The latest from Martin Scorsese and Leonardo DiCaprio performed even better than the experts seemed to expect this weekend. The horror-flavored thriller Dennis Lehane adaptation, “Shutter Island,” earned a very healthy estimated $40 million, about $10-15 million more than predicted. This will surprise some because the film was delayed from its original release date last year, which is usually considered not a very good sign. However, as Nikki Finke points out, it turns out to have been a very smart move by Paramount. To me, it’s pretty clear that the general artistic verdict on the film indicates that it wasn’t really Oscar material in any case, but the studio apparently saw the combination of well-known names that the audience trusts with the crime and horror genres could deliver some very nice bucks — if it debuted on a weekend with little in the way of fresh competition.
Taking a look at our handy-dandy Box Office Mojo chart, the competition really wasn’t very strong. Last week’s big winner, the critically drubbed “Valentine’s Day,” took a near nose dive and dropped by 69.5% apparently on word that it wasn’t very good and that V-day was last weekend. Still, $17.16 isn’t terrible box office for a second weekend.
Last weekend’s silver medalist, “Percy Jackson and the Olympians: The Lightning Thief,” dropped by a more standard 51% percent, but $15.3 million was low enough to put into the fourth place spot. That’s just below, guess what, “Avatar,” still holding nicely with $16.1 million in its tenth week. Meanwhile, the cool-looking but apparently very creatively troubled “The Wolfman” dropped a pretty bad 68.7% in its second weekend to earn an unspectacular $9.8 million and change.
By far the biggest film this week in terms of per-screen average this week belonged to a thriller that is topical in more ways than one. “The Ghost Writer” deals with a writer working on a memoir by a former British Prime Minister accused of war crimes connected to torture, and it’s directed by Roman Polanski. That was controversy/notoriety enough for a solid $44,775 on its four screens. It will be adding a few more theaters next week.
Kind words mostly seem to be mostly reserved for the striking atmospherics from director Joe Johnston’s effects team including make-up genius Rick Baker, which have been getting us fanboys so riled about this long-delayed production for low these many moons. Horror and monster lovers (in a platonic way, I mean) haven’t hard much to work with lately, so that sounds about right to me. I guess.
