Tag: Los Angeles Film Festival (Page 2 of 3)

You want a violent movie trailer? I’ve got two.

I’m still a bit busy and distracted by various matters including the ongoing Los Angeles Film Fest and last night’s L.A. premiere of “Animal Kingdom,” an ultra-neo-noir Aussie crime drama/suspense film that’s a bit dour for my taste but which boasts some outstanding performances and characterization, and a dynamite third act that my mind is still reeling from. Nevertheless, I’ve got a couple of trailers here that promise some fairly provocative manners of death dealing of the more frivolous and, perhaps, fun variety. We’ll start with the Red Band trailer for “Predators” for the wanton monster bloodshed and destruction you demand and the F-word you expect. H/t Den of Geek.

Via Cinemablend, and on a somewhat higher plane — because how can the sight of Dame Helen Mirren wielding a machine and blowing shit up not be on a very high plane indeed — comes the non-superhero comic book adaptation “RED,” as in “Retired, extremely dangerous.” Yep, it’s the action movie first-wave baby boomers have all been waiting for. It’s also got Morgan Freeman, the beautiful Mary Louise Parker, an excessively MK-Ultra‘d John Malkovich, and some other bald dude from the eighties.

Did you know that a quite young Helen Mirren might have been the first actress to appear nude in a mainstream studio film, 1969’s “Age of Consent,” directed by Michael Powell? I just felt like mentioning that.

Happy movie Father’s Day

I’ve been keeping busy and seeing some very good films at the Los Angeles Film Festival, not to mention honoring today’s holiday, but with this week’s predictably huge new major release, “Toy Story 3” ($109 million says Nikki Finke), and the impressive early limited release success of “Cyrus (a boffo over $45,000 per screen says Box Office Mojo’s chart), both reflect on odd ways on the parental experience and this mash-up seems to bring it all together.

Best wishes to all the dads out there. Just remember this, if you find yourself cutting off your son’s hand with a laser weapon, something has gone badly wrong. For the rest of you, good work.

Also, just FYI, I did see the “Cyrus” premiere at LAFF on Friday night and, if anything, I’m even more enthusiastic about the film than Jason Zingale is in his review, especially regarding Jonah Hill‘s performance, which I think may be award-worthy. More on that to come, I imagine.

Movie posting from me will continue to be light and erratic for a bit, but nevertheless watch this space.

Midweek movie news, and then…

After tonight, I’ll be taking a break from the daily blogging grind for just a bit. That means I’ll be out completely for a couple of days at least and then you may see a post here and there and then, suddenly, I’ll be back like I was never gone in the first place, probably towards the tail end of the month. So, this will have to hold you for a little while.

* As of tonight, corporate raider Carl Icahn appears to be a majority stockholder in Lionsgate.

* I’ve never been a fan of the seventies movie of the silly seventies film version of “Logan’s Run,” but with Carl Erik Rinsch directing, my interest in the new film perked up considerably. Now, Alex Garland — who wrote and produced the not-entirely-unrelated upcoming version of “Never Let Me Go” which I discussed yesterday — has jumped on board, making it even more interesting. Better, they’re approaching it as a new version of the book, not a remake of the film. In the 1976 film, by the way, no one in the futuristic society was permitted to live past 30. In the novel, it was 21.

* Sam Raimi has been confirmed as the director of “Oz: The Great and Powerful.” Apparently Robert Downey, Jr., who just formed a new company with his producer wife, Susan Downey, is the most likely Oz at this point.

* Be sure and check out Will Harris’s terrific interview with one of the best, Isabella Rossellini. Easily one of the most fascinating  actresses of the last thirty years or so, with quite a backstory behind her. Don’t miss it.

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*Though Ms. Rossellini seems perfectly at home in a very humorous way with her fifty-something status, that is not really always the case for actresses. This month’s conversation between Jason Bellamy and Ed Howard at the House Next Door underlines that point as the cinephile thinkers discuss two of Hollywood’s greatest show-biz based films, “Sunset Boulevard” and “All About Eve,” both released in 1950 and both dealing with actresses who struggling with this whole passage of time thing.

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The geek overload continues! (updated)

With the completely and utterly sold-out Comic-Con starting mid-week, Hollywood publicists seem to be working overtime to fulfill your no doubt insatiable need for geek news. I could probably write seven or eight posts catering to nerd proclivities. But you’re getting just one today, (and, with the help of few snafus, this one took much longer than it should have). A few highlights

* Leonardo DiCaprio’s company has signed writer Rand Ravich (“The Astronaut’s Wife,” the TV series “Life”) to do a new film somehow tied to Rod Serling’s classic anthology science-fiction/fantasy TV series, “The Twilight Zone.” Many of you will remember the 1983 film, which utilized multiple writers and directors and consisted of three adaptations of well known episodes from the original series, one tale loosely drawn from a pair of episodes (sadly infamous due to the accident which killed actor Vic Morrow and two illegally hired children, very nearly ending the career of director John Landis), and a framing story featuring Albert Brooks and Dan Aykroyd. No word on what form this new film would take — a single tale would be missing the entire point of “The Twilight Zone,” IMO — and I’m unfamiliar with Ravich’s work. So, it’ll be interesting to watch this one move further along the pipeline.

[Update: Apparently, one year ago at least, the idea was to make a single film drawn from an episode of the series. Why, I have no idea. I learned this via Monika Bartyzel, you can read her post and my messed up comments here.

* The word on the overseas grosses for “Harry Potter and the Half-Blood Prince” are in and they’re a new worldwide five day record of $297 million. Blimey.

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Harry Potter and the ginormous filmgoing hordes (updated)

We’ve got an early and rather light box office preview this week because only one new wide release is coming out. However, it’s already looking to be a doozy. Yes, it’s time for another highly profitable trip to Hogwarts with today’s (actually early as possible this morning’s) release of “Harry Potter and the Half-Blood Prince.”

Anyhow, word of highly boffo early ticket sales outpacing the midnight opening of “Transformers: Revenge of the Fallen” has proven out. Estimates of the Wednesday morning midnight take are roughly $20 million, says Variety and Nikki Finke. THR‘s Carl DiOrio wrote yesterday of roughly a $140 million five day gross and $100 million weekend. However, perhaps taking the fact that the $20 million figure beats both the Wednesday midnight opening of “The Dark Knight” by $2 million and “Transformers” by $4 million, the diviners reporting to Finke are telling her to expect $175-190 million, but with a $90-$100 million weekend a la DiOrio.

[UPDATE: The midnight gross turned out to be an even more whopping, more record breaking $22.2 million. Nikki Finke is now talking about the possibility of the fantasy flick breaking the $200 million mark in its first five days.]

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