Tag: Stan Lee (Page 2 of 3)

Late night/early morning movie news

I need to keep it brief tonight, but there are a few items tonight that I want to catch up with.

* It nice to lead with some good news. Jailed Iranian director Jafar Panahi has reportedly been released on bail from his imprisonment. The director, who was supposed to sit on the Cannes jury, had been on a hunger strike. The acclaimed film-maker appears to be in trouble because of a documentary about the Iranian protest movement.

Shrek Forever After* The lower than expected box office performance for “Shrek Forever After” had an effect on Wall Street. Moreover, Patrick Goldstein wonders if those inflated 3-D ticket prices might already be starting to backfire. I tend to agree. People may not mind paying a little extra for something that feels like a real event, but 3-D is already starting to feel old hat and, as Goldstein reminds us, there’s a lot more coming.

* This story fell between the cracks a few days back — and Louis Black doesn’t work for me — but Morgan Spurlock (“Super Size Me“) really is doing that comicon documentary that was rumored sometime back. It was originally plugged as a collaboration of some sort with Joss Whedon, but it turns out Whedon is just one of a few geek superstars who will be executive producing. That’ possibly the most elastic job title in show business, so his involvement could be fairly minimal though I’m sure he’ll appear on screen. Accompanying Whedon in backing the film are none other than Stan Lee and Harry Knowles.

* A long time ago, I found the novel, Less Than Zero, oddly compelling reading in that it was a vivid portrait of a human train wreck. That being said, Brett Easton Ellis is certainly not dispelling the widespread opinion that he might be a jackass with his pronouncements about female directors. May he shortly be visited by the ghost of Ida Lupino.

* The real winner at Cannes: Eliot Spitzer.

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No fooling, it’s Thor’s-day at the movies

I don’t usually do these kind of posts on Thursdays, and it’s April Fools’ Day. However, there’s simply too much apparently non-joking, actual movie news to leave for Friday. So, here we go.

* Of course, in Hollywood, it’s not always easy to spot the April Fool’s story from the real thing. That’s why IESB frontloads their big possible, eventual scoop today with all sorts of promises that they’re not joking. Anyhow, it appears that #1 cult creator Joss Whedon, most recently of “Dollhouse” and “Dr. Horrible’s Sing-Along Blog” fame, is supposedly on the short list to direct “The Avengers,” currently being penned by Zak Penn.

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If you’re skeptical about this, you’re far from alone. Just check out the slightly quizzical reaction from Whedon’s robotic and slavishly devoted cult — of which I am a known member — over at Whedonesque. (I’ve even forgiven Whedon for listening too much to Rahm Emmanuel and selling out to big pharma and not fighting hard enough to keep the public option in the health care bill….Oh, wait, wrong blog.) Still, Whedon’s known for staying in touch with his fans. I strongly suspect that, if the story were completely unfounded, he’d have posted something about it by now.

One creative point. Some fans seem skeptical that a collaboration between Penn and Whedon could work. Well, of course, Whedon has actually done any number of rewrites and polishes on other people’s scripts — a lot of folks give him credit for most of the wittier portions of “Speed” — and though Penn has been involved with some pretty conventionally dull flicks in his day, he’s not completely lacking imagination and humor. His little seen 2004 comedy-thriller mock-documentary, “Incident at Loch Ness,” has some remarkably hilarious moments,  most of them courtesy of Werner Herzog, playing himself and also taking a cowriting credit. If Penn’s good enough for Herr Herzog, he’s perhaps good enough for Joss Whedon.

* Speaking of “The Avengers,” the movie about the only actual deity in the group, “Thor,” is currently in production and director Kenneth Branagh talked about the film and his affection for the Stan Lee/Jack Kirby/et al comic books in today’s L.A. Times. This was not some random publicity glad-handing but a deliberate effort to squelch some unpleasant — and, to my ear, unlikely — rumors being reported in the tabloid press which allege open on-set criticism/anger directed at newcomer-lead Chris Hemsworth from venerable master thespian Anthony Hopkins, presumably relating to the 26 year-old star’s relative lack of experience, at least compared to Hopkins.  Hopkins, who’ll be playing Thor’s even more venerable dad, Odin, and Branagh have strongly denied the rumors and painted a picture of a happy set.

I was fairly impressed with Hemsworth’s work in the opening of “Star Trek,” so I tend to lean towards the official story here. He’s also a veteran of an Aussie soap, “Home and Away,” and history teaches us that soap vets tend to become pretty good actors when actually allowed time to learn their lines properly and develop characters. I don’t know much about Hopkins on a personal level except that he’s gotten this far in his career without these kind of incidents being an issue that I can think of. I suspect it would take a titanic lack of talent/ability to visibly annoy him at this point.

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Why do I even bother to write new headlines for the box office previews?

When the same frickin’ movie tops the box office office charts every single week for seven damn weeks in a row, I mean, why even bother to make movies if you’re name isn’t James Cameron? Okay, that may be taking it way too far, but jolly Carl DiOrio has once again stated that “Avatar” is once again on track to top the weekend’s box office with something in the neighborhood of $25 million. Who am I to argue?

Still, in a world where old fashioned movie star status still seemed to mean something commercially — and where Mel “Sugar Tits” Gibson (see yesterday’s post), hadn’t eroded his appeal through some bad/hypocritical behavior and an acting hiatus of several years — “Edge of Darkness” would, at least, be giving the Na’vi a run for their blue money. It’s a movie version of a BBC miniseries originally directed by busy helmer Martin Campbell, who also directed this outing and the screenplay is co-written by William Monahan, who did such a brilliant job adapting the strong but somewhat thin Hong Kong hit, “Infernal Affairs,” into the outstanding “The Departed” for Martin Scorsese.

Mel It’s worth noting, however, that in that case Monahan was allowed to flesh out a stripped down shorter script into more of an epic length tale and, in this case, he and fellow scribe Andrew Bovell are pairing down a miniseries into a vastly shorter feature length film. The reviews so far are acceptable but unexciting. It’s at 59% “fresh” on Rotten Tomatoes and the general vibe I’m getting is a slightly more positive than usual “meh.” Not exactly the huge comeback MSTG could really use if he wants to be a big time movie star again, rather than just a controversial director.

Now, if there’s anyone new out there who deserves to suddenly become a big time movie star, it’s Kristen Bell. However, there’s something about “When in Rome” that has critics sharpening their most negative adjectives despite their affection for Bell as TV’s “Veronica Mars,” among other terrific performances. Certainly our own David Medsker dislikes the film as much as he likes Bell, and that 10% Rotten Tomatoes rating indicates he’s not alone, and the film’s strong supporting cast doesn’t seem to have helped any. The director is Mark Steven Johnson who is really proving t be no directing genius. He made “Ghost Rider” and, though our own Jason Zingale had some kind words for it, the utterly lacking “Daredevil.” As Stan Lee would say, “’nuff said.”

Jolly Carl DiOrio predicts that both the K-Bell and Sugar Tits Gibson films will do something in the “low to mid-teen millions” though from very different audiences. Sure, why not?

K-Bell deserves better!

Friday night movie news dump…

And, for a change, it’s barely even night here on west coast as I begin.

*  We’re seeing some major league “New Moon” girl-power at the box office, already. $26.3 million, to be specific. That’s just for midnight shows.

* Just a few days back I noted the casting of Japanese star Tadanobu Asano as Hogun in Kenneth Branagh’s upcoming “Mighty Thor” flick. As a part of Norse (i.e., Viking) mythology, Asgard is, by definition, a pretty strictly Nordic place, so I thought this casting was interesting.  Visually, the Marvel comics Hogun was based on Charles Bronson, whose face had a definite Asiatic/Mongolian-by-way-of-Lithuania cast, so going with the star of “Mongol” was a stretch worth noting, but maybe not a definite sign of completely race blind nontraditional  casting.

However, Branagh has now cast the very fine African-English actor Idris Elba of “The Wire” and several great episodes of “The Office” in the part of Heimdall, guardian of Asgard. As a commentor at the Heat Vision blog that spread the news mentioned, Branagh did something very similar when he cast Denzel Washington as an Italian warrior-prince in his version of “Much Ado About Nothing.” I’ll quote myself from the Bullz-Eye piece I did on less well known Denzel Washington performances:

As a major production featuring truly race-blind “nontraditional” casting in a key role, “Much Ado About Nothing” is something of an onscreen first. In fact, audiences and critics had no more problem accepting Washington as an Italian prince than they did accepting the extremely British, pasty-faced Branagh as a Mediterranean nobleman.

Especially in films set far away from a realistic context and where the actor has as much authority as both Washington and Elba have, I think we’re sophisticated enough about the nature of movies that this will not be a problem, even for viewers who know a little about mythology. And here’s the best part: it will piss off some white supremacists. I’ve personally heard about young Neo-Nazis who dig the comic book “Mighty Thor” and apparently are too stupid and ignorant to realize that the series was created by Stan Lee and Jack Kirby, a.k.a., Stanley Leiber and Jacob Kurtzberg, two rather brilliant New York Jews. As always, the joke is on the hate fetishists.

Like I said before, this is not your father’s Asgard, and I’m fine with that.

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* It’s thirty days before the release of “Avatar,” the movie isn’t quite done yet, and some of us insist on going about our business as if life as we have always known it was not about to be forever altered. Quick, send out Sigourney Weaver and Giovanni Ribisi to say nice things about James Cameron!

* He’s brought us everything from “School of Rock” to “Chuck and Buck”, but very talented quirk/comedy writer/actor Mike White’s next film is about Santa war, but I doubt it’ll be very violent. On the other hand, he appeared in the comically mega-violent “Zombieland,” so perhaps his thinking has evolved some. I pretty violently disagreed with his op-ed, but he gets credit for even thinking about stuff like this.

* And, now for something completely different, from OC Weekly restaurant critic Edwin Goei comes his list of the five greatest food movies. I’d steal some of his YouTube clips, but I’m starving and I’m supposed to go to the gym later, dammit. Just go see for yourselves.

The Scream Awards go down the rabbit hole (updated)

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There was a time in this world when young people were frequently slightly ashamed of being bigger than average fans of horror, science fiction, fantasy, and especially comic books. I, personally, wasn’t embarrassed …and I paid a price. Those days may be over. In any case, the capacity crowd that showed up for Spike TV’s Scream awards, largely in costume and largely dramatically over- or under-dressed for a nighttime outdoor show after a very warm day, seemed more like club kids and less like the kind of uber geeks who become entertainment bloggers and film critics and stuff like that.

The Scream Awards are, in their fun/silly way, a big deal. Big enough to attract a good number of stars and even a few superstars like Tobey Maguire, Jessica Alba, Morgan Freeman, Harrison Ford, Johnny Depp and his living legend “Pirates of the Caribbean” muse, Rolling Stone Keith Richard.

I, however, am not such a big deal and was reminded of that fact when, prior to the show I found myself with the less fashionable members of the not-quite paparazzi on the “red carpet” (actually a checkered walkway) with my little digital camera and even smaller digital recorder device, wondering whether I’d really get a chance to ask a question of one of the super-famed folks, knowing that the only question I could think of at the time would be something in the nature of “What’s it like be the most notorious rock and roll star in the world, having your blood changed, and snorting your late father’s ashes?” That probably would have been inappropriate, especially if I asked it of Jessica Alba.

What actually seems to happen at events like this is that, if you’re a small-timer especially, most of the big stars either go through another entrance or walk right by you at warp speed. Meanwhile, folks who are a bit more anxious to meet the press find their way to you with the help of PR types. As an example, for about half a second, I was almost able to talk with actor Karl Urban, who did such a great job homaging DeForest Kelly while putting his own hilarious stamp on “Bones” McCoy in “Star Trek.” However, within a nanosecond he remembered he was in a big hurry and politely scurried off.

After a few odd reality show people I didn’t recognize, and the pretty young actress who assays the part of “Female Addict” in “Saw VI,” our first actual notable was statuesque model turned actress Tricia Helfer. Helfer is, make no mistake, a true superstar to TV sci-fi fans and is best known as Number Six, aka “the hot blonde cylon” on “Battlestar Galactica.” The actress appeared with her significant other, the owner of a British accent and a Giaus Baltar-style beard, but I’m sure that’s a total coincidence. I had a not terribly consequential discussion with her — lost because I apparently forgot to press the “on” button on my digital recorder. One would expect no less an effect from Number Six. UPDATE: Yeesh! As pointed out by my PH compatriot John Paulsen, the actress was actually Kate Vernon, who played the lady-MacBeth-like Ellen Tigh. It is true, all statueseque blonde women in shiny dresses look alike to me! My apologies to all concerned or unconcerned.

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