puzzles, magic tricks, and safety lessons, but the segments with actual storylines will result in little more than giddy laughter at their ridiculousness.

There’s only one special feature, but as ever for these “Super Friends” sets, it’s a good one: “The Wonder Twins Phenomenon,” which features talking-head contributions from Doug Goldstein and Tom Root (“Robot Chicken”), Kevin Pereira and Olivia Munn (“Attack of the Show”), super-writer Paul Dini, original “Super Friends” writers Alan Burnett and Rich Fogel, and animation historians Jerry Beck and Andy Mangels. Everyone offers their usual blend of childhood reminiscences, first-hand experiences from the animation trenches, and complete and total snark…and, in truth, the combination is exactly what The Wonder Twins deserve. There’s even a brief discussion about Zan and Jayna’s predecessors, Wendy and Marvin, and how inappropriate it was for a couple of powerless teenagers to follow these superheroes around. Say, where did Gleek always manage to pull that bucket from? Never mind. I don’t really want to know.

Click to buy “The All New Super Friends Hour: Season One, Volume Two”

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