Tag: MGM (Page 4 of 5)

Mouse reshuffles, Leo the lion on the block, and other tales

* In the real world Obama appears to be rethinking Afghanistan; in the cable TV world Lou Dobbs is relieving CNN of his xenophobia and is threatening to go into politics while The Onion has the real scoop. Meanwhile in the movie world, Disney’s new chairman, Rich Ross, is reorganizing. It sounds as if technology will be leading the way in the new regime. Also, the structure of the organization will resemble more a television network, we’re told, than a movie studio. Once upon a time that might have worried me, but these days TV is hardly any worse than movies. I’m not sure if that’s good news about TV or bad news about movies. (A little of both?)

* The lion of Hollywood has been a bit mangy for a long time now. Peter Bart reports that MGM is about to be sold and the whole thing, 4,000 titles and all, is worth about $1.5 billion, which would be a lot of money to you and me but to a once mighty film studio sure sounds paltray. One factor, even the older titles in the library ain’t what they used to be, either. The studio’s signature titles: “The Wizard of Oz,” “Gone With the Wind,” and “Singin’ in the Rain” are now available on Warner Brother’s DVD along with a good chunk of their best known classics.  The ghosts of Culver City’s glory days are restless tonight.

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* Apparently being a movie critic these days is such an unstable, lousy position that some of the best known reviewers are jumping ship and becoming film festival programmers. Yesterday, it was Newsweek’s David Ansen. Today, it’s the L.A. Weekly/Village Voice’s Scott Foundas. Anne Thompson has the depressing news that might nevertheless be creating more opportunities for some of the better known online folks.

* The fruits of my compatriot Will Harris’s London sojourn are appearing in the form of some extremely worth-your-time interviews. First with writer/director Richard Curtis of the criticially underrated “Love, Actually” and the soon to be released “Pirate Radio.” Also roly-poly movie superstud and general all around good guy Nick Frost of “Shaun of the Dead,” etc., as well as “Pirate” newcomers Tom Sturridge and Talulah Riley gets the Harris treatment as well. Bob says collect ’em all.

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Crime and punishment, Hollywood style

I’m going to defer this weekend’s box office preview for the morning because we have several fairly major breaking developments that probably shouldn’t wait. Guess who figures in the first item…

* In the case that director Marina Zenovich built in “Roman Polanski: Wanted and Desired” — that the world-class director was both a criminal perpetrator and victim of legal malfeasance — one damning element was an interview with a former D.A. who was not supposed to have been involved in the case. As recounted by the L.A. Times’s Jack Leonard, David Wells said that he suggested to Judge Lawrence Rittenband that he could effectively sentence Polanski to jail time by ordering the accused director to undergo “diagnostic testing” in Chino State Prison, overruling the determination of a probation officer.

As described in the documentary this is, to say the least, outside the bounds of what is permitted in a situation like this. (In the context of the film it comes off as almost a petty vendetta.) Now, Wells claims that he lied. I’m not sure how to take that except that it’s never a good situation to be in when something you said may get you into trouble, and you suddenly claim that you were lying. At that point, you’re an admitted liar, the only question remaining is a matter of timing.

Roman Polanski, Douglas Dalton...and Neil Diamond?

At the same time, my own position on this case could be changing to the point where I may disagree with some of what I wrote in my review of the Zenovich film. I commend you to two extremely thoughtful posts on the matter: one by Anne Thompson (who also gets a huge h/t for this item) and the other by Karina Longworth. Karina’s take on the film was quite different from mine, but all of her points are at least valid and some may well be a lot more than that.

* A horrifying story I’d forgot all about reemerged today, as if to coincide with the Polanski matter. Roger Avary, who shared story credit and an Oscar with Quentin Tarantino on “Pulp Fiction,” co-wrote the screenplay for “Beowulf, and wrote and directed 1993’s “Killing Zoe” and the 2002 Bret Easton Ellis adaptation, “The Rules of Attraction” and also used to have a pretty lively blog, has been sentenced to a year in prison for gross vehicular manslaughter and driving while intoxicated.

Although Avary previously argued he was not drunk at the time of the accident which killed one friend and severely injured another, his blood alcohol level was reportedly above the legal limit. (No stories I can find say by how much, though legally and morally, I’m not sure if it matters.) He was also reportedly driving over 100 miles per hour. I wouldn’t want to live with what he must have on his conscience. Use a designated driver, wait several hours, if need be, until you are completely sober, take a cab, drink at home, or don’t drink at all.

* On a vastly lighter note, Nikki Finke broke the news today that cinephile-bane Michael Bay will be back at the helm for “Transformers III” with a presumably chastened Megan Fox. In this case, the crime will be on the screen and the punishment will be endured by critics.

* Also another “toldja!” from the mighty Finke: Leo the MGM lion may be a shadow of his former, but he will live to roar another day.

Blu Tuesday: The Wizard of Oz: 70th Anniversary Ultimate Collector’s Edition

When it comes to movie classics, there is none more beloved than Victor Fleming’s 1939 musical, “The Wizard of Oz.” Based on the popular children’s book by L. Frank Baum, the film has been featured on numerous “best of” lists and continues to captivate people of all ages to this day. In celebration of its 70th anniversary, Warner Home Video is releasing the movie for the very first time in high definition in a special collector’s set designed exclusively for the hardcore “Oz” fan. This four-disc box set includes over 16 hours of bonus material, a 52-page commemorative book about the making of the film, a reproduction of the original 1939 campaign book, a replica of the film’s budget sheet, and a limited edition watch.

Of course, the main draw of the set is the film itself, and while many have logged complaints about the film’s new hi-def transfer following the one-night special engagement in theaters across the country, there’s no truth behind any of them. Though a movie as old as “The Wizard of Oz” is never going to look as pristine as one from the last decade, the hours of work that went into restoring the film for its Blu-ray debut can be appreciated the minute Leo the MGM Lion comes on screen. It’s not perfect, mind you, but when compared to the many reissues over the years, this version is hands down the best one yet. Colors pop off the screen without looking oversaturated, while the sepia-toned segments look sharper than ever.

As expected with a movie as legendary as “The Wizard of Oz,” Warner Bros. has crammed as many special features onto the four-disc set as possible — to the point that it’s almost overkill. Granted, one of those discs only contains a digital copy of the film, but the other three more than make up for it. Disc One features the movie, as well as a new audio commentary by “Oz” historian John Fricke and a sing-along track. The previously released TV special, “The Wonderful Wizard of Oz: The Making of a Movie Classic,” hosted by Angela Lansbury also appears, as do featurettes on music, costumes and production design (“The Art of Imagination”) and the legacy of the film (“Because of the Wonderful Things It Does”).

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Friday film news dump

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Howdy folks, I’ve been a bit distracted by a couple of big pieces I did earlier, but the movie world moves on and, in the tradition of the White House emitting unpleasant stories late on Fridays to avoid too much notice, we have a couple of new bummer items and some more typical stuff from before that I missed.

* Nikki Finke is breaking the news of some possibly very serious fiscal problems at MGM, though I have to admit that these sorts of details are about as clear as mud to this innumerate fiscal ignoramus. In any case, the once-dominant studio has long been a shadow of its former self and isn’t even really a studio anymore (though it owns UA, and boy is that a complicated story for a tired guy to follow/remember right now). It sold off its historic lot in 2004 — where I actually spent a few hours on Tuesday, as it happens — to Sony, which is a change I’ve yet to get used to. Still, they have their fingers in a few pies. As Finke reports, if the not-studio really does go bankrupt, it could affect both the upcoming adaptations of “The Hobbit” and the ever-present James Bond series through its ownership of the also much-smaller-than-it-used-to-be United Artists.

* In news that is worse because it’s certain, the popular Cinevegas Film Festival is taking a break next year and, it sounds like, the year after that and who knows for how long if the overall economy doesn’t pick up. Of course, Las Vegas is probably one of the most shell-shocked places in the U.S. by the real estate bubble and general over-development. During the boom times, I would go to Vegas, look at all the ultra-high end restaurants, spas, and especially the stores and wonder when they’d run out of rich people.

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And in other movieland news….

* MGM is looking more solvent than before, with the help of its significant library. La Finke toldja.

* Willem Dafoe has been cast as sympathetic Martian Tars Tarkas in Andrew Stanton’s upcoming “John Carter of Mars.” It’s been a very long time since I read the books, but the character description reminds me of his “Platoon” character, just a little.

* Where does an actor for whom the ladies swoon go in the masculinity department after playing the hirsuite badass Wolverine and the heroic Gable-esque lead in “Australia“? Well, if you’re movie star/Oscar host Hugh Jackman, you play an Avon cosmetics sales person. I had an aunt who did that; I got aftershave for my tenth birthday.

* After the news of Harry Potter’s big haul (see the post just below), we’ll be seeing more like this, I’m sure.

* Not coincidentally, the blogger-boy cause celebre del dia boils down to a Hogwartsian architectural design and a suspiciously Potter-esque font, and basic concept, in the trailer for something called “Percy Jackson & the Olympians: The Lightning Thief.” My reaction: Chris Columbus is directing, so I’m not sure why anyone even cares. See for yourself…

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